Sound Effects Editor
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Foley Supervisor
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Sound Editor
Observe and Report (2009)
Directed by: Jody Hill
Cinematography by: Tim Orr
Edited by: Zene Baker
Sound Editor
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Sound Designer / Sound Supervisor
10th & Wolf (2006)
Directed by: Bobby Moresco
Cinematography by: Alex Nepomniaschy
Edited by: Harvey Rosenstock
Supervising Sound Editor
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Sound Design And Supervision
Bedazzled (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Sound Designer / Sound Supervisor
Scary Movie (2000)
Directed by: Keenen Ivory Wayans
Cinematography by: Francis Kenny
Edited by: Mark Helfrich
Sound Designer / Supervising Sound Editor
Brokedown Palace (1999)
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Sound Designer , Supervising Sound Editor
Double Jeopardy (1999)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Designer / Sound Supervisor
Analyze This (1999)
Directed by: Harold Ramis
Cinematography by: Stuart Dryburgh
Supervising Sound Editor
The Odd Couple II (1998)
Directed by: Howard Deutch
Cinematography by: Jamie Anderson
Edited by: Seth Flaum
Cameras: Panavision Cameras
Sound Designer / Supervising Sound Editor
Hard Rain (1998)
Directed by: Mikael Salomon
Cinematography by: Peter Menzies Jr.
Sound Designer / Sound Supervisor
Multiplicity (1996)
Directed by: Harold Ramis
Cinematography by: László Kovács
Supervising Sound Editor
Virtuosity (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
Sound Designer , Supervising Sound Editor
Jade (1995)
Directed by: William Friedkin
Cinematography by: Andrzej Bartkowiak
Edited by: Augie Hess
Sound Designer / Sound Supervisor
Stuart Saves His Family (1995)
Directed by: Harold Ramis
Cinematography by: Lauro Escorel
Sound Design And Supervision
Bad Girls (1994)
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Sound Editor: Supervising
Striking Distance (1993)
Directed by: Rowdy Herrington
Cinematography by: Mac Ahlberg
Sound Design & Supervision
Love Field (1992)
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Sound Designer / Supervising Sound Editor
Unlawful Entry (1992)
Directed by: Jonathan Kaplan
Cinematography by: Jamie Anderson
Edited by: Curtiss Clayton
Sound Design & Supervision , Supervising Sound Editor
Hot Shots! (1991)
Directed by: Jim Abrahams
Cinematography by: Bill Butler
Foley Editor
JFK (1991)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Lenses: Panavision E35 35 mm T2.0 Lens
Editing System: K.E.M. Editing System
Sound Designer / Sound Supervisor
Immediate Family (1989)
Directed by: Jonathan Kaplan
Cinematography by: John Lindley
Edited by: Jane Kurson
Sound Designer
Mac and Me (1988)
Directed by: Stewart Raffill
Cinematography by: Nick McLean
Edited by: Tom Walls
Special Sound Effects
The Princess Bride (1987)
Directed by: Rob Reiner
Cinematography by: Adrian Biddle
Edited by: Robert Leighton
Sound Editor
Cloak & Dagger (1984)
Directed by: Richard Franklin
Cinematography by: Victor J. Kemper
Edited by: Andrew London
Sound Designer / Sound Effects Editor
The Sword and the Sorcerer (1982)
Directed by: Albert Pyun
Cinematography by: Joseph Mangine
Edited by: Marshall Harvey
Sound Designer
Q (1982)
Directed by: Larry Cohen
Cinematography by: Fred Murphy
Edited by: Armond Lebowitz