Digital Film Scanning: Technicolor
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Imaging Technician: Technicolor Digital Intermediate
Silver Linings Playbook (2012)
Directed by: David O. Russell
Cinematography by: Masanobu Takayanagi
Film Scanner
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Imaging Technician: Technicolor
Lincoln (2012)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Imaging Technician: Technicolor Hollywood
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Film Scanning: Technicolor Los Angeles
Moonrise Kingdom (2012)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Aaton A-Minima Camera, Aaton Xterà Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Imaging Technician: Technicolor Digital Intermediates
50/50 (2011)
Directed by: Jonathan Levine
Cinematography by: Terry Stacey
Edited by: Zene Baker
Digital Intermediate Scanner And Recorder, Digital Intermediate Scanner/recorder
Source Code (2011)
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
Scanning & Recording: Technicolor Digital Intermediate
The Spy Next Door (2010)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Lawrence Jordan
Digital Intermediate Imaging Technician
Super (2010)
Directed by: James Gunn
Cinematography by: Steve Gainer
Edited by: Cara Silverman
Cameras: Red One Camera
Editing System: Avid Editing System
Imaging Technician: Technicolor Digital Intermediates
The Kids Are All Right (2010)
Directed by: Lisa Cholodenko
Cinematography by: Igor Jadue-Lillo
Edited by: Jeffrey M. Werner
Lenses: Zeiss Ultra Prime Lenses
Scanning And Recording: Technicolor Creative Services
The Fighter (2010)
Directed by: David O. Russell
Cinematography by: Hoyte Van Hoytema
Edited by: Pamela Martin
Imaging Technician: Technicolor Digital Intermediates
Punisher: War Zone (2008)
Directed by: Lexi Alexander
Cinematography by: Steve Gainer
Edited by: William Yeh
Imaging Technician: Technicolor Digital Intermediate
Pride (2007)
Directed by: Sunu Gonera
Cinematography by: Matthew F. Leonetti
Edited by: Billy Fox
Cameras: Moviecam Compact Camera
Imaging Technician: Technicolor Digital Intermediates
The Heartbreak Kid (2007)
Cinematography by: Matthew F. Leonetti
Visual Effects
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Digital Scanning And Recording: Cinesite
Being John Malkovich (1999)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Lenses: Cooke S4 Lenses
Lightning Recorder Operator: Cinesite Digital Imaging
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Imaging Technician
Primary Colors (1998)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera