Re-recording Mixer - 20 Episodes, 2019-2021
The Morning Show (2019)
Directed by: Mimi Leder, Tucker Gates, David Frankel, Stacie Passon, Kevin Bray, Roxann Dawson, Michelle MacLaren, Lynn Shelton, Miguel Arteta, Lesli Linka Glatter, Victoria Mahoney, Rachel Morrison, Jessica Yu, Thomas Carter, Jennifer Getzinger, Millicent Shelton
Cinematography by: David Lanzenberg, Michael Grady, John Grillo, Tami Reiker, John Brawley, Jeffrey Waldron
Re-recording Mixer
'Barry' berkman > block (2019)
Directed by: Bill Hader
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Re-recording Mixer
'Barry' The Audition (2019)
Directed by: Alec Berg
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Re-recording Mixer
'Barry' The Truth Has a Ring to It (2019)
Directed by: Alec Berg
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Re-recording Mixer
'Barry' ronny/lily (2019)
Directed by: Bill Hader
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Re-recording Mixer
'Barry' What?! (2019)
Directed by: Liza Johnson
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Re-recording Mixer
'Barry' Past = Present x Future Over Yesterday (2019)
Directed by: Minkie Spiro
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Re-recording Mixer
'Barry' The Power of No (2019)
Directed by: Hiro Murai
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Re-recording Mixer
'Barry' The Show Must Go On, Probably? (2019)
Directed by: Hiro Murai
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Additional Re-recording Mixer
Don't Breathe (2016)
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Cameras: ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens
Re-recording Mixer
Hell or High Water (2016)
Directed by: David Mackenzie
Cinematography by: Giles Nuttgens
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Studio Camera
Additional Re-recording Mixer
Maggie (2015)
Directed by: Henry Hobson
Cinematography by: Lukas Ettlin
Edited by: Jane Rizzo
Additional Re-recording Mixer / Re-recording Mixer
The Legend of Hercules (2014)
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Adr Mixer: Sonic Magic
The Loft (2014)
Directed by: Erik Van Looy
Cinematography by: Nicolas Karakatsanis
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Master Prime Lenses
Additional Re-recording Mixer
That Awkward Moment (2014)
Directed by: Tom Gormican
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus Camera
Additional Adr Mixer
Don Jon (2013)
Directed by: Joseph Gordon-Levitt
Cinematography by: Thomas Kloss
Edited by: Lauren Zuckerman
Editing System: Avid Editing System
Adr Mixer
Evil Dead (2013)
Directed by: Fede Alvarez
Cinematography by: Aaron Morton
Edited by: Bryan Shaw
Cameras: Sony CineAlta F65 Camera
Adr Mixer
The Man with the Iron Fists (2012)
Directed by: RZA
Cinematography by: Chi-Ying Chan
Edited by: Joe D'Augustine
Adr Mixer
The Scorpion King 3: Battle for Redemption (2012)
Directed by: Roel Reiné
Cinematography by: Roel Reiné
Additional Sound Re-recording Mixer
The Iceman (2012)
Directed by: Ariel Vromen
Cinematography by: Bobby Bukowski
Edited by: Danny Rafic
Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Re-recording Mixer
The Pact (2012)
Directed by: Nicholas McCarthy
Cinematography by: Bridger Nielson
Edited by: Adriaan van Zyl
Cameras: ARRI ALEXA Camera
Re-recording Mixer
6 Bullets (2012)
Directed by: Ernie Barbarash
Cinematography by: Phil Parmet
Edited by: Peter Devaney Flanagan
Adr Mixer
The Sessions (2012)
Directed by: Ben Lewin
Cinematography by: Geoffrey Simpson
Edited by: Lisa Bromwell
Cameras: Red One MX Camera
Adr Mixer
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Re-recording Mixer
Little Birds (2011)
Directed by: Elgin James
Cinematography by: Reed Morano
Edited by: Suzanne Spangler
Re-recording Mixer
Bellflower (2011)
Directed by: Evan Glodell
Cinematography by: Joel Hodge
Cameras: Silicon Imaging SI-2K Camera
Adr Mixer
The Last Exorcism (2010)
Directed by: Daniel Stamm
Cinematography by: Zoltan Honti
Edited by: Shilpa Sahi
Adr Mixer
Unthinkable (2010)
