Anthony Charbonnier

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Slender Man | ShotOnWhat?

Compositor

Slender Man (2018)

Directed by: Sylvain White

Cinematography by: Luca Del Puppo

Edited by: Jake York

Cameras: Sony PMW-F55 Camera, Sony α7S II Camera

Lenses: Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses

Vice | ShotOnWhat?

Digital Compositor: Cinesite

Vice (2018)

Directed by: Adam McKay

Cinematography by: Greig Fraser

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses: Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Jackie | ShotOnWhat?

Compositing

Jackie (2016)

Directed by: Pablo Larraín

Cinematography by: Stéphane Fontaine

Edited by: Sebastián Sepúlveda

Cameras: ARRIFLEX 416 Plus Camera

3 Days to Kill | ShotOnWhat?

Digital Compositor

3 Days to Kill (2014)

Directed by: McG

Cinematography by: Thierry Arbogast

Edited by: Audrey Simonaud

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses: Technovision Lenses, Zeiss Super Speed Lenses

Clouds of Sils Maria | ShotOnWhat?

Digital Compositor

Clouds of Sils Maria (2014)

Directed by: Olivier Assayas

Cinematography by: Yorick Le Saux

Edited by: Marion Monnier

Cameras: ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Supercondriaque | ShotOnWhat?

Digital Compositor

Supercondriaque (2014)

Directed by: Dany Boon

Cinematography by: Romain Winding

Edited by: Monica Coleman

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens

Belle et Sébastien | ShotOnWhat?

Digital Compositor

Belle et Sébastien (2013)

Directed by: Nicolas Vanier

Cinematography by: Éric Guichard

Edited by: Stéphanie Pedelacq, Raphaele Urtin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Je fais le mort | ShotOnWhat?

Digital Compositor

Je fais le mort (2013)

Directed by: Jean-Paul Salomé

Cinematography by: Pascal Ridao

Edited by: Sylvie Lager

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

L'homme qui rit | ShotOnWhat?

Digital Compositor

L'homme qui rit (2012)

Directed by: Jean-Pierre Améris

Cinematography by: Gérard Simon

Edited by: Philippe Bourgueil

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Carnage | ShotOnWhat?

2d Digital Artist: Def2shoot

Carnage (2011)

Directed by: Roman Polanski

Cinematography by: Pawel Edelman

Edited by: Hervé de Luze

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Bienvenue à bord | ShotOnWhat?

Digital Compositor

Bienvenue à bord (2011)

Directed by: Eric Lavaine

Cinematography by: Stéphane Le Parc

Edited by: Vincent Zuffranieri

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Day of the Falcon | ShotOnWhat?

Digital Compositor

Day of the Falcon (2011)

Directed by: Jean-Jacques Annaud

Cinematography by: Jean-Marie Dreujou

Edited by: Hervé Schneid

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Omar m'a tuer | ShotOnWhat?

Digital Compositor

Omar m'a tuer (2011)

Directed by: Roschdy Zem

Cinematography by: Jérôme Alméras

Edited by: Monica Coleman

The Ghost Writer | ShotOnWhat?

Digital Compositor

The Ghost Writer (2010)

Directed by: Roman Polanski

Cinematography by: Pawel Edelman

Edited by: Hervé de Luze

Rien à déclarer | ShotOnWhat?

Digital Compositor

Rien à déclarer (2010)

Directed by: Dany Boon

Cinematography by: Pierre Aïm

Edited by: Luc Barnier, Géraldine Rétif

Les aventures extraordinaires d'Adèle Blanc-Sec | ShotOnWhat?

Digital Compositor

Les aventures extraordinaires d'Adèle Blanc-Sec (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

600 kilos d'or pur | ShotOnWhat?

Digital Compositor

600 kilos d'or pur (2010)

Directed by: Éric Besnard

Cinematography by: Jean-Marie Dreujou

Edited by: Christophe Pinel

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Micmacs à tire-larigot | ShotOnWhat?

Digital Compositor

Micmacs à tire-larigot (2009)

Directed by: Jean-Pierre Jeunet

Cinematography by: Tetsuo Nagata

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

District 13: Ultimatum | ShotOnWhat?

Digital Compositor

District 13: Ultimatum (2009)

Directed by: Patrick Alessandrin

Cinematography by: Jean-François Hensgens

Edited by: Stéphane Garnier, Julien Rey

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Cyprien | ShotOnWhat?

Digital Compositor

Cyprien (2009)

Directed by: David Charhon

Cinematography by: Antoine Roch

Edited by: Sophie Reine

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Mesrine Part 1: Killer Instinct | ShotOnWhat?

Digital Compositor

Mesrine Part 1: Killer Instinct (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Hervé Schneid

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Anamorphic Lenses

Astérix aux jeux olympiques | ShotOnWhat?

Additional Roto Artist

Astérix aux jeux olympiques (2008)

Directed by: Frédéric Forestier, Thomas Langmann

Cinematography by: Thierry Arbogast

Edited by: Yannick Kergoat, Julien Rey, Vincent Tabaillon

Mesrine Part 2: Public Enemy #1 | ShotOnWhat?

Digital Compositor

Mesrine Part 2: Public Enemy #1 (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Bill Pankow, Hervé Schneid

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Seuls Two | ShotOnWhat?

Digital Compositor

Seuls Two (2008)

Directed by: Ramzy Bedia, Eric Judor

Cinematography by: Philippe Piffeteau

Edited by: Sébastien de Sainte Croix, Jean-Christophe Hym

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

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