Compositing Supervisor
'The Blacklist' Milton Bobbit (No. 135) (2014)
Directed by: Steven A. Adelson
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Compositing Supervisor
'The Blacklist' The Pavlovich Brothers (Nos. 119-122) (2014)
Directed by: Paul A. Edwards
Cinematography by: Arthur Albert
Compositing Supervisor
'The Blacklist' Berlin (No. 8) (2014)
Directed by: Michael Zinberg
Edited by: Nathan Gunn
Compositing Supervisor
'The Blacklist' Berlin (No. 8): Conclusion (2014)
Directed by: Michael W. Watkins
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Compositing Supervisor
'The Americans' Cardinal (2014)
Directed by: Daniel Sackheim
Cinematography by: Richard Rutkowski
Edited by: Daniel A. Valverde
Compositing Supervisor
'The Americans' The Walk-In (2014)
Directed by: Constantine Makris
Cinematography by: Richard Rutkowski
Edited by: Amanda Pollack
Compositing Supervisor
'The Americans' The Deal (2014)
Directed by: Daniel Attias
Cinematography by: Richard Rutkowski
Compositing Supervisor
'The Americans' A Little Night Music (2014)
Directed by: Lodge Kerrigan
Cinematography by: Richard Rutkowski
Edited by: Michael Berenbaum
Compositing Supervisor
'The Americans' Behind the Red Door (2014)
Directed by: Charlotte Sieling
Cinematography by: Richard Rutkowski
Edited by: Amanda Pollack
Compositing Supervisor
'The Americans' Stealth (2014)
Directed by: Gregory Hoblit
Cinematography by: Richard Rutkowski
Edited by: Daniel A. Valverde
Compositing Supervisor
'The Americans' Yousaf (2014)
Directed by: Stefan Schwartz
Cinematography by: Richard Rutkowski
Edited by: Michael Berenbaum
Compositing Supervisor
'The Americans' Operation Chronicle (2014)
Directed by: Andrew Bernstein
Cinematography by: Richard Rutkowski
Compositing Supervisor
A Walk Among the Tombstones (2014)
Directed by: Scott Frank
Cinematography by: Mihai Malaimare Jr.
Edited by: Jill Savitt
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Digital Compositor
The Expendables 3 (2014)
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Compositing Supervisor
Winter's Tale (2014)
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Compositing Supervisor
'The Blacklist' Ivan (No. 88) (2014)
Directed by: Randy Zisk
Edited by: David Post
Compositing Supervisor
'The Blacklist' Mako Tanida (No. 83) (2014)
Directed by: Michael W. Watkins
Edited by: Nathan Gunn
Digital Compositor
I, Frankenstein (2014)
Directed by: Stuart Beattie
Cinematography by: Ross Emery
Edited by: Marcus D'Arcy
Cameras: Red Epic Camera
Compositing Supervisor
'The Blacklist' The Judge (No. 57) (2014)
Directed by: Peter Werner
Edited by: Chris Brookshire
Compositing Supervisor
'The Blacklist' Madeline Pratt (No. 73) (2014)
Directed by: Michael Zinberg
Cinematography by: Michael Caracciolo
Edited by: David Post
Compositing Supervisor
'The Blacklist' The Cyprus Agency (No. 64) (2014)
Directed by: Michael W. Watkins
Compositing Supervisor
'The Blacklist' The Alchemist (No. 101) (2014)
Directed by: Vincent Misiano
Edited by: Chris Brookshire
Compositing Supervisor
'The Blacklist' The Good Samaritan (No. 106) (2014)
Directed by: Dan Lerner
Cinematography by: Arthur Albert
Edited by: David Post
Compositing Supervisor
'The Blacklist' The Freelancer (No. 145) (2013)
Directed by: Jace Alexander
Cinematography by: Frank Prinzi
Edited by: Harvey Rosenstock
Compositing Supervisor
'The Blacklist' The Courier (No. 85) (2013)
Directed by: Nick Gomez
