First Assistant Camera: Second Unit
Baywatch (2017)
Directed by: Seth Gordon
Cinematography by: Eric Steelberg
Edited by: Peter S. Elliot
Cameras: ARRI ALEXA XT Plus Camera
First Assistant Camera: "b" Camera
Sleepless (2017)
Directed by: Baran bo Odar
Cinematography by: Mihai Malaimare Jr.
Edited by: Robert Rzesacz
Reference Camera
The Adventures of Tintin (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Second Assistant Camera: "a" Camera
Nancy Drew (2007)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Second Assistant Camera: "a" Camera
Ocean's Thirteen (2007)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Assistant Camera: "a" Camera
The Good German (2006)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Second Assistant Camera
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Second Assistant Camera
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Second Assistant Camera: "a" Camera
Ocean's Twelve (2004)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Second Assistant Camera
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Second Assistant Camera
Along Came Polly (2004)
Directed by: John Hamburg
Cinematography by: Seamus McGarvey
Second Assistant Camera
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Second Assistant Camera: "a" Camera
The Salton Sea (2002)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Jim Page
Second Assistant Camera: "a" Camera
The Master of Disguise (2002)
Directed by: Perry Andelin Blake
Cinematography by: Peter Lyons Collister
Cameras: Panavision Cameras
Second Assistant Camera
Catch Me If You Can (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Second Assistant Camera
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Second Assistant Camera
Lost Souls (2000)
Directed by: Janusz Kaminski
Cinematography by: Mauro Fiore
Key Second Assistant Camera: Las Vegas
Get Carter (2000)
Directed by: Stephen Kay
Cinematography by: Mauro Fiore
Edited by: Gerald B. Greenberg
Second Assistant Camera
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Second Assistant Camera
Saving Private Ryan (1998)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Second Assistant Camera: Second Unit, Los Angeles
The Negotiator (1998)
Directed by: F. Gary Gray
Cinematography by: Russell Carpenter
Edited by: Christian Wagner
Cameras: Panavision Cameras
Loader
Amistad (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Lenses: Zeiss Super Speed Lenses
Crane Technician / Second Assistant Camera: "b" Camera
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Camera Loader
Tall Tale (1995)
Directed by: Jeremiah S. Chechik
Cinematography by: Janusz Kaminski
Edited by: Richard Chew
Camera Loader
How to Make an American Quilt (1995)
Directed by: Jocelyn Moorhouse
Cinematography by: Janusz Kaminski
Edited by: Jill Bilcock
Cameras: Panavision Cameras
Camera Loader
Love, Cheat & Steal (1993)
Directed by: William Curran
Cinematography by: Kent L. Wakeford
Edited by: Carole Kravetz Aykanian
