Erin Michelle Hopkins

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Rock of Ages | ShotOnWhat?

Assistant Editor

Rock of Ages (2012)

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Emma E. Hickox

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Django Unchained | ShotOnWhat?

Film Assistant

Django Unchained (2012)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Inglourious Basterds | ShotOnWhat?

Assistant Editor: Film

Inglourious Basterds (2009)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Death Proof | ShotOnWhat?

Assistant Editor

Death Proof (2007)

Directed by: Quentin Tarantino

Cinematography by: Quentin Tarantino

Edited by: Sally Menke

Grindhouse | ShotOnWhat?

Assistant Editor - Segment "Death Proof"

Grindhouse (2007)

Directed by: Robert Rodriguez, Eli Roth, Quentin Tarantino, Edgar Wright, Rob Zombie

Cinematography by: Milan Chadima, Jess Hall, Phil Parmet, Robert Rodriguez, Quentin Tarantino

Edited by: Glenn Garland, Ethan Maniquis, Sally Menke, Robert Rodriguez

Jarhead | ShotOnWhat?

First Assistant Film Editor

Jarhead (2005)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Walter Murch

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Collateral | ShotOnWhat?

Assistant Editor

Collateral (2004)

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

K-19: The Widowmaker | ShotOnWhat?

Assistant Editor

K-19: The Widowmaker (2002)

Directed by: Kathryn Bigelow

Cinematography by: Jeff Cronenweth

Edited by: Walter Murch

The Dangerous Lives of Altar Boys | ShotOnWhat?

Assistant Editor

The Dangerous Lives of Altar Boys (2002)

Directed by: Peter Care

Cinematography by: Lance Acord

Edited by: Chris Peppe

3000 Miles to Graceland | ShotOnWhat?

Assistant Editor

3000 Miles to Graceland (2001)

Directed by: Demian Lichtenstein

Cinematography by: David Franco

Edited by: Michael J. Duthie, Miklos Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Dudley Do-Right | ShotOnWhat?

First Assistant Editor: Film

Dudley Do-Right (1999)

Directed by: Hugh Wilson

Cinematography by: Donald E. Thorin

Edited by: Don Brochu

Batman & Robin | ShotOnWhat?

First Assistant Editor

Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Chain Reaction | ShotOnWhat?

Assistant Editor

Chain Reaction (1996)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Dov Hoenig, Arthur Schmidt, Mark Stevens

Cameras: Panavision Cameras

Steal Big Steal Little | ShotOnWhat?

Assistant Editor

Steal Big Steal Little (1995)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Tina Hirsch

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Cop & ½ | ShotOnWhat?

Assistant Editor

Cop & ½ (1993)

Directed by: Henry Winkler

Cinematography by: Bill Butler

Edited by: Daniel P. Hanley, Carroll Timothy O'Meara, Roger Tweten

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