Visual Effects Director
Rester vertical (2016)
Directed by: Alain Guiraudie
Cinematography by: Claire Mathon
Edited by: Jean-Christophe Hym
Cameras: Panasonic VariCam 35, Red Epic Dragon Camera
Visual Effects Supervisor
L'Oranais (2014)
Directed by: Lyès Salem
Cinematography by: Pierre Cottereau
Edited by: Florence Ricard
Visual Effects Director
SMS (2014)
Directed by: Gabriel Julien-Laferrière
Cinematography by: Axel Cosnefroy
Edited by: Stephan Couturier
Visual Effects Supervisor
Timbuktu (2014)
Directed by: Abderrahmane Sissako
Cinematography by: Sofian El Fani
Edited by: Nadia Ben Rachid
Cameras: ARRI ALEXA Plus Camera
Visual Effects Supervisor
3 coeurs (2014)
Directed by: Benoît Jacquot
Cinematography by: Julien Hirsch
Edited by: Julia Gregory
Cameras: ARRI ALEXA Camera
Visual Effects Coordinator
Anything for Alice (2014)
Directed by: Nicolas Cuche
Cinematography by: Guillaume Deffontaines
Edited by: Thierry Rouden
Cameras: Red Epic Camera
Visual Effects Supervisor
Boule & Bill (2013)
Cinematography by: Axel Cosnefroy
Lenses: Angenieux Optimo Zoom Lenses
Visual Effects Supervisor
L'écume des jours (2013)
Directed by: Michel Gondry
Cinematography by: Christophe Beaucarne
Edited by: Marie-Charlotte Moreau
Cameras: Red Epic Camera
Visual Effects Director
Les invincibles (2013)
Directed by: Frédéric Berthe
Cinematography by: David Quesemand
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor: BeDIGITAL
Sur la piste du Marsupilami (2012)
Directed by: Alain Chabat
Cinematography by: Laurent Dailland
Edited by: Maryline Monthieux
Visual Effects Supervisor
Bowling (2012)
Directed by: Marie-Castille Mention-Schaar
Cinematography by: Myriam Vinocour
Edited by: Hugues Darmois
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor
La source des femmes (2011)
Directed by: Radu Mihaileanu
Cinematography by: Glynn Speeckaert
Cameras: ARRICAM Lite (LT) Camera
Visual Effects Supervisor
Le fils à Jo (2011)
Directed by: Philippe Guillard
Cinematography by: Ludovic Colbeau-Justin
Cameras: ARRIFLEX 535 B Camera
Visual Effects Supervisor
When Pigs Have Wings (2011)
Directed by: Sylvain Estibal
Cinematography by: Romain Winding
Edited by: Damien Keyeux
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor
Poupoupidou (2011)
Directed by: Gérald Hustache-Mathieu
Cinematography by: Pierre Cottereau
Edited by: Valérie Deseine
Visual Effects Supervisor
Point Blank (2010)
Directed by: Fred Cavayé
Cinematography by: Alain Duplantier
Edited by: Benjamin Weill
Visual Effects Supervisor
Les femmes du 6e étage (2010)
Directed by: Philippe Le Guay
Cinematography by: Jean-Claude Larrieu
Edited by: Monica Coleman
Visual Effects Supervisor
Christopher Roth (2010)
Directed by: Maxime Alexandre
Cinematography by: Maxime Alexandre
Cameras: Red One Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor
Copacabana (2010)
Directed by: Marc Fitoussi
Cinematography by: Hélène Louvart
Edited by: Martine Giordano
Titles Designer
Le dernier vol (2009)
Directed by: Karim Dridi
Cinematography by: Antoine Monod
Edited by: Lise Beaulieu
Visual Effects
Espion(s) (2009)
Directed by: Nicolas Saada
Cinematography by: Stéphane Fontaine
Edited by: Juliette Welfling
Cameras: Aaton Cameras, ARRICAM Lite (LT) Camera
Collaborateur 2
Celle que j'aime (2009)
Directed by: Élie Chouraqui
Cameras: Panavision Genesis Camera
Visual Effects Supervisor
Je vais te manquer (2009)
Directed by: Amanda Sthers
Cinematography by: Régis Blondeau
Edited by: Elise Fievet
Cameras: ARRICAM Lite (LT) Camera
Visual Effects Supervisor
La première étoile (2009)
Directed by: Lucien Jean-Baptiste
Cinematography by: Myriam Vinocour
Edited by: Hugues Darmois
Visual Effects Supervisor
The Last Deadly Mission (2008)
Directed by: Olivier Marchal
Cinematography by: Denis Rouden
Edited by: Raphaele Urtin
Visual Effects Supervisor
Disco (2008)
Directed by: Fabien Onteniente
Cinematography by: Jean-Marie Dreujou
Visual Effects Supervisor
Pars vite et reviens tard (2007)
Directed by: Régis Wargnier
Cinematography by: Laurent Dailland
Edited by: Yann Malcor
Visual Effects Supervisor
Tell No One (2006)
Directed by: Guillaume Canet
Cinematography by: Christophe Offenstein
Edited by: Hervé de Luze
Visual Effects Supervisor
O Jerusalem (2006)
Directed by: Élie Chouraqui
Cinematography by: Giovanni Fiore Coltellacci
Visual Effects Supervisor
Calvaire (2004)
Directed by: Fabrice du Welz
Cinematography by: Benoît Debie
Edited by: Sabine Hubeaux
Cameras: Aaton A-Minima Camera
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Supervisor
Une vie à t'attendre (2004)
Directed by: Thierry Klifa
Cinematography by: Pierre Aïm
Edited by: Luc Barnier
Visual Effects Supervisor
36th Precinct (2004)
Directed by: Olivier Marchal
Cinematography by: Denis Rouden
Edited by: Hugues Darmois
Digital Effects Supervisor
Confidences trop intimes (2004)
Directed by: Patrice Leconte
Cinematography by: Eduardo Serra
Edited by: Joëlle Hache
Digital Effects Supervisor
Man on the Train (2002)
Directed by: Patrice Leconte
Cinematography by: Jean-Marie Dreujou
Edited by: Joëlle Hache
Digital Compositor: Cinesite Europe
Mission: Impossible (1996)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Camera, Wescam Cameras
Editing System: Lightworks Editing System
