Foley Editor
Showtime (2002)
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Foley Editor
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Foley Editor
Pay It Forward (2000)
Directed by: Mimi Leder
Cinematography by: Oliver Stapleton
Edited by: David Rosenbloom
Cameras: Panavision Cameras
Sound Effects Editor
True Crime (1999)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Dialogue Editor
Absolute Power (1997)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Co-supervising Sound Editor
Executive Decision (1996)
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Sound Effects Editor
Empire Records (1995)
Directed by: Allan Moyle
Cinematography by: Walt Lloyd
Edited by: Michael Chandler
Sound Editor
Bad Boys (1995)
Directed by: Michael Bay
Cinematography by: Howard Atherton
Edited by: Christian Wagner
Sound Editor
A Low Down Dirty Shame (1994)
Directed by: Keenen Ivory Wayans
Cinematography by: Matthew F. Leonetti
Edited by: John F. Link
Sound Effects Editor
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Sound Effects Editor
The Last Boy Scout (1991)
Directed by: Tony Scott
Cinematography by: Ward Russell
Sound Editor
29th Street (1991)
Directed by: George Gallo
Cinematography by: Steven Fierberg
Edited by: Kaja Fehr
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Editor
White Hunter Black Heart (1990)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Sound Editor
The Rookie (1990)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
Lenses: Panavision Super Speed Lenses
Sound Editor
Lethal Weapon 2 (1989)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Sound Editor
Scrooged (1988)
Directed by: Richard Donner
Cinematography by: Michael Chapman
Cameras: Panavision Panaflex Gold Camera
Sound Editor
The Dead Pool (1988)
Directed by: Buddy Van Horn
Cinematography by: Jack N. Green
Edited by: Ron Spang
Sound Editor
The Milagro Beanfield War (1988)
Directed by: Robert Redford
Cinematography by: Robbie Greenberg
Sound Effects Editor
Lionheart (1987)
Directed by: Franklin J. Schaffner
Cinematography by: Alec Mills
Sound Editorial Staff
Baby Boom (1987)
Directed by: Charles Shyer
Cinematography by: William A. Fraker
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Sound Editor
Lethal Weapon (1987)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Sound Editor
Heartbreak Ridge (1986)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Sound Editor
Out of Bounds (1986)
Directed by: Richard Tuggle
Cinematography by: Bruce Surtees
Edited by: Kent Beyda
Sound Editor
Baby: Secret of the Lost Legend (1985)
Directed by: Bill Norton
Cinematography by: John Alcott
Cameras: ARRI Cameras
Special Sound Effects Creator
Something Wicked This Way Comes (1983)
Directed by: Jack Clayton
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Sound Effects Editor
Blue Thunder (1983)
Directed by: John Badham
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Re-recording Mixer
Delusion (1981)
Directed by: Alan Beattie
Cinematography by: Stephen L. Posey
Edited by: Robert Leighton
Sound Effects Editor
The Cannonball Run (1981)
Directed by: Hal Needham
Cinematography by: Michael C. Butler
Special Sound Effects Designer
Quintet (1979)
Directed by: Robert Altman
Cinematography by: Jean Boffety
Edited by: Dennis M. Hill
Sound Editor
Rich Kids (1979)
Directed by: Robert M. Young
Cinematography by: Ralf D. Bode
Edited by: Edward Beyer
Cameras: Panavision Cameras
Sound Editor
A Perfect Couple (1979)
Directed by: Robert Altman
Cinematography by: Edmond L. Koons
Edited by: Tony Lombardo
Cameras: Panavision Cameras
Sound Effects Editor
The Late Show (1977)
Directed by: Robert Benton
Cinematography by: Charles Rosher Jr.
Sound Effects Editorial Staff
Close Encounters of the Third Kind (1977)
Directed by: Steven Spielberg
Cinematography by: Vilmos Zsigmond
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Taxi Driver (1976)
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses