Visual Effects Supervisor
Bless Me, Ultima (2013)
Directed by: Carl Franklin
Cinematography by: Paula Huidobro
Lenses: Cooke S4 Lenses
Visual Effects Supervisor
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Visual Effects Supervisor
Just Like Heaven (2005)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Editing System: Avid Editing System
Visual Effects Producer / Visual Effects Supervisor
Collateral (2004)
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Visual Effects Supervisor
Bulletproof Monk (2003)
Directed by: Paul Hunter
Cinematography by: Stefan Czapsky
Edited by: Robert K. Lambert
Visual Effects Supervisor
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Consultant
Basic (2003)
Directed by: John McTiernan
Cinematography by: Steve Mason
Edited by: George Folsey Jr.
Cameras: Panavision Panaflex Camera
Visual Effects Supervisor
City by the Sea (2002)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Cameras: Panavision Cameras
Director Of Photography: Second Unit , Second Unit Director , Visual Effects Supervisor
Rollerball (2002)
Directed by: John McTiernan
Cinematography by: Steve Mason
Visual Effects Supervisor
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Second Unit Director , Visual Effects Supervisor: Buena Vista
The 13th Warrior (1999)
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Director Of Photography: Second Unit, Second Unit Director, Visual Effects
The Thomas Crown Affair (1999)
Directed by: John McTiernan
Cinematography by: Tom Priestley Jr.
Edited by: John Wright
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Director Of Photography: Mass Illusion / Visual Effects Supervisor
Die Hard: With a Vengeance (1995)
Directed by: John McTiernan
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Matte Photography / Visual Effects Technician
The Shadow (1994)
Directed by: Russell Mulcahy
Cinematography by: Stephen H. Burum
Edited by: Peter Honess
Visual Effects Director Of Photography / Visual Effects Supervisor
The Santa Clause (1994)
Directed by: John Pasquin
Cinematography by: Walt Lloyd
Edited by: Larry Bock
Matte Photographer
Naked Gun 33 1/3: The Final Insult (1994)
Directed by: Peter Segal
Cinematography by: Robert M. Stevens
Edited by: James R. Symons
Cameras: Panavision Cameras
Matte Photographer: Illusion Arts Inc.
The Age of Innocence (1993)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Visual Effects Supervisor
Last Action Hero (1993)
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Matte Shots
A Few Good Men (1992)
Directed by: Rob Reiner
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator
My Stepmother Is an Alien (1988)
Directed by: Richard Benjamin
Cinematography by: Richard H. Kline
Edited by: Jacqueline Cambas
Motion Control Camera Operator: Apogee, Inc.
Spaceballs (1987)
Directed by: Mel Brooks
Cinematography by: Nick McLean
Edited by: Conrad Buff IV
Photographic Effects Camera: Apogee, Inc.
Star Trek: The Motion Picture (1979)
Directed by: Robert Wise
Cinematography by: Richard H. Kline
Edited by: Todd C. Ramsay
