Orchestrator
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Orchestrator
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Additional Orchestrator
Ratatouille (2007)
Cinematography by: Robert Anderson
Edited by: Darren T. Holmes
Additional Orchestrator
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Orchestrator
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Additional Orchestrator
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Orchestrator
The Mirror Has Two Faces (1996)
Directed by: Barbra Streisand
Edited by: Jeff Werner
Cameras: Panavision Panaflex Camera
Orchestrator
The Three Musketeers (1993)
Directed by: Stephen Herek
Cinematography by: Dean Semler
Edited by: John F. Link
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestrator
Robin Hood: Prince of Thieves (1991)
Directed by: Kevin Reynolds
Cinematography by: Douglas Milsome
Edited by: Peter Boyle
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Orchestrator
The Bonfire of the Vanities (1990)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Orchestrator
The Experts (1989)
Directed by: Dave Thomas
Cinematography by: Ronnie Taylor
Edited by: Bud Molin
Orchestrator
Jaws: The Revenge (1987)
Directed by: Joseph Sargent
Cinematography by: John McPherson
Edited by: Michael Brown
Orchestrator
Spaceballs (1987)
Directed by: Mel Brooks
Cinematography by: Nick McLean
Edited by: Conrad Buff IV
Orchestrator
Black Widow (1987)
Directed by: Bob Rafelson
Cinematography by: Conrad L. Hall
Edited by: John Bloom
Orchestrator
3 Men and a Baby (1987)
Directed by: Leonard Nimoy
Cinematography by: Adam Greenberg
Edited by: Michael A. Stevenson
Orchestrator
Haunted Honeymoon (1986)
Directed by: Gene Wilder
Cinematography by: Fred Schuler
Edited by: Christopher Greenbury
Orchestrator
A Fine Mess (1986)
Directed by: Blake Edwards
Cinematography by: Harry Stradling Jr.
Cameras: Panavision Panaflex Gold Camera
Music Adaptor / Orchestrator
The Color Purple (1985)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn
Orchestrator: Patrick Williams
Swing Shift (1984)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Orchestrator
The Woman in Red (1984)
Directed by: Gene Wilder
Cinematography by: Fred Schuler
Edited by: Christopher Greenbury
Orchestrator
The Natural (1984)
Directed by: Barry Levinson
Cinematography by: Caleb Deschanel
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Orchestrator: For John Morris
Table for Five (1983)
Directed by: Robert Lieberman
Cinematography by: Vilmos Zsigmond
Edited by: Michael Kahn
Orchestrator
The Man Who Loved Women (1983)
Directed by: Blake Edwards
Cinematography by: Haskell Wexler
Edited by: Ralph E. Winters
Orchestrator
Doctor Detroit (1983)
Directed by: Michael Pressman
Cinematography by: King Baggot
Edited by: Christopher Greenbury
Orchestrator: American Crew
Yellowbeard (1983)
Directed by: Mel Damski
Cinematography by: Gerry Fisher
Edited by: William Reynolds
Orchestrator
Sophie's Choice (1982)
Directed by: Alan J. Pakula
Cinematography by: Néstor Almendros
Edited by: Evan A. Lottman
Orchestrator
Star Trek II: The Wrath of Khan (1982)
Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher
Edited by: William Paul Dornisch
Cameras: Dykstraflex Camera, Panavision Cameras
Orchestrator
The Postman Always Rings Twice (1981)
Directed by: Bob Rafelson
Cinematography by: Sven Nykvist
Edited by: Graeme Clifford
Orchestrator
Continental Divide (1981)
Directed by: Michael Apted
Cinematography by: John Bailey
Edited by: Dennis Virkler
Orchestrator
Ordinary People (1980)
Directed by: Robert Redford
Cinematography by: John Bailey
Edited by: Jeff Kanew
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Orchestrator
When Time Ran Out... (1980)
Directed by: James Goldstone
Cinematography by: Fred J. Koenekamp
Orchestrator
Hero at Large (1980)
Directed by: Martin Davidson
Cinematography by: David M. Walsh
Edited by: David Garfield
Cameras: Panavision Cameras
Orchestrator
The Elephant Man (1980)
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Anne V. Coates
Orchestrator
Brubaker (1980)
Directed by: Stuart Rosenberg
Cinematography by: Bruno Nuytten
Edited by: Robert Brown
Cameras: Panavision Cameras
Additional Orchestrations
1941 (1979)
Directed by: Steven Spielberg
Cinematography by: William A. Fraker
Edited by: Michael Kahn
Cameras: Panavision Panaflex Series Cameras
Orchestrator
Butch and Sundance: The Early Days (1979)
Directed by: Richard Lester
Cinematography by: László Kovács
Edited by: George Trirogoff
Orchestrator
Nightwing (1979)
Directed by: Arthur Hiller
Cinematography by: Charles Rosher Jr.
