Visual Effects Still Photographer
Panic Room (2002)
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
Still Photographer: Sony Imageworks Publicity
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Visual Effects Still Photographer
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Visual Effects Still Photographer
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Still Photographer: Sony Imageworks Publicity
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Still Photographer: Sony Imageworks Publicity
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Still Photographer: Sony Imageworks Publicity
Anaconda (1997)
Directed by: Luis Llosa
Cinematography by: Bill Butler
Edited by: Michael R. Miller
Visual Effects Still Photographer
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Visual Effects Still Photographer
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Still Photographer: Sony Imageworks Publicity
James and the Giant Peach (1996)
Directed by: Henry Selick
Edited by: Stan Webb
Still Photographer: Sony Imageworks Publicity
Tall Tale (1995)
Directed by: Jeremiah S. Chechik
Cinematography by: Janusz Kaminski
Edited by: Richard Chew
Still Photographer: Sony Imageworks Publicity
The Net (1995)
Directed by: Irwin Winkler
Cinematography by: Jack N. Green
Edited by: Richard Halsey
Still Photographer: Sony Imageworks Publicity
Money Train (1995)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Still Photographer: Sony Imageworks Publicity
Hideaway (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Edited by: B.J. Sears
Still Photographer: Sony Imageworks Publicity
Speed (1994)
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Plate Photographer
Stargate (1994)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Plate Photographer
Single White Female (1992)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Visual Effects Optical Still Photographer
Spontaneous Combustion (1990)
Directed by: Tobe Hooper
Cinematography by: Levie Isaacks
Edited by: David Kern
Still Photographer: Props
Harlem Nights (1989)
Directed by: Eddie Murphy
Cinematography by: Woody Omens
Visual Effects Still Photographer
My Stepmother Is an Alien (1988)
Directed by: Richard Benjamin
Cinematography by: Richard H. Kline
Edited by: Jacqueline Cambas
Still Photographer: Special Art , Visual Effects Still Photographer
Spaceballs (1987)
Directed by: Mel Brooks
Cinematography by: Nick McLean
Edited by: Conrad Buff IV
Visual Effects Still Photographer
Invaders from Mars (1986)
Directed by: Tobe Hooper
Cinematography by: Daniel Pearl
Edited by: Alain Jakubowicz
Still Photographer
Armed and Dangerous (1986)
Directed by: Mark L. Lester
Cinematography by: Fred Schuler
Still Photographer: Props
Outrage! (1986)
Directed by: Walter Grauman
Cinematography by: Joseph F. Biroc
Edited by: Fred A. Chulack
Still Photographer
Police Academy 3: Back in Training (1986)
Directed by: Jerry Paris
Cinematography by: Robert Saad
Edited by: Bud Molin
Visual Effects Still Photographer
The Natural (1984)
Directed by: Barry Levinson
Cinematography by: Caleb Deschanel
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Visual Effects Still Photographer: Large Format
Body Double (1984)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Visual Effects Still Photographer
The Woman in Red (1984)
Directed by: Gene Wilder
Cinematography by: Fred Schuler
Edited by: Christopher Greenbury
Visual Effects Still Photographer
Dune (1984)
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Antony Gibbs
Still Photographer: Location
Blue Thunder (1983)
Directed by: John Badham
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Visual Effects Still Photographer
Never Say Never Again (1983)
Directed by: Irvin Kershner
Cinematography by: Douglas Slocombe
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Still Photographer: Props
Neighbors (1981)
Directed by: John G. Avildsen
Cinematography by: Gerald Hirschfeld
Edited by: Jane Kurson
Cameras: Panavision Cameras
Visual Effects Still Photographer
Caddyshack (1980)
Directed by: Harold Ramis
Cinematography by: Stevan Larner
Edited by: William C. Carruth
Special Visual Consultant: Apogee, Inc.
Star Trek: The Motion Picture (1979)
Directed by: Robert Wise
Cinematography by: Richard H. Kline
Edited by: Todd C. Ramsay
