Panavision Primo Anamorphic Lenses | 270 Titles
Crash (1996)
Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Holiday (2006)
Directed by | Nancy Meyers | Cinematography by | Dean Cundey | Editing by | Joe Hutshing
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Mesrine Part 1: Killer Instinct (2008)
Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Hervé Schneid
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera
Jennifer’s Body (2009)
Directed by | Karyn Kusama | Cinematography by | M. David Mullen | Editing by | Plummy Tucker
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses
The Best Exotic Marigold Hotel (2011)
Directed by | John Madden | Cinematography by | Ben Davis | Editing by | Chris Gill
Lenses | Panavision Primo Anamorphic Lenses
Final Analysis (1992)
Directed by | Phil Joanou | Cinematography by | Jordan Cronenweth | Editing by | Thom Noble
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Seven Years in Tibet (1997)
Directed by | Jean-Jacques Annaud | Cinematography by | Robert Fraisse | Editing by | Noëlle Boisson
Lenses | Panavision Primo Anamorphic Lenses
Federal Hill (1994)
Directed by | Michael Corrente | Cinematography by | Richard Crudo | Editing by | Kate Sanford
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Primo Anamorphic Lenses
In America (2002)
Directed by | Jim Sheridan | Cinematography by | Declan Quinn | Editing by | Naomi Geraghty
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
Splice (2009)
Directed by | Vincenzo Natali | Cinematography by | Tetsuo Nagata | Editing by | Michele Conroy
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
Sherlock Holmes: A Game of Shadows (2011)
Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
Tuck Everlasting (2002)
Directed by | Jay Russell | Cinematography by | James L. Carter | Editing by | Jay Cassidy
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Holy Smoke (1999)
Directed by | Jane Campion | Cinematography by | Dion Beebe | Editing by | Veronika Jenet
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Batman Forever (1995)
Directed by | Joel Schumacher | Cinematography by | Stephen Goldblatt | Editing by | Mark Stevens, Dennis Virkler
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Sitter (2011)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision Primo Anamorphic Lenses
Waitress (2007)
Directed by | Adrienne Shelly | Cinematography by | Matthew Irving | Editing by | Annette Davey
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Primo Anamorphic Lenses
The Legend of Zorro (2005)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Something Borrowed (2011)
Directed by | Luke Greenfield | Cinematography by | Charles Minsky | Editing by | John Axelrad
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Help (2011)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Hughes Winborne
Lenses | Panavision Primo Anamorphic Lenses
From Paris with Love (2010)
Directed by | Pierre Morel | Cinematography by | Michel Abramowicz | Editing by | Frédéric Thoraval
Lenses | Panavision Primo Anamorphic Lenses
