Special Effects Foreperson
Killers of the Flower Moon (2023)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Special Effects Coordinator
'True Detective' The Final Country (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Special Effects Coordinator
'True Detective' The Great War and Modern Memory (2019)
Directed by: Jeremy Saulnier
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Special Effects Coordinator
'True Detective' Kiss Tomorrow Goodbye (2019)
Directed by: Jeremy Saulnier
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Special Effects Coordinator
'True Detective' The Big Never (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Special Effects Coordinator
'True Detective' The Hour and the Day (2019)
Directed by: Nic Pizzolatto
Cinematography by: Nigel Bluck
Edited by: Leo Trombetta
Special Effects Coordinator
'True Detective' If You Have Ghosts (2019)
Directed by: Nic Pizzolatto
Cinematography by: Nigel Bluck
Edited by: Leo Trombetta
Special Effects Coordinator
'True Detective' Hunters in the Dark (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Special Effects Coordinator
'True Detective' Now Am Found (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Special Effects Purchaser
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Buyer, Special Effects Technician
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Special Effects Technician
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Special Effects Technician
Trumbo (2015)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Cameras: ARRI ALEXA XT Camera
Special Effects Technician
Get Hard (2015)
Directed by: Etan Cohen
Cinematography by: Tim Suhrstedt
Edited by: Michael L. Sale
Cameras: ARRI ALEXA XT Plus Camera
Special Effects Coordinator - 8 Episodes, 2019
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Special Effects Coordinator
Dallas Buyers Club (2013)
Directed by: Jean-Marc Vallée
Cinematography by: Yves Bélanger
Cameras: ARRI ALEXA Camera
Lenses: ARRI / Zeiss Lenses
Special Effects Coordinator
Ain't Them Bodies Saints (2013)
Directed by: David Lowery
Cinematography by: Bradford Young
Special Effects Technician
Bullet to the Head (2012)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Timothy Alverson
Special Effects Purchaser
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
