Sound Designer
Molly's Game (2017)
Directed by: Aaron Sorkin
Cinematography by: Charlotte Bruus Christensen
Sound Effects Editor
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Additional Sound Supervision: Formosa Group
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Sound Effects Editor
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Sound Designer / Supervising Sound Editor
Scream 4 (2011)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Peter McNulty
Cameras: Panavision Cameras
Supervising Sound Editor
Prom (2011)
Directed by: Joe Nussbaum
Cinematography by: Byron Shah
Edited by: Jeffrey M. Werner
Cameras: ARRI ALEXA Camera
Supervising Sound Editor
Step Up 3D (2010)
Directed by: Jon M. Chu
Cinematography by: Ken Seng
Edited by: Andrew Marcus
Cameras: Sony CineAlta F23 Camera
Supervising Foley Editor
The Princess and the Frog (2009)
Cinematography by: Rasoul Azadani
Edited by: Jeff Draheim
Sound Effects Editor
Street Fighter: The Legend of Chun-Li (2009)
Directed by: Andrzej Bartkowiak
Cinematography by: Geoff Boyle
Sound Effects Editor
High School Musical 3: Senior Year (2008)
Directed by: Kenny Ortega
Cinematography by: Daniel Aranyó
Edited by: Don Brochu
Supervising Sound Editor
Sydney White (2007)
Directed by: Joe Nussbaum
Cinematography by: Mark Irwin
Edited by: Danny Saphire
Supervising Sound Editor
Keeping Up with the Steins (2006)
Directed by: Scott Marshall
Cinematography by: Charles Minsky
Edited by: Tara Timpone
Sound Effects Editor
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Supervising Sound Editor
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Supervising Sound Editor
Raising Helen (2004)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Sound Designer / Supervising Sound Editor
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Supervising Sound Editor
Freaky Friday (2003)
Directed by: Mark Waters
Cinematography by: Oliver Wood
Edited by: Bruce Green
Supervising Sound Editor
The Country Bears (2002)
Directed by: Peter Hastings
Cinematography by: Mitchell Amundsen
Supervising Sound Editor
Max Keeble's Big Move (2001)
Directed by: Tim Hill
Cinematography by: Arthur Albert
Cameras: Moviecam Compact Camera
Supervising Sound Editor
The Princess Diaries (2001)
Directed by: Garry Marshall
Cinematography by: Karl Walter Lindenlaub
Edited by: Bruce Green
Supervising Sound Editor
Duets (2000)
Directed by: Bruce Paltrow
Cinematography by: Paul Sarossy
Edited by: Gerald B. Greenberg
Sound Designer / Supervising Sound Editor
Scream 3 (2000)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Patrick Lussier
Supervising Sound Editor
The Other Sister (1999)
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Edited by: Bruce Green
Supervising Sound Editor
Music of the Heart (1999)
Directed by: Wes Craven
Cinematography by: Peter Deming
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Editor
Stir of Echoes (1999)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Supervising Sound Editor
Teaching Mrs. Tingle (1999)
Directed by: Kevin Williamson
Cinematography by: Jerzy Zielinski
Edited by: Debra Neil-Fisher
Sound Editor
Phoenix (1998)
Directed by: Danny Cannon
Cinematography by: James L. Carter
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Editor
Anna Karenina (1997)
Directed by: Bernard Rose
Cinematography by: Daryn Okada
Edited by: Victor Du Bois
Supervising Sound Editor
Scream 2 (1997)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Patrick Lussier
Sound Effects Editor
Bed of Roses (1996)
Directed by: Michael Goldenberg
Cinematography by: Adam Kimmel
Edited by: Jane Kurson
Cameras: Panavision Cameras
Supervising Sound Editor
The War at Home (1996)
Directed by: Emilio Estevez
Cinematography by: Peter Levy
Edited by: Craig Bassett
Supervising Sound Editor
Gunfighter's Moon (1995)
Directed by: Larry Ferguson
Cinematography by: James L. Carter
Edited by: Jere Huggins
Cameras: Panavision Cameras
Sound Effects Editor
Tom and Huck (1995)
Directed by: Peter Hewitt
Cinematography by: Bobby Bukowski
Edited by: David Freeman
Supervising Sound Editor
Pie in the Sky (1995)
Directed by: Bryan Gordon
Cinematography by: Bernd Heinl
Edited by: Colleen Halsey
Foley Editor
Before Sunrise (1995)
Directed by: Richard Linklater
Cinematography by: Lee Daniel
Edited by: Sandra Adair
Supervising Sound Editor
The Last Word (1995)
Directed by: Tony Spiridakis
Cinematography by: Zoltán David
Edited by: Andy Blumenthal
Sound Effects Editor
Don Juan DeMarco (1994)
Directed by: Jeremy Leven
Cinematography by: Ralf D. Bode
Edited by: Antony Gibbs
Cameras: Panavision Cameras
Sound Effects Editor
Texas Chainsaw Massacre: The Next Generation (1994)
Directed by: Kim Henkel
Cinematography by: Levie Isaacks
Edited by: Sandra Adair
Cameras: Panavision Cameras
Sound Effects Editor
Camp Nowhere (1994)
Directed by: Jonathan Prince
Cinematography by: Sandi Sissel
Edited by: Jon Poll
Sound Effects Editor
My Father the Hero (1994)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Marshall Harvey
Sound Effects Editor
The Hand That Rocks the Cradle (1992)
Directed by: Curtis Hanson
Cinematography by: Robert Elswit
Edited by: John F. Link
Cameras: Panavision Cameras
Sound Effects Editor
Forever Young (1992)
Directed by: Steve Miner
Cinematography by: Russell Boyd
Edited by: Jon Poll
Sound Effects Editor
Pump Up the Volume (1990)
Directed by: Allan Moyle
Cinematography by: Walt Lloyd
Assistant Sound Editor
Warlock (1989)
Directed by: Steve Miner
Cinematography by: David Eggby
Edited by: David Finfer
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
