Jerome Auliac

18 Titles

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The Father | ShotOnWhat?

Cg Artist: Umedia

The Father (2020)

Directed by: Florian Zeller

Cinematography by: Ben Smithard

Edited by: Yorgos Lamprinos

Cameras: Sony CineAlta VENICE Camera

Lenses: Zeiss Cinema Zoom Series Lenses, Zeiss Supreme Prime Series Lenses

Jackie | ShotOnWhat?

Compositing

Jackie (2016)

Directed by: Pablo Larraín

Cinematography by: Stéphane Fontaine

Edited by: Sebastián Sepúlveda

Cameras: ARRIFLEX 416 Plus Camera

La liste de mes envies | ShotOnWhat?

Digital Compositor

La liste de mes envies (2014)

Directed by: Didier Le Pêcheur

Cinematography by: Myriam Vinocour

Edited by: Christine Lucas Navarro

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

3 Days to Kill | ShotOnWhat?

Digital Compositor

3 Days to Kill (2014)

Directed by: McG

Cinematography by: Thierry Arbogast

Edited by: Audrey Simonaud

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses: Technovision Lenses, Zeiss Super Speed Lenses

Brick Mansions | ShotOnWhat?

Digital Compositor

Brick Mansions (2014)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette

Edited by: Carlo Rizzo, Arthur Tarnowski

Cameras: Red Epic Camera

Lenses: Hawk V-Lite Lenses

Les invincibles | ShotOnWhat?

Digital Compositor

Les invincibles (2013)

Directed by: Frédéric Berthe

Cinematography by: David Quesemand

Edited by: Vanessa Basté, Hugues Darmois, Stéphane Garnier

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Lenses

The Artist | ShotOnWhat?

Compositing Assistant: Digital District

The Artist (2011)

Directed by: Michel Hazanavicius

Cinematography by: Guillaume Schiffman

Edited by: Anne-Sophie Bion, Michel Hazanavicius

Cameras: ARRIFLEX 435 ES Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Les aventures extraordinaires d'Adèle Blanc-Sec | ShotOnWhat?

Digital Compositor

Les aventures extraordinaires d'Adèle Blanc-Sec (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

La Rafle | ShotOnWhat?

Digital Compositor

La Rafle (2010)

Directed by: Rose Bosch

Cinematography by: David Ungaro

Edited by: Aurélien Dupont, Yann Malcor

Fashion Victim | ShotOnWhat?

Digital Compositor

Fashion Victim (2009)

Directed by: Gérard Jugnot

Cinematography by: Gérard Simon

Edited by: Catherine Kelber

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Series Lenses

Crank: High Voltage | ShotOnWhat?

Digital Compositor

Crank: High Voltage (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Brandon Trost

Edited by: Marc Jakubowicz, Fernando Villena

Cameras: Canon VIXIA HF10 Camera, Canon XH A1 Camera, Sony PMW-EX1 Camera

Gamer | ShotOnWhat?

Digital Compositor

Gamer (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Ekkehart Pollack

Edited by: Peter Amundson, Fernando Villena, Doobie White

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Micmacs à tire-larigot | ShotOnWhat?

Digital Compositor

Micmacs à tire-larigot (2009)

Directed by: Jean-Pierre Jeunet

Cinematography by: Tetsuo Nagata

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

Coco Before Chanel | ShotOnWhat?

Digital Compositor

Coco Before Chanel (2009)

Directed by: Anne Fontaine

Cinematography by: Christophe Beaucarne

Edited by: Luc Barnier

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Underworld: Rise of the Lycans | ShotOnWhat?

Compositing Artist: Duran Duboi Paris

Underworld: Rise of the Lycans (2009)

Directed by: Patrick Tatopoulos

Cinematography by: Ross Emery

Edited by: Peter Amundson, Eric Potter

Cameras: Panavision Genesis Camera, Red One Camera

Mesrine Part 1: Killer Instinct | ShotOnWhat?

Digital Compositor

Mesrine Part 1: Killer Instinct (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Hervé Schneid

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Anamorphic Lenses

Secret défense | ShotOnWhat?

Digital Compositor

Secret défense (2008)

Directed by: Philippe Haïm

Cinematography by: Jérôme Alméras

Edited by: Sylvie Landra

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Mesrine Part 2: Public Enemy #1 | ShotOnWhat?

Digital Compositor

Mesrine Part 2: Public Enemy #1 (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Bill Pankow, Hervé Schneid

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

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