Color Grader
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Color Timer
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Color Timer
Blood and Chocolate (2007)
Directed by: Katja von Garnier
Cinematography by: Brendan Galvin
Edited by: Emma E. Hickox
Color Timer
The Brothers Grimm (2005)
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
Color Timer
Agent Cody Banks 2: Destination London (2004)
Directed by: Kevin Allen
Cinematography by: Denis Crossan
Edited by: Andrew MacRitchie
Cameras: Panavision Cameras
Color Timer
De-Lovely (2004)
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Julie Monroe
Color Timer: USA
The Hours (2002)
Directed by: Stephen Daldry
Cinematography by: Seamus McGarvey
Edited by: Peter Boyle
Color Timer
Snatch (2000)
Directed by: Guy Ritchie
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Color Timer
Entrapment (1999)
Directed by: Jon Amiel
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Color Timer
Fear and Loathing in Las Vegas (1998)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Color Timer
Event Horizon (1997)
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
Grader
In Love and War (1996)
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
