Visual Effects Artist
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Previsualization Artist
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Previs Artist: The Third Floor Inc.
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Previsualization Artist: The Third Floor
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Previs Modeler
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
CG Artist
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Previs Modeler
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Track/matchmove Artist
The Smurfs (2011)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Track/matchmove Artist
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
3D Artist: Entity FX
'The Vampire Diaries' The End of the Affair (2011)
Directed by: Chris Grismer
Cinematography by: Dave Perkal
Edited by: Nathan Easterling
3D Artist: Entity FX - 1 Episode, 2011
The Vampire Diaries (2009)
Directed by: Chris Grismer, Joshua Butler, Michael A. Allowitz, Marcos Siega, Pascal Verschooris, Kellie Cyrus, J. Miller Tobin, John Behring, Jeffrey G. Hunt, Rob Hardy, Lance Anderson, Leslie Libman, Paul Wesley, John Dahl, Wendey Stanzler, Jesse Warn, Darren Genet, David Von Ancken, Liz Friedlander, Garreth Stover, Julie Plec, Geoffrey Wing Shotz, Ian Somerhalder, Kevin Bray, Tony Solomons, Michael Karasick, Rick Bota, Ernest R. Dickerson, Guy Ferland, David Barrett, Charles Beeson, Ralph Hemecker, Patrick R. Norris, Elizabeth Allen Rosenbaum, Dennis Smith, Jeff Woolnough, David Jackson, Michael Katleman, Paul M. Sommers, Darnell Martin, Brad Turner, Deborah Chow, Rashaad Ernesto Green, Tanya Hamilton, James L. Thompson III, Carol Banker
Cinematography by: Paul M. Sommers, Dave Perkal, Darren Genet, Michael Karasick, Star Barry, Ramsey Nickell, Michael Negrin, John Peters
Edited by: Tony Solomons, Lance Anderson, Marc Pollon, Glenn Garland, Brian Wessel, Tyler L. Cook, Nathan Easterling, Sean Albertson, Joel T. Pashby, Evan J. Warner, Shawn Paper, Nicholas Erasmus, Nancy Forner, Lisa Willinger, Joshua Butler, Michael Ruscio, Sunny Hodge, Michael H. Friedlander, Jacques Gravett, Peter Basinski, Erik Presant, Kyle Keris
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Lenses: Zeiss Master Prime Lenses
Stereoscopic Compositor
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
