Jerry M. Jacob

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Terminator Genisys | ShotOnWhat?

Camera Operator: Second Unit

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Get on Up | ShotOnWhat?

Camera Operator

Get on Up (2014)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Camera Operator: Second Unit

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Beautiful Creatures | ShotOnWhat?

Camera Operator: "b" Camera

Beautiful Creatures (2013)

Directed by: Richard LaGravenese

Cinematography by: Philippe Rousselot

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Now You See Me | ShotOnWhat?

Camera Operator: "b" Camera

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

The Internship | ShotOnWhat?

Camera Operator: "b" Camera

The Internship (2013)

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA Plus Camera

The Baytown Outlaws | ShotOnWhat?

A Camera Operator

The Baytown Outlaws (2012)

Directed by: Barry Battles

Cinematography by: David McFarland

Edited by: Sean Valla

Cameras: Red One Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens

Contraband | ShotOnWhat?

Camera Operator: "c" Camera / Director Of Photography: Splinter Unit

Contraband (2012)

Directed by: Baltasar Kormákur

Cinematography by: Barry Ackroyd

Edited by: Elísabet Ronaldsdóttir

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses

The Paperboy | ShotOnWhat?

Camera Operator: "blue" Camera

The Paperboy (2012)

Directed by: Lee Daniels

Cinematography by: Roberto Schaefer

Edited by: Joe Klotz

Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera

Lenses: Canon Lenses, Zeiss Super Speed Lenses

Seeking Justice | ShotOnWhat?

Camera Operator

Seeking Justice (2011)

Directed by: Roger Donaldson

Cinematography by: David Tattersall

Edited by: Jay Cassidy

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

A Little Bit of Heaven | ShotOnWhat?

Camera Operator: "b" Camera

A Little Bit of Heaven (2011)

Directed by: Nicole Kassell

Cinematography by: Russell Carpenter

Edited by: Stephen A. Rotter

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

RED | ShotOnWhat?

Camera Operator

RED (2010)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

Jonah Hex | ShotOnWhat?

Camera Operator: "a" Camera, Second Unit

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

12 Rounds | ShotOnWhat?

Camera Operator

12 Rounds (2009)

Directed by: Renny Harlin

Cinematography by: David Boyd

Edited by: Brian Berdan

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Bad Lieutenant: Port of Call New Orleans | ShotOnWhat?

Director Of Photography: Second Unit, Second Unit Cinematographers

Bad Lieutenant: Port of Call New Orleans (2009)

Directed by: Werner Herzog

Cinematography by: Peter Zeitlinger

Edited by: Joe Bini

Cameras: Moviecam Compact MK2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Until Death | ShotOnWhat?

Camera Operator: New Orleans , Steadicam Operator

Until Death (2007)

Directed by: Simon Fellows

Cinematography by: Douglas Milsome

Edited by: Matthew Booth

Deja Vu | ShotOnWhat?

Additional Camera Operator

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

Venom | ShotOnWhat?

Second Steadicam Operator

Venom (2005)

Directed by: Jim Gillespie

Cinematography by: Steve Mason

Edited by: Paul Martin Smith

Monster's Ball | ShotOnWhat?

Steadicam Operator

Monster's Ball (2001)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses

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