Marc Brown

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Transformers: Dark of the Moon | ShotOnWhat?

Epk Camera

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Wizard of Gore | ShotOnWhat?

Camera Operator

The Wizard of Gore (2007)

Directed by: Jeremy Kasten

Cinematography by: Christopher Duddy

Edited by: Jeremy Kasten

All Souls Day: Dia de los Muertos | ShotOnWhat?

First Assistant Camera: "a" Camera

All Souls Day: Dia de los Muertos (2005)

Directed by: Jeremy Kasten

Cinematography by: Christopher Duddy

Edited by: Joseph Gutowski

American Pie 2 | ShotOnWhat?

First Assistant Camera: "b" Camera, Second Unit, Marine

American Pie 2 (2001)

Directed by: J.B. Rogers

Cinematography by: Mark Irwin

Edited by: Larry Madaras, Stuart H. Pappé

Cameras: Moviecam Compact Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses

Thirteen Days | ShotOnWhat?

First Assistant Camera: Washington, D.C.

Thirteen Days (2000)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Mission to Mars | ShotOnWhat?

First Assistant Camera: Dream Quest Images

Mission to Mars (2000)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Dante's Peak | ShotOnWhat?

First Assistant Camera: Digital Domain

Dante's Peak (1997)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV, Tina Hirsch, Howard E. Smith

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Independence Day | ShotOnWhat?

First Assistant Camera: Visual Effects Camera Unit

Independence Day (1996)

Directed by: Roland Emmerich

Cinematography by: Karl Walter Lindenlaub

Edited by: David Brenner

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Under Siege 2: Dark Territory | ShotOnWhat?

First Assistant Camera

Under Siege 2: Dark Territory (1995)

Directed by: Geoff Murphy

Cinematography by: Robbie Greenberg

Edited by: Michael Tronick

True Lies | ShotOnWhat?

Visual Effects Plate Crew

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Far and Away | ShotOnWhat?

Second Assistant Camera

Far and Away (1992)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses

Always | ShotOnWhat?

Second Assistant Camera

Always (1989)

Directed by: Steven Spielberg

Cinematography by: Mikael Salomon

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Abyss | ShotOnWhat?

Second Assistant Camera

The Abyss (1989)

Directed by: James Cameron

Cinematography by: Mikael Salomon

Edited by: Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Cameras: ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

The Boost | ShotOnWhat?

Second Assistant Camera

The Boost (1988)

Directed by: Harold Becker

Cinematography by: Howard Atherton

Edited by: Maury Winetrobe

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