Digital Intermediate Colorist
To Leslie (2022)
Directed by: Michael Morris
Cinematography by: Larkin Seiple
Edited by: Chris McCaleb
Cameras: ARRICAM Lite (LT) Camera
Colorist
Everything Everywhere All at Once (2022)
Cinematography by: Larkin Seiple
Edited by: Paul Rogers
Cameras: ARRI ALEXA Mini Camera
Lenses: Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Digital Intermediate Colorist
Booksmart (2019)
Directed by: Olivia Wilde
Cinematography by: Jason McCormick
Cameras: ARRI ALEXA Mini Camera
Digital Intermediate Colorist
Mid90s (2018)
Directed by: Jonah Hill
Cinematography by: Christopher Blauvelt
Edited by: Nick Houy
Cameras: ARRIFLEX 416 Camera
Digital Intermediate Colorist
If Beale Street Could Talk (2018)
Directed by: Barry Jenkins
Cinematography by: James Laxton
Cameras: ARRI ALEXA 65 Camera
Lenses: ARRI Rental Prime DNA Lenses
Colorist
'Master of None' Le Nozze (2017)
Directed by: Aziz Ansari
Cinematography by: Mark Schwartzbard
Edited by: Daniel Haworth
Colorist
'Master of None' The Thief (2017)
Directed by: Aziz Ansari
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Digital Intermediate Colorist
Before I Fall (2017)
Directed by: Ry Russo-Young
Cinematography by: Michael Fimognari
Edited by: Joe Landauer
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Plus Lenses
Digital Intermediate Colorist
Moonlight (2016)
Directed by: Barry Jenkins
Cinematography by: James Laxton
Cameras: ARRI ALEXA XT Plus Camera
Digital Intermediate Colorist
Complete Unknown (2016)
Directed by: Joshua Marston
Cinematography by: Christos Voudouris
Edited by: Malcolm Jamieson
Supervising Colorist
'Master of None' Indians on TV (2015)
Directed by: Eric Wareheim
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Supervising Colorist
'Master of None' Plan B (2015)
Directed by: James Ponsoldt
Cinematography by: Mark Schwartzbard
Edited by: Suzy Elmiger
Supervising Colorist
'Master of None' The Other Man (2015)
Directed by: Eric Wareheim
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Supervising Colorist
'Master of None' Nashville (2015)
Directed by: Aziz Ansari
Cinematography by: Mark Schwartzbard
Supervising Colorist
'Master of None' Ladies and Gentlemen (2015)
Directed by: Lynn Shelton
Cinematography by: Mark Schwartzbard
Edited by: Suzy Elmiger
Supervising Colorist
'Master of None' Old People (2015)
Directed by: Lynn Shelton
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Supervising Colorist
'Master of None' Mornings (2015)
Directed by: Eric Wareheim
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Supervising Colorist
'Master of None' Finale (2015)
Directed by: Eric Wareheim
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Supervising Colorist
'Master of None' Hot Ticket (2015)
Directed by: James Ponsoldt
Cinematography by: Mark Schwartzbard
Edited by: Suzy Elmiger
Supervising Colorist
'Master of None' Parents (2015)
Directed by: Aziz Ansari
Cinematography by: Mark Schwartzbard
Edited by: Suzy Elmiger
Supervising Colorist / Colorist - 12 Episodes, 2015-2017
Master of None (2015)
Cinematography by: Mark Schwartzbard
Cameras: Panasonic VariCam 35
Digital Intermediate Colorist: Cinelicious
Ping Pong Summer (2014)
Directed by: Michael Tully
Cinematography by: Wyatt Garfield
Edited by: Marc Vives
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Ultra 16 Lenses
Digital Intermediate Colorist
Blue Ruin (2013)
Directed by: Jeremy Saulnier
Cinematography by: Jeremy Saulnier
Edited by: Julia Bloch
Cameras: Canon EOS-C300 Camera
Lenses: Canon L Series Lenses
Colorist
Drinking Buddies (2013)
Directed by: Joe Swanberg
Cinematography by: Ben Richardson
Edited by: Joe Swanberg
Cameras: Red Scarlet Camera
Lenses: Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 25 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Makro-Planar 100 mm T2.1 CF Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens, Zeiss Compact Prime Lenses
Digital Intermediate Colorist
Prince Avalanche (2013)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Colin Patton
Cameras: ARRI ALEXA Camera
Colorist
I Used to Be Darker (2013)
Directed by: Matthew Porterfield
Cinematography by: Jeremy Saulnier
Edited by: Marc Vives
Cameras: ARRI ALEXA Camera
Digital Colorist: DIVE
Silver Linings Playbook (2012)
Directed by: David O. Russell
Cinematography by: Masanobu Takayanagi
Colorist
Chernobyl Diaries (2012)
Directed by: Bradley Parker
Cinematography by: Morten Søborg
Edited by: Stan Salfas
Cameras: ARRI ALEXA Camera
Colorist
California Solo (2012)
Directed by: Marshall Lewy
Cinematography by: James Laxton
Edited by: Alex Jablonski
Colorist
Sound of My Voice (2011)
Directed by: Zal Batmanglij
Cinematography by: Rachel Morrison
Edited by: Tamara Meem
Cameras: Canon EOS-7D Camera
Digital Dailies Colorist
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Colorist, Electrician
Cold Weather (2010)
Directed by: Aaron Katz
Cinematography by: Andrew Reed
Edited by: Aaron Katz
