Robin Mulcahy Fisichella

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Jason Bourne | ShotOnWhat?

Production Supervisor: Spain, D.C., Las Vegas

Jason Bourne (2016)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Get on Up | ShotOnWhat?

Production Supervisor

Get on Up (2014)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses

Alex Cross | ShotOnWhat?

Production Supervisor

Alex Cross (2012)

Directed by: Rob Cohen

Cinematography by: Ricardo Della Rosa

Edited by: Matthew Diezel, Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

X: First Class | ShotOnWhat?

Production Supervisor: USA

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Undercovers | ShotOnWhat?

Production Supervisor - 1 Episode, 2010

Undercovers (2010)

Television Series

Directed by: Stephen Williams, Tucker Gates, J.J. Abrams, Brad Anderson, Daniel Attias, Anthony Hemingway, Jonas Pate, Rosemary Rodriguez, Frederick E.O. Toye, Jeff T. Thomas

Cinematography by: John B. Aronson, John S. Bartley, Michael Bonvillain

Edited by: Jill D'Agnenica, Mark Conte, Mark Goldman, Christopher Nelson, Mary Jo Markey

Cameras: Red One MX Camera

"Undercovers" Pilot | ShotOnWhat?

Production Supervisor

'Undercovers' Pilot (2010)

Television Episode

Directed by: J.J. Abrams

Cinematography by: Michael Bonvillain

Edited by: Mary Jo Markey

Superhero Movie | ShotOnWhat?

Producer - Line Producer: Additional Photography, Production Supervisor

Superhero Movie (2008)

Directed by: Craig Mazin

Cinematography by: Thomas E. Ackerman

Edited by: Andrew S. Eisen, Craig Herring, Dan Schalk

Cameras: ARRI Cameras

Walk Hard: The Dewey Cox Story | ShotOnWhat?

Production Supervisor

Walk Hard: The Dewey Cox Story (2007)

Directed by: Jake Kasdan

Cinematography by: Uta Briesewitz

Edited by: Tara Timpone, Steve Welch

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Big Momma's House 2 | ShotOnWhat?

Production Supervisor

Big Momma's House 2 (2006)

Directed by: John Whitesell

Cinematography by: Mark Irwin

Edited by: Priscilla Nedd-Friendly

A Cinderella Story | ShotOnWhat?

Production Supervisor

A Cinderella Story (2004)

Directed by: Mark Rosman

Cinematography by: Anthony B. Richmond

Edited by: Cara Silverman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Panavision Lenses

Collateral Damage | ShotOnWhat?

Production Coordinator

Collateral Damage (2002)

Directed by: Andrew Davis

Cinematography by: Adam Greenberg

Edited by: Dov Hoenig, Dennis Virkler

The Hot Chick | ShotOnWhat?

Associate Producer

The Hot Chick (2002)

Directed by: Tom Brady

Cinematography by: Tim Suhrstedt

Edited by: Peck Prior

Cookie's Fortune | ShotOnWhat?

Production Coordinator

Cookie's Fortune (1999)

Directed by: Robert Altman

Cinematography by: Toyomichi Kurita

Edited by: Abraham Lim

Anna and the King | ShotOnWhat?

Production Coordinator

Anna and the King (1999)

Directed by: Andy Tennant

Cinematography by: Caleb Deschanel

Edited by: Roger Bondelli

Cameras: Panavision Cameras

Lenses: Panavision E Series Anamorphic Lenses

Permanent Midnight | ShotOnWhat?

Production Coordinator

Permanent Midnight (1998)

Directed by: David Veloz

Cinematography by: Robert D. Yeoman

Edited by: Cara Silverman, Steven Weisberg

Break Up | ShotOnWhat?

Production Coordinator

Break Up (1998)

Directed by: Paul Marcus

Cinematography by: Hubert Taczanowski

Edited by: Arthur Coburn

Batman & Robin | ShotOnWhat?

Assistant Production Associate

Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Down Periscope | ShotOnWhat?

Assistant Production Coordinator

Down Periscope (1996)

Directed by: David S. Ward

Cinematography by: Victor Hammer

Edited by: William M. Anderson, Armen Minasian

Batman Forever | ShotOnWhat?

Assistant Production Secretary

Batman Forever (1995)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Stargate | ShotOnWhat?

Production Assistant

Stargate (1994)

Directed by: Roland Emmerich

Cinematography by: Karl Walter Lindenlaub

Edited by: Derek Brechin, Michael J. Duthie

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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