Digital Compositor: Lipsync
King Arthur: Legend of the Sword (2017)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Cameras: ARRI ALEXA XT Camera
Compositing Supervisor
The Nice Guys (2016)
Directed by: Shane Black
Cinematography by: Philippe Rousselot
Edited by: Joel Negron
Cameras: ARRI ALEXA XT Camera
Digital Compositor
Mr. Turner (2014)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jon Gregory
Cameras: ARRI ALEXA Plus Camera, Canon EOS-C500 Camera
Lenses: Cooke Speed Panchro Lenses
Digital Compositor: Lipsync Post
Theeb (2014)
Directed by: Naji Abu Nowar
Cinematography by: Wolfgang Thaler
Edited by: Rupert Lloyd
Cameras: ARRIFLEX 416 Camera
Lenses: Hawk V-Lite 16 Lens
Digital Compositor
Kilo Two Bravo (2014)
Directed by: Paul Katis
Cinematography by: Chris Goodger
Edited by: Brin
Cameras: ARRI ALEXA XT Camera, Blackmagic Cinema Camera
Lenses: Angenieux Lenses, Red Pro Prime Lenses
Editing System: Avid Editing System
Compositor: Pixomondo
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Digital Compositor
The Pirates! Band of Misfits (2012)
Cinematography by: Frank Passingham
Edited by: Justin Krish
Cameras: Canon EOS-5D Mark II Camera
Digital Compositor: Lipsync Post
Great Expectations (2012)
Directed by: Mike Newell
Cinematography by: John Mathieson
Edited by: Tariq Anwar
Digital Compositor
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Digital Compositor: LipSync Post
Byzantium (2012)
Directed by: Neil Jordan
Cinematography by: Sean Bobbitt
Edited by: Tony Lawson
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Master Prime Lenses
