Line Producer: Dominican Republic Unit
If Beale Street Could Talk (2018)
Directed by: Barry Jenkins
Cinematography by: James Laxton
Cameras: ARRI ALEXA 65 Camera
Lenses: ARRI Rental Prime DNA Lenses
Second Assistant Director: Puerto Rico
'Royal Pains' A Bridge Not Quite Far Enough (2014)
Directed by: Matthew Penn
Cinematography by: Joe Collins
Edited by: Michael Berenbaum
Second Assistant Director: Puerto Rico
'Royal Pains' All in the Family (2014)
Directed by: Matthew Penn
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Second Assistant Director: Georgia
'Royal Pains' HankWatch (2013)
Directed by: Emile B. Levisetti
Cinematography by: Joe Collins
Edited by: Gary Levy
Assistant Production Manager
Gods Behaving Badly (2013)
Directed by: Marc Turtletaub
Cinematography by: Tak Fujimoto
Cameras: ARRI ALEXA Camera
Production Supervisor: Washington DC
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Line Producer
Someday This Pain Will Be Useful to You (2011)
Directed by: Roberto Faenza
Cinematography by: Maurizio Calvesi
Edited by: Massimo Fiocchi
Production Supervisor
Just Wright (2010)
Directed by: Sanaa Hamri
Cinematography by: Terry Stacey
Edited by: Melissa Kent
Assistant Unit Manager
Sex and the City 2 (2010)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Cameras: Panavision Panaflex Platinum Camera
Second Assistant Director - 3 Episodes, 2013-2014
Royal Pains (2009)
Directed by: Michael Rauch, Matthew Penn, Jay Chandrasekhar, Emile B. Levisetti, Constantine Makris, Michael W. Watkins, Ed Fraiman, Mark Feuerstein, Allison Liddi-Brown, Don Scardino, Jace Alexander, Tawnia McKiernan, Janice Cooke, Paulo Costanzo, Joe Collins, Dennie Gordon, Ken Whittingham, Charles McClelland, Ken Girotti, Bronwen Hughes, Eric Laneuville, Dennis Smith, Wendey Stanzler, Tricia Brock, Kevin Dowling, Lara Shapiro, Michael B. Silver, Brendan Walsh
Cinematography by: Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary
Edited by: Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau
Cameras: Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Assistant Unit Manager
Assassination of a High School President (2008)
Directed by: Brett Simon
Cinematography by: M. David Mullen
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Unit Production Manager
Brooklyn Rules (2007)
Directed by: Michael Corrente
Cinematography by: Richard Crudo
Edited by: Kate Sanford
Production Supervisor: Second Unit
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Production Supervisor: Washington D.C./New York
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Production Supervisor
The Fighting Temptations (2003)
Directed by: Jonathan Lynn
Cinematography by: Affonso Beato
Edited by: Paul Hirsch
Production Coordinator: New York
Phone Booth (2002)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Production Supervisor
Piñero (2001)
Directed by: Leon Ichaso
Cinematography by: Claudio Chea
Edited by: David Tedeschi
Production Coordinator
The Royal Tenenbaums (2001)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Production Coordinator: New York
Passion of Mind (2000)
Directed by: Alain Berliner
Cinematography by: Eduardo Serra
Edited by: Anne V. Coates
Cameras: Panavision Cameras
Assistant Office Production Coordinator
Gloria (1999)
Directed by: Sidney Lumet
Cinematography by: David Watkin
Edited by: Tom Swartwout
Assistant Production Coordinator
You've Got Mail (1998)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
Production Assistant
Marvin's Room (1996)
Directed by: Jerry Zaks
Cinematography by: Piotr Sobocinski
Edited by: Jim Clark
Production Assistant
The Mirror Has Two Faces (1996)
Directed by: Barbra Streisand
Edited by: Jeff Werner
Cameras: Panavision Panaflex Camera
