First Assistant Editor
Annihilation (2018)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Barney Pilling
First Assistant Editor
The Gunman (2015)
Directed by: Pierre Morel
Cinematography by: Flavio Martínez Labiano
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Editor
It's a Lot (2013)
Cinematography by: Richard Swingle
Edited by: Emanuele Giraldo
Cameras: ARRI ALEXA XT Camera
Lenses: ARRI Lenses
First Assistant Editor
Dredd (2012)
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
First Assistant Editor
Never Let Me Go (2010)
Directed by: Mark Romanek
Cinematography by: Adam Kimmel
Edited by: Barney Pilling
Assistant Editor
Burke and Hare (2010)
Directed by: John Landis
Cinematography by: John Mathieson
Edited by: Mark Everson
Assembly Editor
The Disappearance of Alice Creed (2009)
Directed by: J Blakeson
Cinematography by: Philipp Blaubach
Edited by: Mark Eckersley
Assistant Editor
The Invention of Lying (2009)
Cinematography by: Tim Suhrstedt
Edited by: Chris Gill
First Assistant Editor
Brideshead Revisited (2008)
Directed by: Julian Jarrold
Cinematography by: Jess Hall
Edited by: Chris Gill
Cameras: Panavision Cameras
Visual Effects Editor
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Editor Trainee: FT2
28 Days Later... (2002)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Cameras: ARRI Cameras, Canon XL1 Camera
Editing System: Lightworks Editing System
Second Assistant Editor
Dirty Pretty Things (2002)
Directed by: Stephen Frears
Cinematography by: Chris Menges
Edited by: Mick Audsley
Editing System: Lightworks Editing System
