Visual Effects Editor: Industrial Light & Magic San Francisco
Terminator: Dark Fate (2019)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Editing System: Adobe Premiere Editing System
Visual Effects Assistant Editor: ILM
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Visual Effects Editor: MPC
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Visual Effects Editor: MPC
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Visual Effects Coordinator
'Arctic Air' Flying Solo (2014)
Directed by: Anthony Atkins
Cinematography by: Michael C. Blundell
Edited by: Lara Mazur
Visual Effects Coordinator
'Arctic Air' High Water (2014)
Directed by: Gary Harvey
Edited by: Franco Pante
Visual Effects Coordinator
'Arctic Air' On the Edge (2014)
Directed by: Martin Wood
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Visual Effects Coordinator
'Arctic Air' The Fugitive (2014)
Directed by: Anthony Atkins
Cinematography by: Michael C. Blundell
Edited by: Lara Mazur
Visual Effects Coordinator
'Arctic Air' Rites of Passage (2014)
Directed by: Amanda Tapping
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Visual Effects Coordinator
'Arctic Air' Last Drop (2014)
Directed by: Amanda Tapping
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Visual Effects Coordinator
'Arctic Air' The Fall PT.2 (2014)
Directed by: Gary Harvey
Cinematography by: Michael C. Blundell
Edited by: Lara Mazur
Stereoscopic Editor: Prime Focus
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Stereoscopic Editor: Prime Focus
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Stereo Editor
Sin City: A Dame to Kill For (2014)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: ARRI ALEXA M Camera
Lenses: Fujinon Premier Lenses
Editing System: Avid Editing System
Stereoscopic Editor: Prime Focus
I, Frankenstein (2014)
Directed by: Stuart Beattie
Cinematography by: Ross Emery
Edited by: Marcus D'Arcy
Cameras: Red Epic Camera
Senior Stereo Editor: Prime Focus
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Senior Stereo Editor: Prime Focus
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Stereoscopic Editor: Prime Focus
The Legend of Hercules (2014)
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Senior Stereo Editor: Prime Focus
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Coordinator
'Arctic Air' The Fall PT.1 (2014)
Directed by: Gary Harvey
Cinematography by: Michael C. Blundell
Visual Effects Coordinator
'Arctic Air' Hell Hath No Fury (2013)
Directed by: Mike Rohl
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Visual Effects Coordinator
'Arctic Air' Old Wounds (2013)
Directed by: Gary Harvey
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Visual Effects Coordinator
'Arctic Air' Dangerous Cargo (2013)
Directed by: Anne Wheeler
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Visual Effects Coordinator
'Arctic Air' There's Gold in Them Thar Hills (2013)
Directed by: Mike Rohl
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Visual Effects Coordinator
'Arctic Air' Stormy Weather (2013)
Directed by: Anne Wheeler
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Visual Effects Coordinator: Prime Focus
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Coordinator - 18 Episodes, 2013-2014
Arctic Air (2012)
Visual Effects Production Assistant
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
