Co-producer
Trap (2024)
Directed by: M. Night Shyamalan
Cinematography by: Sayombhu Mukdeeprom
Edited by: Noemi Katharina Preiswerk
Cameras: ARRICAM Lite (LT) Camera
Post-production Supervisor
The Beguiled (2017)
Directed by: Sofia Coppola
Cinematography by: Philippe Le Sourd
Edited by: Sarah Flack
Cameras: ARRICAM Lite (LT) Camera
Post-production Supervisor
Mother! (2017)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Post-production Supervisor
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Post-production Supervisor
W.E. (2011)
Directed by: Madonna
Cinematography by: Hagen Bogdanski
Edited by: Danny Tull
Lenses: Zeiss Ultra Prime Lenses
Post-production Supervisor
I Don't Know How She Does It (2011)
Directed by: Douglas McGrath
Cinematography by: Stuart Dryburgh
Edited by: Camilla Toniolo
Post-production Supervisor
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Post-production Supervisor
The Tempest (2010)
Directed by: Julie Taymor
Cinematography by: Stuart Dryburgh
Edited by: Françoise Bonnot
Cameras: ARRICAM Lite (LT) Camera
Post-production Supervisor
Letters to Juliet (2010)
Directed by: Gary Winick
Cinematography by: Marco Pontecorvo
Edited by: Bill Pankow
Post-production Supervisor
Adventureland (2009)
Directed by: Greg Mottola
Cinematography by: Terry Stacey
Edited by: Anne McCabe
Post-production Supervisor
Miracle at St. Anna (2008)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Post-production Supervisor
Across the Universe (2007)
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Post-production Supervisor
I'm Not There (2007)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Jay Rabinowitz
Cameras: Aaton LTR Camera, Moviecam Compact Camera
Post-production Supervisor
Infamous (2006)
Directed by: Douglas McGrath
Cinematography by: Bruno Delbonnel
Edited by: Camilla Toniolo
Post-production Supervisor
Chicago (2002)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Martin Walsh
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Lightworks Editing System
Post-production Supervisor
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Post-production Supervisor
Crouching Tiger, Hidden Dragon (2000)
Directed by: Ang Lee
Cinematography by: Peter Pau
Edited by: Tim Squyres
Cameras: ARRIFLEX 435 ES Camera
Lenses: Zeiss Lenses
Post-production Coordinator
The Winslow Boy (1999)
Directed by: David Mamet
Cinematography by: Benoît Delhomme
Edited by: Barbara Tulliver
Post-production Coordinator
54 (1998)
Directed by: Mark Christopher
Cinematography by: Alexander Gruszynski
Edited by: Lee Percy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Set Production Assistant
The Last Days of Disco (1998)
Directed by: Whit Stillman
Cinematography by: John Thomas
Post-production Assistant, Set Production Assistant
The Spanish Prisoner (1997)
Directed by: David Mamet
Cinematography by: Gabriel Beristain
Edited by: Barbara Tulliver
