Visual Effects Supervisor: YU+Co.
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Compositor: Centropolis Effects
Willard (2003)
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Digital Effects Supervisor: YU+Co
Scary Movie 3 (2003)
Directed by: David Zucker
Cinematography by: Mark Irwin
Compositing Supervisor
Eight Legged Freaks (2002)
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
Digital Compositor: CFX
61* (2001)
Directed by: Billy Crystal
Cinematography by: Haskell Wexler
Edited by: Michael Jablow
Cameras: ARRIFLEX 435 ES Camera
Digital Effects Supervisor
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Digital Compositor
The Patriot (2000)
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Compositor
The Thirteenth Floor (1999)
Directed by: Josef Rusnak
Cinematography by: Wedigo von Schultzendorff
Edited by: Henry Richardson
Digital Compositor
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Digital Compositor: Cinesite
Hard Rain (1998)
Directed by: Mikael Salomon
Cinematography by: Peter Menzies Jr.
Digital Compositor
The Faculty (1998)
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Digital Compositor: Cinesite
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Visual Effects Digital Artist
Flipper (1996)
Directed by: Alan Shapiro
Cinematography by: Bill Butler
Edited by: Peck Prior
Digital Compositor
Space Jam (1996)
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
Visual Effects Producer: Introvision
Fearless (1993)
Directed by: Peter Weir
Cinematography by: Allen Daviau
Digital Paint Artist: Restoration
Fantasia (1940)
Directed by: James Algar, Samuel Armstrong, Ford Beebe Jr., Norman Ferguson, David Hand, Jim Handley, T. Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, Paul Satterfield, Ben Sharpsteen
Cinematography by: James Wong Howe
Cameras: Bell & Howell 2709 Camera
Editing System: Moviola Editing System
