Set Designer
Gretel & Hansel (2020)
Directed by: Oz Perkins
Cinematography by: Galo Olivares
Cameras: ARRI ALEXA Mini Camera
Draughtsperson: Art Department
'Into the Badlands' Chapter X: Palm of the Iron Fox (2017)
Directed by: Toa Fraser
Cinematography by: Owen McPolin
Edited by: Paul G. Day
Set Designer
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Draughtsperson: Art Department
'Into the Badlands' Chapter XVI: Wolf's Breath, Dragon Fire (2017)
Directed by: Paco Cabezas
Cinematography by: Owen McPolin
Edited by: Ben Wilkinson
Draughtsperson: Art Department
'Into the Badlands' Chapter XV: Nightingale Sings No More (2017)
Directed by: Paco Cabezas
Cinematography by: Owen McPolin
Edited by: Paul G. Day
Draughtsperson: Art Department
'Into the Badlands' Chapter XIV: Sting of the Scorpion's Tail (2017)
Directed by: Stephen Fung
Cinematography by: Nigel Willoughby
Edited by: Erin Deck
Draughtsperson: Art Department
'Into the Badlands' Chapter XIII: Black Heart, White Mountain (2017)
Directed by: Stephen Fung
Cinematography by: Nigel Willoughby
Edited by: Erin Deck
Draughtsperson: Art Department
'Into the Badlands' Chapter XII: Leopard Stalks in Snow (2017)
Directed by: Paco Cabezas
Cinematography by: Owen McPolin
Edited by: Ben Wilkinson
Draughtsperson: Art Department
'Into the Badlands' Chapter XI: Monkey Leaps Through Mist (2017)
Directed by: Paco Cabezas
Cinematography by: Owen McPolin
Edited by: Bridget Durnford
Draughtsperson: Art Department
'Into the Badlands' Chapter IX: Red Sun, Silver Moon (2017)
Directed by: Toa Fraser
Cinematography by: Owen McPolin
Edited by: Paul G. Day
Draughtsperson: Art Department
'Into the Badlands' Chapter VIII: Force of Eagle's Claw (2017)
Directed by: Nick Copus
Cinematography by: Owen McPolin
Draughtsperson: Art Department
'Into the Badlands' Chapter VII: Tiger Pushes Mountain (2017)
Directed by: Nick Copus
Cinematography by: Owen McPolin
Edited by: Bridget Durnford
Draughtsperson: Art Department - 7 Episodes, 2017
Into the Badlands (2015)
TV Series
Directed by: Paco Cabezas, Toa Fraser, David Dobkin, Guy Ferland, Nick Copus, Stephen Fung, James Marshall, Tricia Brock, Miles Millar, Wayne Yip
Cinematography by: Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart
3d Modeling & Model Making Supervisor: Weta Workshop
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
3d Modelling & Modelmaking Supervisor
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
3D Modelling And Modelmaking Supervisor: Weta Workshop
The Hobbit: The Desolation of Smaug (2013)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: GoPro HD Hero3 Camera, Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
3D Modelling And Model Making Supervisor: WETA Workshop
The Hobbit: An Unexpected Journey (2012)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Production Designer
The Devil's Rock (2011)
Directed by: Paul Campion
Cinematography by: Rob Marsh
Edited by: Jeff Hurrell
CAD Draughtsperson: Weta Workshop
The Adventures of Tintin (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Props Technician: Weta Workshop
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Miniatures Crew
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
