John 'D.J.' Des Jardin

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Zack Snyder's Justice League | ShotOnWhat?

Visual Effects Supervisor

Zack Snyder's Justice League (2021)

Directed by: Zack Snyder

Cinematography by: Fabian Wagner

Edited by: David Brenner, Carlos M. Castillón, Dody Dorn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Leitz Summilux-C Series Lenses

Batman v Superman: Dawn of Justice | ShotOnWhat?

Visual Effects Supervisor

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Man of Steel | ShotOnWhat?

Visual Effects Supervisor

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Sucker Punch | ShotOnWhat?

Visual Effects Supervisor

Sucker Punch (2011)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Panavision Cameras

Watchmen | ShotOnWhat?

Visual Effects Supervisor

Watchmen (2009)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

The Kingdom | ShotOnWhat?

Visual Effects Supervisor

The Kingdom (2007)

Directed by: Peter Berg

Cinematography by: Mauro Fiore

Edited by: Colby Parker Jr., Kevin Stitt

X-Men: The Last Stand | ShotOnWhat?

Additional Visual Effects Supervisor

X-Men: The Last Stand (2006)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Fantastic Four | ShotOnWhat?

Visual Effects Supervisor

Fantastic Four (2005)

Directed by: Tim Story

Cinematography by: Oliver Wood

Edited by: William Hoy

Friday Night Lights | ShotOnWhat?

On-set Visual Effects Supervisor

Friday Night Lights (2004)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Gabrielle Fasulo, Colby Parker Jr., Susan Rash, David Rosenbloom

The Matrix Reloaded | ShotOnWhat?

Visual Effects Supervisor

The Matrix Reloaded (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Matrix Revolutions | ShotOnWhat?

Visual Effects Supervisor

The Matrix Revolutions (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mission: Impossible II | ShotOnWhat?

Cg Supervisor

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Almost Famous | ShotOnWhat?

3D Supervisor: MVFX

Almost Famous (2000)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Saar Klein

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Crouching Tiger, Hidden Dragon | ShotOnWhat?

3D Supervisor

Crouching Tiger, Hidden Dragon (2000)

Directed by: Ang Lee

Cinematography by: Peter Pau

Edited by: Tim Squyres

Cameras: ARRIFLEX 435 ES Camera

Lenses: Zeiss Lenses

End of Days | ShotOnWhat?

Visual Effects Supervisor

End of Days (1999)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Jeff Gullo, Steven Kemper

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

The Astronaut's Wife | ShotOnWhat?

Visual Effects Supervisor: VIFX

The Astronaut's Wife (1999)

Directed by: Rand Ravich

Cinematography by: Allen Daviau

Edited by: Timothy Alverson, Steve Mirkovich

Firestorm | ShotOnWhat?

Visual Effects Supervisor

Firestorm (1998)

Directed by: Dean Semler

Cinematography by: Stephen F. Windon

Edited by: Jack Hofstra

The Relic | ShotOnWhat?

Digital Effects Supervisor: VIFX

The Relic (1997)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Steven Kemper

Broken Arrow | ShotOnWhat?

Digital Supervisor

Broken Arrow (1996)

Directed by: John Woo

Cinematography by: Peter Levy

Edited by: Joe Hutshing, Steve Mirkovich, John Wright

Cameras: Panavision Cameras

Down Periscope | ShotOnWhat?

CG Effects Development

Down Periscope (1996)

Directed by: David S. Ward

Cinematography by: Victor Hammer

Edited by: William M. Anderson, Armen Minasian

Batman Returns | ShotOnWhat?

Crew: Video Image

Batman Returns (1992)

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Bob Badami, Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Terminator 2: Judgment Day | ShotOnWhat?

Crew: Video Image

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Predator 2 | ShotOnWhat?

Crew: Video Image

Predator 2 (1990)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Mark Goldblatt, Bert Lovitt

SpaceCamp | ShotOnWhat?

Computer Animation And Displays

SpaceCamp (1986)

Directed by: Harry Winer

Cinematography by: William A. Fraker

Edited by: Tim Board, John W. Wheeler

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