Eduardo Gonçalves

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"1923" The Rule of Five Hundred | ShotOnWhat?

Digital Compositor: Monsters Aliens Robots Zombies

'1923' The Rule of Five Hundred (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Christopher Gay

The Creator | ShotOnWhat?

Compositor: Marz VFX

The Creator (2023)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser, Oren Soffer

Edited by: Hank Corwin, Scott Morris, Joe Walker

Cameras: Sony ILME-FX3 Camera

Lenses: Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)

1923 | ShotOnWhat?

Digital Compositor: Monsters Aliens Robots Zombies - 1 Episode, 2023

1923 (2022)

Television Series

Directed by: Ben Richardson, Guy Ferland

Cinematography by: Corrin Hodgson, Ben Richardson, Robert McLachlan

Edited by: Chad Galster, Byron Smith, Christopher Gay, Brooke Rupe, Todd Desrosiers

Cameras: ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera

Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Leitz Summilux-C Series Lenses

Knights of the Roundtable: King Arthur | ShotOnWhat?

Digital Compositor

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Anomalisa | ShotOnWhat?

Digital Paint Artist: Boundary VFX

Anomalisa (2015)

Directed by: Duke Johnson, Charlie Kaufman

Cinematography by: Joe Passarelli

Edited by: Garret Elkins

Cameras: Canon EOS-7D Camera

Eddie the Eagle | ShotOnWhat?

Digital Compositor

Eddie the Eagle (2015)

Directed by: Dexter Fletcher

Cinematography by: George Richmond

Edited by: Martin Walsh

Cameras: ARRI ALEXA XT Camera, IO Industries Flare 2KSDI Camera, Red Epic Dragon Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Pride | ShotOnWhat?

Digital Compositor: Boundary Visual Effects

Pride (2014)

Directed by: Matthew Warchus

Cinematography by: Tat Radcliffe

Edited by: Melanie Oliver

Editing System: Avid Editing System

Kingsman: The Secret Service | ShotOnWhat?

Digital Compositor: Boundary Visual Effects

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

Kick-Ass 2 | ShotOnWhat?

Digital Effects Artist: Boundary Visual Effects

Kick-Ass 2 (2013)

Directed by: Jeff Wadlow

Cinematography by: Tim Maurice-Jones

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

The Green Hornet | ShotOnWhat?

Stereoscopic Roto Artist

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Smurfs | ShotOnWhat?

Stereoscopic Roto Artist

The Smurfs (2011)

Directed by: Raja Gosnell

Cinematography by: Phil Meheux

Edited by: Ellier Dov, Sabrina Plisco

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Classic Spherical Lenses

Editing System: Avid Editing System

Priest | ShotOnWhat?

Stereoscopic Roto Artist

Priest (2011)

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Harry Potter and the Deathly Hallows: Part 2 | ShotOnWhat?

Stereoscopic Roto Artist

Harry Potter and the Deathly Hallows: Part 2 (2011)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Memoirs of a Teenage Amnesiac | ShotOnWhat?

Rotoscope Artist: Boundary Visual Effects

Memoirs of a Teenage Amnesiac (2010)

Directed by: Hans Canosa

Cinematography by: Jaron Presant

Edited by: Hans Canosa, Phyllis Housen

After.Life | ShotOnWhat?

Rotoscope Artist

After.Life (2009)

Directed by: Agnieszka Wojtowicz-Vosloo

Cinematography by: Anastas N. Michos

Edited by: Niven Howie

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