Mark Nakamine

25 Titles

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The Creator | ShotOnWhat?

Dailies Colorist: Fotokem NextLAB

The Creator (2023)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser, Oren Soffer

Edited by: Hank Corwin, Scott Morris, Joe Walker

Cameras: Sony ILME-FX3 Camera

Lenses: Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)

Baywatch | ShotOnWhat?

Colorist: 2K/4K Re-Mastering

Baywatch (2017)

Directed by: Seth Gordon

Cinematography by: Eric Steelberg

Edited by: Peter S. Elliot

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Star Wars: Episode III - Revenge of the Sith | ShotOnWhat?

Colorist - Digital Color Correction

Star Wars: Episode III - Revenge of the Sith (2005)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Roger Barton, Ben Burtt

Cameras: Sony HDC-F950 Camera

Lenses: Fujinon C Series Lenses, Fujinon E Series Lenses

Garden State | ShotOnWhat?

Colorist - Digital Color Correction

Garden State (2004)

Directed by: Zach Braff

Cinematography by: Lawrence Sher

Edited by: Myron Kerstein

Ice Age | ShotOnWhat?

Colorist - Digital Color Correction

Ice Age (2002)

Directed by: Chris Wedge, Carlos Saldanha

Edited by: John Carnochan

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Colorist - Digital Color Correction

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

Brown Sugar | ShotOnWhat?

Colorist - Digital Color Correction

Brown Sugar (2002)

Directed by: Rick Famuyiwa

Cinematography by: Jeff Barnett, Enrique Chediak

Edited by: Dirk Westervelt

The Transporter | ShotOnWhat?

Colorist - Digital Color Correction

The Transporter (2002)

Directed by: Louis Leterrier, Corey Yuen

Cinematography by: Pierre Morel

Edited by: Nicolas Trembasiewicz

Super Troopers | ShotOnWhat?

Colorist - Digital Color Correction

Super Troopers (2001)

Directed by: Jay Chandrasekhar

Cinematography by: Joaquín Baca-Asay

Edited by: Jay Chandrasekhar, Jacob Craycroft, Kevin Heffernan

Tigerland | ShotOnWhat?

Digital Color Correction

Tigerland (2000)

Directed by: Joel Schumacher

Cinematography by: Matthew Libatique

Edited by: Mark Stevens

Big Momma's House | ShotOnWhat?

Digital Color Correction

Big Momma's House (2000)

Directed by: Raja Gosnell

Cinematography by: Michael D. O'Shea

Edited by: Kent Beyda, Bruce Green

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Colorist - Digital Color Correction

Star Wars: Episode I - The Phantom Menace (1999)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

Anna and the King | ShotOnWhat?

Colorist - Digital Color Correction

Anna and the King (1999)

Directed by: Andy Tennant

Cinematography by: Caleb Deschanel

Edited by: Roger Bondelli

Cameras: Panavision Cameras

Lenses: Panavision E Series Anamorphic Lenses

Wing Commander | ShotOnWhat?

Colorist: Digital Color Correction

Wing Commander (1999)

Directed by: Chris Roberts

Cinematography by: Thierry Arbogast

Edited by: Peter Davies

Wyatt Earp | ShotOnWhat?

Colorist - Digital Color Correction

Wyatt Earp (1994)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Carol Littleton

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke Lenses, Panavision Primo Anamorphic Lenses

True Romance | ShotOnWhat?

Colorist - Digital Color Correction

True Romance (1993)

Directed by: Tony Scott

Cinematography by: Jeffrey L. Kimball

Edited by: Michael Tronick, Christian Wagner

The Last Boy Scout | ShotOnWhat?

Colorist - Digital Color Correction

The Last Boy Scout (1991)

Directed by: Tony Scott

Cinematography by: Ward Russell

Edited by: Stuart Baird, Mark Goldblatt, Mark Helfrich

Miller's Crossing | ShotOnWhat?

Colorist - Digital Color Correction

Miller's Crossing (1990)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Barry Sonnenfeld

Edited by: Michael R. Miller

Say Anything... | ShotOnWhat?

Colorist - Digital Color Correction

Say Anything... (1989)

Directed by: Cameron Crowe

Cinematography by: László Kovács

Edited by: Richard Marks

Cameras: Panavision Cameras

Born on the Fourth of July | ShotOnWhat?

Colorist, Colorist - Digital Color Correction

Born on the Fourth of July (1989)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: David Brenner, Joe Hutshing

Cameras: Panavision Cameras, Panavision Panaflex Camera

Lenses: Panavision Lenses

Editing System: Moviola Editing System

Star Wars: Episode VI - Return of the Jedi | ShotOnWhat?

Colorist - Digital Color Correction

Star Wars: Episode VI - Return of the Jedi (1983)

Directed by: Richard Marquand

Cinematography by: Alan Hume, Alec Mills

Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses: Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Star Wars: Episode V - The Empire Strikes Back | ShotOnWhat?

Colorist - Digital Color Correction

Star Wars: Episode V - The Empire Strikes Back (1980)

Directed by: Irvin Kershner

Cinematography by: Peter Suschitzky

Edited by: T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

Star Wars: Episode IV - A New Hope | ShotOnWhat?

Colorist - Digital Color Correction

Star Wars: Episode IV - A New Hope (1977)

Directed by: George Lucas

Cinematography by: Gilbert Taylor

Edited by: Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

Cinderella Liberty | ShotOnWhat?

Colorist - Digital Color Correction

Cinderella Liberty (1973)

Directed by: Mark Rydell

Cinematography by: Vilmos Zsigmond

Edited by: Patrick Kennedy

Butch Cassidy and the Sundance Kid | ShotOnWhat?

Colorist - Digital Color Correction

Butch Cassidy and the Sundance Kid (1969)

Directed by: George Roy Hill

Cinematography by: Conrad L. Hall

Edited by: John C. Howard, Richard C. Meyer

Cameras: Panavision Silent Reflex PSR Camera

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