Colorist
Big Bug (2022)
Directed by: Jean-Pierre Jeunet
Cinematography by: Thomas Hardmeier
Edited by: Hervé Schneid
Lenses: ARRI Signature Prime Lenses
Colorist
Les Misérables (2019)
Directed by: Ladj Ly
Cinematography by: Julien Poupard
Edited by: Flora Volpelière
Cameras: ARRI ALEXA Mini Camera
Colorist
At Eternity's Gate (2018)
Directed by: Julian Schnabel
Cinematography by: Benoît Delhomme
Cameras: Red Helium (Weapon) 8K
Colorist
La tête haute (2015)
Directed by: Emmanuelle Bercot
Cinematography by: Guillaume Schiffman
Edited by: Julien Leloup
Cameras: ARRI ALEXA XT Camera
Colorist
En équilibre (2015)
Directed by: Denis Dercourt
Cinematography by: Julien Hirsch
Edited by: Pauline Gaillard
Cameras: ARRI ALEXA Camera
Colorist
La vie très privée de Monsieur Sim (2015)
Directed by: Michel Leclerc
Cinematography by: Guillaume Deffontaines
Edited by: François Gédigier
Cameras: Red Epic Dragon Camera
Colorist
Vie sauvage (2014)
Directed by: Cédric Kahn
Cinematography by: Yves Cape
Edited by: Simon Jacquet
Cameras: Sony PMW-F55 Camera
Colorist
Bird People (2014)
Directed by: Pascale Ferran
Cinematography by: Julien Hirsch
Edited by: Mathilde Muyard
Cameras: ARRI ALEXA Camera
Colorist
L'homme qu'on aimait trop (2014)
Directed by: André Téchiné
Cinematography by: Julien Hirsch
Edited by: Hervé de Luze
Cameras: ARRI ALEXA Camera
Colorist
Anything for Alice (2014)
Directed by: Nicolas Cuche
Cinematography by: Guillaume Deffontaines
Edited by: Thierry Rouden
Cameras: Red Epic Camera
Colorist
3 coeurs (2014)
Directed by: Benoît Jacquot
Cinematography by: Julien Hirsch
Edited by: Julia Gregory
Cameras: ARRI ALEXA Camera
Colorist
Elle s'en va (2013)
Directed by: Emmanuelle Bercot
Cinematography by: Guillaume Schiffman
Edited by: Julien Leloup
Cameras: ARRI ALEXA Camera
Colorist
En solitaire (2013)
Directed by: Christophe Offenstein
Cinematography by: Guillaume Schiffman
Cameras: Red Epic Camera, Red Scarlet Camera
Colorist
20 ans d'écart (2013)
Directed by: David Moreau
Cinematography by: Laurent Tangy
Edited by: Cyril Besnard
Cameras: ARRICAM Studio (ST) Camera
Colorist
Pour une femme (2013)
Directed by: Diane Kurys
Cinematography by: Gilles Henry
Edited by: Sylvie Gadmer
Colorist / On-line Editor
Les infidèles (2012)
Directed by: Emmanuelle Bercot, Fred Cavayé, Alexandre Courtès, Jean Dujardin, Michel Hazanavicius, Jan Kounen, Eric Lartigau, Gilles Lellouche
Cinematography by: Guillaume Schiffman
Colorist
Main dans la main (2012)
Directed by: Valérie Donzelli
Cinematography by: Sébastien Buchmann
Edited by: Pauline Gaillard
Cameras: ARRI ALEXA Camera
Digital Intermediate Colorist: Duboicolor
The Artist (2011)
Directed by: Michel Hazanavicius
Cinematography by: Guillaume Schiffman
Cameras: ARRIFLEX 435 ES Camera
Editing System: Avid Editing System
Colorist
L'amour dure trois ans (2011)
Directed by: Frédéric Beigbeder
Cinematography by: Yves Cape
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Lenses
Colorist
Leila (2010)
Directed by: Audrey Estrougo
Cinematography by: Guillaume Schiffman
Edited by: Sophie Reine
Cameras: ARRIFLEX D-21 Camera
Colorist
L'affaire Farewell (2009)
Directed by: Christian Carion
Cinematography by: Walther van den Ende
Edited by: Andrea Sedlácková
Colorist
Je suis heureux que ma mère soit vivante (2009)
Cinematography by: Aurélien Devaux
Edited by: Morgane Spacagna
Colorist
Pour elle (2008)
Directed by: Fred Cavayé
Cinematography by: Alain Duplantier
Edited by: Benjamin Weill
Colorist
L'école pour tous (2006)
Directed by: Eric Rochant
Cinematography by: Pierre Novion
Edited by: Pascale Fenouillet
Colorist
On va s'aimer (2006)
Directed by: Ivan Calbérac
Cinematography by: David Quesemand
Edited by: Véronique Parnet
Colorist
Prête-moi ta main (2006)
Directed by: Eric Lartigau
Cinematography by: Régis Blondeau
Edited by: Juliette Welfling
Colorist
Anthony Zimmer (2005)
Directed by: Jérôme Salle
Cinematography by: Denis Rouden
Edited by: Richard Marizy
Colorist / Digital Color Grader: Scan Lab
Confidences trop intimes (2004)
Directed by: Patrice Leconte
Cinematography by: Eduardo Serra
Edited by: Joëlle Hache
Colorist
Twentynine Palms (2003)
Directed by: Bruno Dumont
Cinematography by: Georges Lechaptois
Edited by: Dominique Petrot
Colorist
Histoire de Marie et Julien (2003)
Directed by: Jacques Rivette
Cinematography by: William Lubtchansky
Edited by: Nicole Lubtchansky
Cameras: Panavision Cameras
Digital Color Grader
Swimming Pool (2003)
Directed by: François Ozon
Cinematography by: Yorick Le Saux
Edited by: Monica Coleman
Colorist, Digital Color Grader
Demonlover (2002)
Directed by: Olivier Assayas
Cinematography by: Denis Lenoir
Edited by: Luc Barnier
Colorist
Rue des plaisirs (2002)
Directed by: Patrice Leconte
Cinematography by: Eduardo Serra
Edited by: Joëlle Hache
Digital Color Grader: Scan Lab
Man on the Train (2002)
Directed by: Patrice Leconte
Cinematography by: Jean-Marie Dreujou
Edited by: Joëlle Hache
Colorist
Irreversible (2002)
Directed by: Gaspar Noé
Edited by: Gaspar Noé
Cameras: Aaton A-Minima Camera
Colorist
8 femmes (2002)
Directed by: François Ozon
Cinematography by: Jeanne Lapoirie
Edited by: Laurence Bawedin
Colorist
Franck Spadone (1999)
Directed by: Richard Bean
Cinematography by: Philippe Van Leeuw
Edited by: Andrée Davanture
Colorist
Up, Down, Fragile (1995)
Directed by: Jacques Rivette
Cinematography by: Christophe Pollock
Edited by: Nicole Lubtchansky