Edited by: John C. Howard
Orchestrator
Who Is Killing the Great Chefs of Europe? (1978)
Directed by: Ted Kotcheff
Cinematography by: John Alcott
Edited by: Thom Noble
Orchestrator
Comes a Horseman (1978)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: Marion Rothman
Orchestrator
The Bad News Bears in Breaking Training (1977)
Directed by: Michael Pressman
Cinematography by: Fred J. Koenekamp
Edited by: John W. Wheeler
Orchestrator
High Anxiety (1977)
Directed by: Mel Brooks
Cinematography by: Paul Lohmann
Edited by: John C. Howard
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestrator
Audrey Rose (1977)
Directed by: Robert Wise
Cinematography by: Victor J. Kemper
Edited by: Carl Kress
Conductor / Orchestrator
Taxi Driver (1976)
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Orchestrator
Marathon Man (1976)
Directed by: John Schlesinger
Cinematography by: Conrad L. Hall
Edited by: Jim Clark
Cameras: Panavision Cameras
Orchestrator
The Out of Towners (1970)
Directed by: Arthur Hiller
Cinematography by: Andrew Laszlo
Edited by: Fred A. Chulack
Orchestrator
Airport (1970)
Cinematography by: Ernest Laszlo
Edited by: Stuart Gilmore
Cameras: Todd-AO 65mm Camera
Orchestrator
Butch Cassidy and the Sundance Kid (1969)
Directed by: George Roy Hill
Cinematography by: Conrad L. Hall
Cameras: Panavision Silent Reflex PSR Camera
Orchestrator
John and Mary (1969)
Directed by: Peter Yates
Cinematography by: Gayne Rescher
Edited by: Frank P. Keller
Orchestrator
Mackenna's Gold (1969)
Directed by: J. Lee Thompson
Cinematography by: Joseph MacDonald
Edited by: Bill Lenny
Cameras: Super Panavision-70 Camera
Orchestrator
Casino Royale (1967)
Cinematography by: Jack Hildyard
Edited by: Bill Lenny
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestration
Hombre (1967)
Directed by: Martin Ritt
Cinematography by: James Wong Howe
Edited by: Frank Bracht
Orchestrator
The Sons of Katie Elder (1965)
Directed by: Henry Hathaway
Cinematography by: Lucien Ballard
Cameras: Panavision Cameras
Orchestrator
It's a Mad Mad Mad Mad World (1963)
Directed by: Stanley Kramer
Cinematography by: Ernest Laszlo
Cameras: Ultra Panavision 70 Camera
Orchestrator
How the West Was Won (1962)
Edited by: Harold F. Kress
Cameras: Cinerama Camera, Ultra Panavision 70 Camera
Lenses: Kodak Ektar 27 mm Lens, Panavision Lenses
Orchestrator
Bachelor in Paradise (1961)
Directed by: Jack Arnold
Cinematography by: Joseph Ruttenberg
Edited by: Richard W. Farrell
Orchestrator
One-Eyed Jacks (1961)
Directed by: Marlon Brando
Cinematography by: Charles Lang
Edited by: Archie Marshek
Cameras: VistaVision Cameras
Orchestrator
Cinderfella (1960)
Directed by: Frank Tashlin
Cinematography by: Haskell B. Boggs
Edited by: Arthur P. Schmidt
Orchestrator
Don't Give Up the Ship (1959)
Directed by: Norman Taurog
Cinematography by: Haskell B. Boggs
