Bill Murphy

13 Titles

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Red Riding Hood | ShotOnWhat?

Animator: Rhythm & Hues, Visual Effects: Rhythm & Hues

Red Riding Hood (2011)

Directed by: Catherine Hardwicke

Cinematography by: Mandy Walker

Edited by: Nancy Richardson, Julia Wong

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Charlie St. Cloud | ShotOnWhat?

Visual Effects Digital Producer: Rhythm & Hues

Charlie St. Cloud (2010)

Directed by: Burr Steers

Cinematography by: Enrique Chediak

Edited by: Padraic McKinley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Series Lenses

Aliens in the Attic | ShotOnWhat?

Cgi Production Manager: Rhythm & Hues

Aliens in the Attic (2009)

Directed by: John Schultz

Cinematography by: Don Burgess

Edited by: John Pace

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Digital Effects Production Manager: Rhythm & Hues Studios

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Alvin and the Chipmunks: The Squeakquel | ShotOnWhat?

Cg Production Manager: Rhythm & Hues

Alvin and the Chipmunks: The Squeakquel (2009)

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

The Incredible Hulk | ShotOnWhat?

Digital Production Manager: Rhythm & Hues

The Incredible Hulk (2008)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

Pulse | ShotOnWhat?

Visual Effects Production Support: Neo Digital

Pulse (2006)

Directed by: Jim Sonzero

Cinematography by: Mark Plummer

Edited by: Robert K. Lambert, Bob Mori, Kirk M. Morri

Sky Captain and the World of Tomorrow | ShotOnWhat?

Visual Effects Production Manager

Sky Captain and the World of Tomorrow (2004)

Directed by: Kerry Conran

Cinematography by: Eric Adkins

Edited by: Sabrina Plisco

Cameras: Sony HDW-F900 Camera

Editing System: Final Cut Pro Editing System

Garfield | ShotOnWhat?

Visual Effects Coordinator

Garfield (2004)

Directed by: Peter Hewitt

Cinematography by: Dean Cundey

Edited by: Peter E. Berger, Michael A. Stevenson

Cameras: Panavision Cameras

X2 | ShotOnWhat?

Visual Effects Coordinator

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

The Time Machine | ShotOnWhat?

Visual Effects Production Assistant: Cinesite

The Time Machine (2002)

Directed by: Simon Wells

Cinematography by: Donald McAlpine

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Solaris | ShotOnWhat?

Visual Effects Coordinator

Solaris (2002)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Ali | ShotOnWhat?

Visual Effects Coordinator

Ali (2001)

Directed by: Michael Mann

Cinematography by: Emmanuel Lubezki

Edited by: William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses: Panavision Primo Primes Spherical Lenses

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