Michael Doven

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Collateral | ShotOnWhat?

Associate Producer: Mr. Cruise

Collateral (2004)

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

The Last Samurai | ShotOnWhat?

Associate Producer

The Last Samurai (2003)

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Victor Du Bois, Steven Rosenblum

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Minority Report | ShotOnWhat?

Associate Producer

Minority Report (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Vanilla Sky | ShotOnWhat?

Associate Producer

Vanilla Sky (2001)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Mark Livolsi

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mission: Impossible II | ShotOnWhat?

Associate Producer

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Magnolia | ShotOnWhat?

Production Associate: Tom Cruise

Magnolia (1999)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Cameras, Pathé Cameras

Lenses: Panavision Lenses

Eyes Wide Shut | ShotOnWhat?

Production Associate, Ziegler's Secretary

Eyes Wide Shut (1999)

Directed by: Stanley Kubrick

Cinematography by: Larry Smith

Edited by: Nigel Galt

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Lenses

Jerry Maguire | ShotOnWhat?

Assistant: Tom Cruise

Jerry Maguire (1996)

Directed by: Cameron Crowe

Cinematography by: Janusz Kaminski

Edited by: Joe Hutshing, David Moritz

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Mission: Impossible | ShotOnWhat?

Production Associate

Mission: Impossible (1996)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Cameras: Panavision Panaflex Camera, Wescam Cameras

Editing System: Lightworks Editing System

Interview with the Vampire: The Vampire Chronicles | ShotOnWhat?

Assistant: Tom Cruise

Interview with the Vampire: The Vampire Chronicles (1994)

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Mick Audsley, Joke van Wijk

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Firm | ShotOnWhat?

Assistant: Mr. Cruise

The Firm (1993)

Directed by: Sydney Pollack

Cinematography by: John Seale

Edited by: Fredric Steinkamp, William Steinkamp

Cameras: Panavision Cameras

A Few Good Men | ShotOnWhat?

Assistant: Tom Cruise

A Few Good Men (1992)

Directed by: Rob Reiner

Cinematography by: Robert Richardson

Edited by: Robert Leighton, Steven Nevius

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Far and Away | ShotOnWhat?

Set Assistant: Mr. Cruise

Far and Away (1992)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses

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