Directed by: Gregor Jordan
Cinematography by: Oliver Stapleton
Edited by: Scott Chestnut
Adr Mixer
Nine Dead (2010)
Directed by: Chris Shadley
Cinematography by: Mark Vargo
Edited by: Sean Findley
Adr Mixer
Sympathy for Delicious (2010)
Directed by: Mark Ruffalo
Cinematography by: Christopher Norr
Edited by: Pete Beaudreau
Additional Sound Re-recording Mixer
The Four-Faced Liar (2010)
Directed by: Jacob Chase
Cinematography by: Danny Grunes
Edited by: Jacob Chase
Adr Mixer
Soldiers (2010)
Directed by: Jean-Claude Van Damme
Cinematography by: Douglas Milsome
Edited by: Jean-Claude Van Damme
Adr Mixer
Undisputed 3: Redemption (2010)
Directed by: Isaac Florentine
Cinematography by: Ross W. Clarkson
Edited by: Irit Raz
Adr Mixer
The Experiment (2010)
Directed by: Paul Scheuring
Cinematography by: Amy Vincent
Edited by: Peter S. Elliot
Adr Mixer
Waiting for Forever (2010)
Directed by: James Keach
Cinematography by: Matthew Irving
Edited by: Pamela March
Adr Mixer
New in Town (2009)
Directed by: Jonas Elmer
Cinematography by: Chris Seager
Edited by: Troy Takaki
Adr Mixer
The Greatest (2009)
Directed by: Shana Feste
Cinematography by: John Bailey
Edited by: Cara Silverman
Adr Mixer
Veronika Decides to Die (2009)
Directed by: Emily Young
Cinematography by: Seamus Tierney
Edited by: Úna Ní Dhonghaíle
Adr Mixer
All American Orgy (2009)
Directed by: Andrew Drazek
Cinematography by: David McFarland
Edited by: Andrew Drazek
Adr Mixer
Command Performance (2009)
Directed by: Dolph Lundgren
Cinematography by: Marc Windon
Edited by: Peter Hollywood
Sound Recordist
Street Fighter: The Legend of Chun-Li (2009)
Directed by: Andrzej Bartkowiak
Cinematography by: Geoff Boyle
Adr Mixer
Driven to Kill (2009)
Directed by: Jeff King
Cinematography by: Tom Harting
Edited by: Jamie Alain
Adr Mixer
The Haunting in Connecticut (2009)
Directed by: Peter Cornwell
Cinematography by: Adam Swica
Edited by: Tom Elkins
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Angenieux Optimo Zoom Lenses
Adr Mixer
Labor Pains (2009)
Directed by: Lara Shapiro
Cinematography by: Dan Stoloff
Edited by: Anne McCabe
Adr Mixer
The Joneses (2009)
Directed by: Derrick Borte
Cinematography by: Yaron Orbach
Edited by: Janice Hampton
Sound Recordist
Beyond a Reasonable Doubt (2009)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Jeff Gullo
Sound Recordist
Not Since You (2009)
Directed by: Jeff Stephenson
Cinematography by: Helge Gerull
Edited by: Avril Beukes
Adr Mixer
Bad Lieutenant: Port of Call New Orleans (2009)
Directed by: Werner Herzog
Cinematography by: Peter Zeitlinger
Edited by: Joe Bini
Cameras: Moviecam Compact MK2 Camera
Assistant Sound Editor / Sound Recordist
The Perfect Sleep (2009)
Directed by: Jeremy Alter
Cinematography by: Charles Papert
Edited by: Martin Hunter
Cameras: Sony HDW-F900 Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Assistant Sound Editor
Gardens of the Night (2008)
Directed by: Damian Harris
Cinematography by: Paula Huidobro
Edited by: Michal Shemesh
Sound Recordist
The Informers (2008)
Directed by: Gregor Jordan
Cinematography by: Petra Korner
Edited by: Robert Brakey
Sound Recordist
Fireflies in the Garden (2008)
Directed by: Dennis Lee
Cinematography by: Daniel Moder
Sound Recordist
The Brothers Bloom (2008)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Gabriel Wrye
Sound Recordist
Felon (2008)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Jonathan Chibnall
Sound Recordist
Center Stage: Turn It Up (2008)
Directed by: Steven Jacobson
Cinematography by: Dino Parks
Edited by: Ian Slater
Assistant Sound Editor
The Good Life (2007)
Directed by: Stephen Berra
Cinematography by: Patrice Lucien Cochet
Edited by: Sean Hubbert
Assistant Sound Editor
The Flock (2007)
Directed by: Andrew Lau Wai-Keung
Cinematography by: Enrique Chediak
Assistant Sound Editor
Expired (2007)
Directed by: Cecilia Miniucchi
Cinematography by: Zoran Popovic
Assistant Sound Editor
Cleaner (2007)
Directed by: Renny Harlin
Cinematography by: Scott Kevan
Edited by: Brian Berdan
