First Company Rigging Grip
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Key Grip
'CSI: Crime Scene Investigation' Hollywood Brass (2005)
Directed by: Bill Eagles
Cinematography by: Eliot Rockett
Edited by: Ray Daniels III
Key Grip
'CSI: Crime Scene Investigation' Iced (2005)
Directed by: Richard J. Lewis
Cinematography by: David Stockton
Edited by: Ray Daniels III
Key Grip: Los Angeles
The Notebook (2004)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Miniature Director Of Photography: Digital Domain
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Visual Effects Chief Lighting Technician
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Visual Effects Director Of Photography: Digital Domain
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Key Grip - 2 Episodes, 2005
CSI: Crime Scene Investigation (2000)
Directed by: Kenneth Fink, Richard J. Lewis, Alec Smight, Danny Cannon, Brad Tanenbaum, Jeffrey G. Hunt, Louis Shaw Milito, Frank Waldeck, Philip Conserva, Martha Coolidge, David Grossman, Duane Clark, Bill Eagles, Terrence O'Hara, Paris Barclay, Michael Nankin, Eagle Egilsson, Lou Antonio, Thomas J. Wright, Charles Correll, Peter Markle, Deran Sarafian, Michael Slovis, Christopher Leitch, Karen Gaviola, Matt Earl Beesley, Rob Bailey, Quentin Tarantino, William Friedkin, Nathan Hope, Paul McCrane, Michael Shapiro, Michael W. Watkins, Jefery Levy, Allison Liddi-Brown, John Patterson, Oz Scott, Roy H. Wagner, Tucker Gates, Félix Enríquez Alcalá, Nelson McCormick, J. Miller Tobin, Andrew Baron, Jean de Segonzac, Bryan Spicer, Dean White, Jeff Woolnough, Andrew Bernstein, Naren Shankar, Charles Haid, Steven Felder, David Semel, Kevin Bray, Timothy Beavers, Alrick Riley, Claudia Yarmy
Cinematography by: Christian Sebaldt, Crescenzo G.P. Notarile, Frank Byers, Michael Barrett, Michael Slovis, Nathan Hope, Cort Fey, Jonathan West, Nelson Cragg, James L. Carter, Roy H. Wagner, David Stockton, Robert Gantz, Scott Galinsky, Ken Glassing, Matthew Jensen, Gale Tattersall, Gary B. Kibbe, Eliot Rockett, Christopher Faloona
Edited by: John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie, Derek Degenhardt
Chief Lighting Technician: Digital Domain
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Key Grip: Los Angeles
I'll Be Home for Christmas (1998)
Directed by: Arlene Sanford
Cinematography by: Hiro Narita
Edited by: Anita Brandt Burgoyne
Motion Control Gaffer: Digital Domain
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Fx Gaffer
Chain Reaction (1996)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Visual Effects
Sgt. Bilko (1996)
Directed by: Jonathan Lynn
Cinematography by: Peter Sova
Edited by: Tony Lombardo
Gaffer: Digital Domain, Visual Effects Gaffer: Digital Domain
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Visual Effects Best Boy Grip: Digital Domain
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
