Film Print | 1319 Titles
Baby Mama (2008)
Directed by | Michael McCullers | Cinematography by | Daryn Okada | Editing by | Bruce Green, Debra Neil-Fisher
Cameras | Panavision Cameras
Scream (1996)
Directed by | Wes Craven | Cinematography by | Mark Irwin | Editing by | Patrick Lussier
Cameras | Moviecam Compact Camera
Lenses | Clairmont Anamorphic Lenses
Spy Game (2001)
Directed by | Tony Scott | Cinematography by | Dan Mindel | Editing by | Christian Wagner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Dark Water (2005)
Directed by | Walter Salles | Cinematography by | Affonso Beato | Editing by | Daniel Rezende
Lenses | Panavision Primo Anamorphic Lenses
Consenting Adults (1992)
Directed by | Alan J. Pakula | Cinematography by | Stephen Goldblatt | Editing by | Sam O'Steen
Cameras | Panavision Panaflex Platinum Camera
Killers (2010)
Directed by | Robert Luketic | Cinematography by | Russell Carpenter | Editing by | Richard Francis-Bruce, Mary Jo Markey
Cameras | ARRIFLEX D-21 Camera
Lenses | Hawk V-Series Lenses
Clubbed to Death (Lola) (1996)
Directed by | Yolande Zauberman | Cinematography by | Denis Lenoir | Editing by | François Gédigier
Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera
Lenses | Zeiss Lenses
The Last Castle (2001)
Directed by | Rod Lurie | Cinematography by | Shelly Johnson | Editing by | Michael Jablow, Kevin Stitt
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Getaway (1994)
Directed by | Roger Donaldson | Cinematography by | Peter Menzies Jr. | Editing by | Conrad Buff IV
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Three Musketeers (1993)
Directed by | Stephen Herek | Cinematography by | Dean Semler | Editing by | John F. Link
Cameras | Panavision Cameras
Lenses | Panavision Lenses
French Kiss (1995)
Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Joe Hutshing
Cameras | Panavision Panaflex Camera
Magic Mike (2012)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red Epic Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Simon (2004)
Directed by | Eddy Terstall | Cinematography by | Willem Nagtglas | Editing by | Ben Isaacs
Cameras | Aaton Cameras
Trouble with the Curve (2012)
Directed by | Robert Lorenz | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | Panavision Panaflex Platinum Camera
All or Nothing (2002)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Lesley Walker
Lenses | Angenieux Lenses, Zeiss Lenses
La guerre est déclarée (2011)
Directed by | Valérie Donzelli | Cinematography by | Sébastien Buchmann | Editing by | Pauline Gaillard
Cameras | Canon EOS-5D Mark II Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Spy Kids 2: Island of Lost Dreams (2002)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDW-F900 Camera
Blood Work (2002)
Gunjô: Ai ga shizunda umi no iro (2009)
Directed by | Yosuke Nakagawa | Cinematography by | Hiro'o Yanagida | Editing by | Hiroaki Morishita
Lenses | Fujinon E Series Lenses, Panavision Lenses
J. Edgar (2011)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Lenses | Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens
