Final Colorist
'Fuller House' Our Very First Show, Again (2016)
Directed by: Mark Cendrowski
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Love Is in the Air (2016)
Directed by: Joel Zwick
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Partnerships in the Night (2016)
Directed by: Katy Garretson
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Save the Dates (2016)
Directed by: Jeff Franklin
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' A Giant Leap (2016)
Directed by: Rob Schiller
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' War of the Roses (2016)
Directed by: Rich Correll
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Secrets, Lies and Firetrucks (2016)
Directed by: Joel Zwick
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Ramona's Not-So-Epic Party (2016)
Directed by: Rich Correll
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' The Legend of El Explosivo (2016)
Directed by: Rich Correll
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Mom Interference (2016)
Directed by: Rich Correll
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Mad Max (2016)
Directed by: Rich Correll
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' The Not-So-Great Escape (2016)
Directed by: Katy Garretson
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Funner House (2016)
Directed by: Katy Garretson
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Moving Day (2016)
Directed by: Mark Cendrowski
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Nutcrackers (2016)
Directed by: Dave Coulier
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Happy New Year Baby (2016)
Directed by: Jeff Franklin
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' DJ and Kimmy's High School Reunion (2016)
Directed by: Eric Dean Seaton
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Ramona's Not-So-Epic First Kiss (2016)
Directed by: Rich Correll
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Glazed and Confused (2016)
Directed by: Mark Cendrowski
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Curse of Tanner Manor (2016)
Directed by: Rich Correll
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' New Kids in the House (2016)
Directed by: Rich Correll
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Doggy Daddy (2016)
Directed by: Katy Garretson
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist - 26 Episodes, 2016
Fuller House (2016)
Directed by: Rich Correll, Mark Cendrowski, Katy Garretson, Dave Coulier, Jeff Franklin, Joanna Kerns, Joel Zwick, Christian Jensen, Jody Margolin Hahn, Rob Schiller, Eric Dean Seaton, Phill Lewis, Jean Sagal, Candace Cameron Bure, Lynn M. McCracken, Kimberly McCullough, Linda Mendoza
Cinematography by: Gregg Heschong
Final Colorist
'Fuller House' A Tangled Web (2016)
Directed by: Joanna Kerns
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Girl Talk (2016)
Directed by: Joanna Kerns
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
'Fuller House' Fuller Thanksgiving (2016)
Directed by: Katy Garretson
Cinematography by: Gregg Heschong
Edited by: Richard Candib
Final Colorist
Undefeated (2011)
Final Colorist
X's & O's (2007)
Directed by: Kedar Korde
Cinematography by: Royce Allen Dudley
Edited by: Chris W. Hill
Colorist
All Souls Day: Dia de los Muertos (2005)
Directed by: Jeremy Kasten
Cinematography by: Christopher Duddy
Edited by: Joseph Gutowski
Home Video Mastering Colorist
Open Range (2003)
Directed by: Kevin Costner
Cinematography by: James M. Muro
Home Video Mastering Colorist
Moonlight Mile (2002)
Directed by: Brad Silberling
Cinematography by: Phedon Papamichael
Edited by: Lisa Zeno Churgin
Cameras: Panavision Panaflex Camera
Final Colorist
Teddy Bears' Picnic (2001)
Directed by: Harry Shearer
Cinematography by: Jaime Reynoso
Edited by: Jeffrey Ford
Home Video Mastering Colorist
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Home Video Mastering Colorist
Squeeze (1997)
Directed by: Robert Patton-Spruill
Cinematography by: Richard Moos
Edited by: Richard Moos
Home Video Mastering Colorist
Intersection (1994)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Mark Warner
Home Video Mastering Colorist
Princess Caraboo (1994)
Directed by: Michael Austin
Cinematography by: Freddie Francis
Edited by: George Akers
Home Video Mastering Colorist
Guarding Tess (1994)
Directed by: Hugh Wilson
Cinematography by: Brian J. Reynolds
Edited by: Sidney Levin
Home Video Mastering Colorist
What's Eating Gilbert Grape (1993)
Directed by: Lasse Hallström
Cinematography by: Sven Nykvist
Edited by: Andrew Mondshein
Home Video Mastering Colorist
Lost in Yonkers (1993)
Directed by: Martha Coolidge
Edited by: Steven Cohen
Home Video Mastering Colorist
Groundhog Day (1993)
Directed by: Harold Ramis
Cinematography by: John Bailey
Edited by: Pembroke J. Herring
Home Video Mastering Colorist
El Mariachi (1992)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: ARRIFLEX 16S Camera
Home Video Mastering Colorist
A League of Their Own (1992)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Home Video Mastering Colorist
Boyz n the Hood (1991)
Directed by: John Singleton
Cinematography by: Charles Mills
Edited by: Bruce Cannon
Cameras: ARRI Cameras
Lenses: ARRI / Zeiss Lenses
Home Video Mastering Colorist
The Addams Family (1991)
Directed by: Barry Sonnenfeld
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Home Video Mastering Colorist
Hudson Hawk (1991)
Directed by: Michael Lehmann
Cinematography by: Dante Spinotti
Home Video Mastering Colorist
Kafka (1991)
Directed by: Steven Soderbergh
Cinematography by: Walt Lloyd
Edited by: Steven Soderbergh
Home Video Mastering Colorist
The Fisher King (1991)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Home Video Mastering Colorist
The Freshman (1990)
Directed by: Andrew Bergman
Cinematography by: William A. Fraker
Edited by: Barry Malkin
Home Video Mastering Colorist
I Love You to Death (1990)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Anne V. Coates
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Home Video Mastering Colorist
Look Who's Talking Too (1990)
Directed by: Amy Heckerling
Cinematography by: Thomas Del Ruth
Edited by: Debra Chiate
Home Video Mastering Colorist
Sex, Lies, and Videotape (1989)
Directed by: Steven Soderbergh
Cinematography by: Walt Lloyd
Edited by: Steven Soderbergh
Home Video Mastering Colorist
Glory (1989)
Directed by: Edward Zwick
Cinematography by: Freddie Francis
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera
Home Video Mastering Colorist
Chances Are (1989)
Directed by: Emile Ardolino
Cinematography by: William A. Fraker
Edited by: Harry Keramidas
Home Video Mastering Colorist
Family Business (1989)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Andrew Mondshein
Home Video Mastering Colorist
Look Who's Talking (1989)
Directed by: Amy Heckerling
Cinematography by: Thomas Del Ruth
Edited by: Debra Chiate
Home Video Mastering Colorist
Who's Harry Crumb? (1989)
Directed by: Paul Flaherty
Cinematography by: Stephen M. Katz
Edited by: Danford B. Greene
Home Video Mastering Colorist
Short Circuit 2 (1988)
Directed by: Kenneth Johnson
Cinematography by: John McPherson
Edited by: Conrad Buff IV
Home Video Mastering Colorist
The Bear (1988)
Directed by: Jean-Jacques Annaud
Cinematography by: Philippe Rousselot
Edited by: Noëlle Boisson
Home Video Mastering Colorist
Like Father Like Son (1987)
Directed by: Rod Daniel
Cinematography by: Jack N. Green
Edited by: Lois Freeman-Fox
Home Video Mastering Colorist
Suspect (1987)
Directed by: Peter Yates
Cinematography by: Billy Williams
Edited by: Ray Lovejoy
Home Video Mastering Colorist
Angel Heart (1987)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Lenses: Panavision Lenses
Home Video Mastering Colorist
Gardens of Stone (1987)
Directed by: Francis Ford Coppola
Cinematography by: Jordan Cronenweth
Edited by: Barry Malkin
Home Video Mastering Colorist
Nadine (1987)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Sam O'Steen
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses
Home Video Mastering Colorist
Tin Men (1987)
Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Stu Linder
Home Video Mastering Colorist
Planes, Trains & Automobiles (1987)
Directed by: John Hughes
Cinematography by: Donald Peterman
Edited by: Paul Hirsch
Cameras: Panavision Cameras
Home Video Mastering Colorist
The Big Easy (1986)
Directed by: Jim McBride
Cinematography by: Affonso Beato
Edited by: Mia Goldman
Home Video Mastering Colorist
Pee-wee's Big Adventure (1985)
Directed by: Tim Burton
Cinematography by: Victor J. Kemper
Edited by: Billy Weber
Home Video Mastering Colorist
Ghostbusters (1984)
Directed by: Ivan Reitman
Cinematography by: László Kovács
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Home Video Mastering Colorist
The Natural (1984)
Directed by: Barry Levinson
Cinematography by: Caleb Deschanel
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Home Video Mastering Colorist
The Big Chill (1983)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Home Video Mastering Colorist
Absence of Malice (1981)
Directed by: Sydney Pollack
Cinematography by: Owen Roizman
Edited by: Sheldon Kahn
Home Video Mastering Colorist
...and justice for all. (1979)
Directed by: Norman Jewison
Cinematography by: Victor J. Kemper
Edited by: John F. Burnett
Cameras: Panavision Cameras
Home Video Mastering Colorist
Kramer vs. Kramer (1979)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Gerald B. Greenberg
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Home Video Mastering Colorist
All That Jazz (1979)
Directed by: Bob Fosse
Cinematography by: Giuseppe Rotunno
Edited by: Alan Heim
Cameras: Panavision Cameras
Home Video Mastering Colorist
Days of Heaven (1978)
Directed by: Terrence Malick
Cinematography by: Néstor Almendros
Edited by: Billy Weber
Cameras: Panavision Panaflex Camera
Lenses: Canon FD 55mm f1.2 AL, Panavision Lenses
Home Video Mastering Colorist
Goin' South (1978)
Directed by: Jack Nicholson
Cinematography by: Néstor Almendros
Cameras: Panavision Cameras
Home Video Mastering Colorist
Star Wars: Episode IV - A New Hope (1977)
Directed by: George Lucas
Cinematography by: Gilbert Taylor
Home Video Mastering Colorist
Close Encounters of the Third Kind (1977)
Directed by: Steven Spielberg
Cinematography by: Vilmos Zsigmond
Edited by: Michael Kahn
