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4096×2160 Distribution Resolution | 12 Titles

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The Feather (2024)

Short Film | 2D | 4K Project | Color | 1.78:1 (16x9) | 5 Minutes

Directed by | James Newhook | Cinematography by | James Newhook | Editing by | James Newhook

Starring | Taylor Hann, Ryan Reid

Cameras | Blackmagic Pocket Cinema Camera 6K Pro

Lenses | Canon EF Series Lenses

Gaming Wall St (2022)

Miniseries | 2D | 4K Project | Color | 2.0:1 | 114 Minutes

Directed by | Tobias Deml | Cinematography by | Tobias Deml, Olga Vazquez | Editing by | Rich Hyatt, Brian Kallies, Tom Patterson, Rachael Wax Taber, David Tillman

Starring | Kieran Culkin, Ramona Ortega, Harvey Pitt

Cameras | Blackmagic Pocket Cinema 4K Camera

Lenses | DZOFILMS Lenses, Voigtländer Lenses, Voigtländer Nokton 25 mm f0.95 Lens

Julie’s Confession (2021)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 44 Minutes

Directed by | Franklin Genao | Cinematography by | Franklin Genao | Editing by | Franklin Genao

Starring | Yasiris Alvarado, Julie Yaeli, Franklin Genao

Cameras | Blackmagic Pocket Cinema 4K Camera

Post Mortem (2022)

Short Film | 2D | 4K Project | Color | 1.90:1 | 6 Minutes

Directed by | Luca Larsen | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz

Starring | Eva Machek, Jonaid Raja

Cameras | Blackmagic Pocket Cinema Camera 6K Pro

Lenses | Zeiss Compact Prime CP.2 Lenses

Lady at Number 16 (2022)

Short Film | 2D | 4K Project | Black & White | 1.78:1 (16x9) | 9 Minutes

Directed by | James Newhook | Cinematography by | Nick Duncan, Harshdeep Singh | Editing by | James Newhook

Starring | Gavin J. Snow, James Squires, Ashley Dingwell

Cameras | Blackmagic URSA Camera

Kompas (2024)

Short Film | 2D | 4K Project | Black & White | 2.0:1 | 21 Minutes

Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz

Starring | Robin Copier, Ilse Postma

Cameras | Red Komodo Camera

Lenses | Zeiss Compact Prime CP.3 25mm T2.1 Lens, Zeiss Compact Prime CP.3 35mm T2.1 Lens, Zeiss Compact Prime CP.3 50mm T2.1 Lens, Zeiss Compact Prime CP.3 85mm T2.1 Lens

Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Killers Within (2018)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Paul Bushe, Brian O'Neill | Cinematography by | Philip Graham

Starring | Sue Walsh, Jeff Doyle, Johnny Elliott

Cameras | Sony PXW-FS7 Camera

Roger Waters – Us + Them (2019)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 135 Minutes

Roger Waters – Us + Them | ShotOnWhat?

Directed by | Sean Evans, Roger Waters | Editing by | Katie Mcquerrey

Starring | Rufat Aliyev, Farshid Azizi, Nikoo Bafti, Azzurra Caccetta

Cameras | Red Epic Helium Camera, Red Monstro 8K Camera, Red Weapon Dragon Camera

Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

Postcards from the Future (2007)

Motion Picture | 2D | Color | 1.85:1 | 38 Minutes

Postcards from the Future | ShotOnWhat?

Directed by | Alan Chan | Cinematography by | Eric Adkins | Editing by | John McGinley

Starring | Robb Hughes, Cori Bright, Freddie Johnson, Denise Gossett

Cameras | Dalsa Origin Camera

Lenses | Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 65 mm T1.9 Lens

The Last Reef 3D (2012)

Motion Picture | 3D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 40 Minutes

The Last Reef 3D | ShotOnWhat?

Directed by | Luke Cresswell, Steve McNicholas | Cinematography by | D.J. Roller | Editing by | Luke Cresswell, Steve McNicholas

Cameras | IMAX Cameras, Red Digital Cinema Cameras, Spacecam Aerial Cameras

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