Post-production Executive Producer
The Sapphires (2012)
Directed by: Wayne Blair
Cinematography by: Warwick Thornton
Edited by: Dany Cooper
Executive Producer
Storm Surfers 3D (2012)
Cinematography by: David Maguire
Edited by: Rodrigo Balart
Cameras: Canon EOS 550D Camera, GoPro HD Hero Camera, Panasonic AG-3DA1 Camera, Silicon Imaging SI-2K Camera, Sony PMW-EX3 Camera
Lenses: Fujinon Lenses, Kowa Lenses
Editing System: Avid Editing System
Digital Intermediate Producer
The Way Back (2010)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Digital Intermediate Producer
Disgrace (2008)
Directed by: Steve Jacobs
Cinematography by: Steve Arnold
Edited by: Alexandre de Franceschi
Digital Intermediate Producer
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Digital Opticals Producer: Atlab
Death Defying Acts (2007)
Directed by: Gillian Armstrong
Cinematography by: Haris Zambarloukos
Edited by: Nicholas Beauman
Digital Intermediate Producer
Ten Canoes (2006)
Cinematography by: Ian Jones
Edited by: Tania Nehme
Cameras: ARRIFLEX 35 BL4s Camera
Digital Effects Producer
Jindabyne (2006)
Directed by: Ray Lawrence
Cinematography by: David Williamson
Edited by: Karl Sodersten
Digital Supervisor: Atlab
Aquamarine (2006)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: Brian J. Breheny
Edited by: Jane Moran
Cameras: Panavision Cameras
Digital Intermediate Producer, Senior Production Liaison
Happy Feet (2006)
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Laboratory Liaison: Atlab Australia
The Crocodile Hunter: Collision Course (2002)
Directed by: John Stainton
Cinematography by: David Burr
Stills Photographer: MVFX
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Scanning And Recording: Dfilm Digital Effects
Two Hands (1999)
Directed by: Gregor Jordan
Cinematography by: Malcolm McCulloch
Edited by: Lee Smith
Scanning And Recording Supervisor: Visual Effects Unit
Dark City (1998)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Edited by: Dov Hoenig
Cameras: Panavision Panaflex Gold II Camera
Scanning And Recording Supervisor: Dfilm
Oscar and Lucinda (1997)
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Cameras: Panavision Panaflex Gold II Camera