Cinematography by: Arthur Albert
Edited by: Harvey Rosenstock
Compositing Supervisor
'The Blacklist' The Stewmaker (No. 161) (2013)
Directed by: Vincent Misiano
Cinematography by: Frank Prinzi
Edited by: Nathan Gunn
Compositing Supervisor
'The Blacklist' Wujing (No. 84) (2013)
Directed by: Michael W. Watkins
Cinematography by: Frank Prinzi
Edited by: Chris Brookshire
Compositing Supervisor - 15 Episodes, 2013-2014
The Blacklist (2013)
Directed by: Michael W. Watkins, Bill Roe, Andrew McCarthy, Donald E. Thorin Jr., Terrence O'Hara, Steven A. Adelson, John Terlesky, Michael Caracciolo, Karen Gaviola, Kurt Kuenne, Joe Carnahan, Christine Gee, Vincent Misiano, David Platt, Paul A. Edwards, Michael Zinberg, Alex Zakrzewski, Adam T. Weisinger, Jean de Segonzac, Cort Hessler, Solvan Naim, Jace Alexander, Adam Arkin, Nick Gomez, Stephen Surjik, Dan Lerner, Peter Werner, Randy Zisk, Guy Ferland, Omar Madha, Ami Canaan Mann, Michael Waxman, Anton Cropper, Michael Dinner, Eagle Egilsson, Tim Hunter, Mary Lambert, Edward Ornelas, Paul Holahan, Bethany Rooney, Stephanie A. Marquardt, Lin Oeding, Lisa Robinson, Daniel Willis
Cinematography by: Michael Caracciolo, Eric Moynier, Saade Mustafa, Frank Prinzi, Arthur Albert, Yasu Tanida, Peter Reniers
Edited by: Chris Brookshire, David Post, Emily Greene, Nathan Gunn, Orlando Machado Jr., Harvey Rosenstock, Amy M. Fleming, Kevin Hale, Jason Hellmann, Rhett Finch, Eric L. Beason
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Compositor
Homefront (2013)
Directed by: Gary Fleder
Cinematography by: Theo van de Sande
Edited by: Padraic McKinley
Cameras: ARRI ALEXA Camera
Vfx Sequence Supervisor
Olympus Has Fallen (2013)
Directed by: Antoine Fuqua
Cinematography by: Conrad W. Hall
Edited by: John Refoua
Editing System: Avid Editing System
Compositing Supervisor - 12 Episodes, 2014
The Americans (2013)
Directed by: Chris Long, Daniel Sackheim, Thomas Schlamme, Daniel Attias, Stefan Schwartz, Kevin Dowling, Nicole Kassell, Adam Arkin, Noah Emmerich, Matthew Rhys, John Dahl, Andrew Bernstein, Steph Green, Kevin Bray, Roxann Dawson, Sylvain White, Alex Chapple, Holly Dale, Jean de Segonzac, Bill Johnson, Jim McKay, Gavin O'Connor, Gregory Hoblit, Lodge Kerrigan, Constantine Makris, Alik Sakharov, Charlotte Sieling, Larysa Kondracki, Christopher Misiano, Stephen Williams, Kari Skogland, Gwyneth Horder-Payton
Cinematography by: Richard Rutkowski, J.B. Smith, Alex Nepomniaschy, Dan Stoloff, Alan Caso, Radium Cheung
Edited by: Daniel A. Valverde, Amanda Pollack, Michael Berenbaum, Sheri Bylander, Katie Ennis, Marnee Meyer, Alan Cody
Cameras: ARRI ALEXA Camera
Visual Effects Artist
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Compositor: 2D
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
2d Compositor: Worldwide FX
The Iceman (2012)
Directed by: Ariel Vromen
Cinematography by: Bobby Bukowski
Edited by: Danny Rafic
Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Lead Visual Effects Artist
Trespass (2011)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Bill Pankow
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Compositor / Visual Effects Artist
The Mechanic (2011)
Directed by: Simon West
Cinematography by: Eric Schmidt
Digital Compositor: Worldwide FX, USA / Visual Effects Artist
Drive Angry (2011)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Compositor / Visual Effects Artist
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
