Visual Effects Artist
'Vikings' The Great Army (2017)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Don Cassidy
Visual Effects Artist
'Vikings' Revenge (2017)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Compositor
'Fargo' Somebody to Love (2017)
Directed by: Keith Gordon
Cinematography by: Dana Gonzales
Edited by: Regis Kimble
Visual Effects Artist
'Penny Dreadful' This World Is Our Hell (2016)
Directed by: Paco Cabezas
Cinematography by: John Conroy
Edited by: Michele Conroy
Visual Effects Artist
'Vikings' Breaking Point (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Visual Effects Artist
'Vikings' The Dead (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Visual Effects Artist - 1 Episode, 2016
Penny Dreadful (2014)
Directed by: Damon Thomas, James Hawes, Brian Kirk, Paco Cabezas, J.A. Bayona, Coky Giedroyc, Dearbhla Walsh, Kari Skogland, Toa Fraser
Edited by: Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras: ARRI ALEXA Camera
Digital Compositor
Dolphin Tale 2 (2014)
Directed by: Charles Martin Smith
Cinematography by: Daryn Okada
Edited by: Harvey Rosenstock
Cameras: Sony PMW-F55 Camera
Digital Compositor - 1 Episode, 2017
Fargo (2014)
Directed by: Michael Uppendahl, Keith Gordon, Randall Einhorn, Adam Bernstein, Colin Bucksey, Matt Shakman, Scott Winant, Noah Hawley, Adam Arkin, Jeffrey Reiner, Mike Barker, Dearbhla Walsh, John Cameron
Edited by: Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Visual Effects Artist - 4 Episodes, 2015-2017
Vikings (2013)
Directed by: Ciaran Donnelly, Ken Girotti, Steve Saint Leger, Jeff Woolnough, Daniel Grou, Helen Shaver, David Wellington, Johan Renck, David Frazee, Kari Skogland, Kelly Makin, Sarah Harding, Ben Bolt, Anthony Karkosza, Joshua Zimmerman, Karla Braun, Katheryn Winnick
Edited by: Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson
Lenses: Panavision Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Compositor
'Lost Girl' Fae-nted Love (2012)
Directed by: Michael DeCarlo
Cinematography by: David Greene
Edited by: Mike Lee
Digital Compositor
'Lost Girl' Into the Dark (2012)
Directed by: John Fawcett
Cinematography by: David Greene
Edited by: Ben Wilkinson
Digital Compositor
'Lost Girl' Flesh and Blood (2012)
Directed by: Steve DiMarco
Cinematography by: David Greene
Edited by: Mike Lee
Digital Compositor
'Lost Girl' The Girl Who Fae'd with Fire (2012)
Directed by: Brett Sullivan
Cinematography by: David Greene
Edited by: Ben Wilkinson
Digital Compositor
'Lost Girl' Table for Fae (2012)
Directed by: David Greene
Cinematography by: Joachim Martin
Edited by: Ben Wilkinson
Digital Compositor
'Lost Girl' Midnight Lamp (2012)
Directed by: David Winning
Cinematography by: Joachim Martin
Edited by: Mike Lee
Digital Compositor
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Digital Compositor
'Lost Girl' Barometz. Trick. Pressure (2011)
Directed by: Paolo Barzman
Cinematography by: David Greene
Edited by: Ben Wilkinson
Digital Compositor
'Lost Girl' Raging Fae (2011)
Directed by: David Greene
Cinematography by: Joachim Martin
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Dead Lucky (2010)
Directed by: John Fawcett
Cinematography by: David Greene
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Blood Lines (2010)
Directed by: Robert Lieberman
Cinematography by: David Greene
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' (Dis)Members Only (2010)
Directed by: Steve DiMarco
Cinematography by: David Greene
Edited by: Teresa Hannigan
Digital Compositor
'Lost Girl' Faetal Justice (2010)
Directed by: Robert Lieberman
Cinematography by: David Greene
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Fae Day (2010)
Directed by: Steve DiMarco
Cinematography by: David Greene
Edited by: Teresa Hannigan
Digital Compositor
'Lost Girl' Food for Thought (2010)
Directed by: John Fawcett
Cinematography by: David Greene
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Oh Kappa, My Kappa (2010)
Directed by: Paul Fox
Cinematography by: David Greene
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Where There's a Will, There's a Fae (2010)
Directed by: Robert Lieberman
Cinematography by: David Greene
Edited by: Teresa Hannigan
Digital Compositor - 16 Episodes, 2010-2012
Lost Girl (2010)
Directed by: Steve DiMarco, Paolo Barzman, Ron Murphy, John Fawcett, Gail Harvey, Lee Rose, Robert Lieberman, David Greene, Paul Fox, Mairzee Almas, George Mihalka, Andy Mikita, Erik Canuel, Clark Johnson, Lynne Stopkewich, Michael DeCarlo, James Dunnison, Brett Sullivan, David Winning, Director X., Bruce McDonald
Edited by: Paul G. Day, Ben Wilkinson, Teresa Hannigan, Mike Lee, Dale Gagne, Brett Sullivan, Wendy Hallam Martin
Cameras: Panavision Genesis Camera
Lenses: Panavision Lenses
Digital Compositor
Nosso Lar (2010)
Directed by: Wagner de Assis
Cinematography by: Ueli Steiger
Edited by: Marcelo Moraes
Digital Compositor: Soho VFX
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Digital Compositor
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Digital Compositor
Aliens in the Attic (2009)
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Digital Compositor
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Digital Compositor
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Digital Artist
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Digital Compositor
Max Payne (2008)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: ARRIFLEX 435 Camera, Phantom HD Camera
Lenses: Cooke S4 Lenses