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Cartel Land (2015)

Documentary | 2D | HD Project | Color | 2.39:1 | 100 Minutes

Directed by | Matthew Heineman | Cinematography by | Matthew Heineman, Matt Porwoll | Editing by | Matthew Hamachek, Matthew Heineman, Bradley J. Ross, Pax Wassermann

Starring | Tim Nailer Foley, José Manuel 'El Doctor' Mireles, Paco Valencia, Chaneque

Cameras | Canon EOS-1D C Camera, Canon EOS-7D Camera, Canon EOS-C300 Camera

Lenses | Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon EF-S 17-55mm f2.8 Lens

The Dark Knight Rises (2012)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 164 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Tom Hardy, Anne Hathaway, Gary Oldman

Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Gyani Maiya (2019)

Documentary | 2D | 2K Project | Color | 2.39:1 | 25 Minutes

Directed by | Subhashish Panigrahi | Cinematography by | Subhashish Panigrahi | Editing by | Subhashish Panigrahi

Starring | Gyani Maiya Sen Kusunda, Uday Raj Aaley

Cameras | Canon Cameras, Nikon Cameras

Lenses | Canon EF-S 18-55mm f4 Lens, Nikon - Nikkor Lenses

FML (2016)

Direct to Video | 2D | 4K Project | Color | 1.78:1 (16x9) | 98 Minutes

Directed by | Jason Nash | Cinematography by | Tobias Deml

Starring | Busy Philipps, David Dobrik, Jimmy Tatro, Andy Daly

Cameras | Sony α7R II Camera, Sony α7S II Camera

Lenses | Sony G 18–110mm f4.0 Lens, Sony G Master Series Lenses

Hangman (2015)

Direct to Video | 2D | HD Project | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | Adam Mason | Cinematography by | Tobias Deml

Starring | Jeremy Sisto, Kate Ashfield, Ryan Simpkins, Ty Simpkins

Cameras | Canon VIXIA HF G10 Camera

Lenses | Canon Lenses

Control Delete (2024)

Short Film | 2D | 4K Project | Color | 2.39:1 |

Directed by | Kris van Melle | Cinematography by | Britt Adriaansen | Editing by | Keno Aladjuz

Starring | Hidde de Visser, Maud Dekkers, Hans Muller

Cameras | Blackmagic URSA Camera

The Little Church That Could (2022)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9) | 13 Minutes

Directed by | James Newhook | Cinematography by | James Newhook, Ben Power | Editing by | James Newhook

Starring | Christopher Newhook, Tom O'Keefe, Kevin Noseworthy

Cameras | Blackmagic URSA Camera

The Protectors (2020)

Motion Picture | 2K Project | Color | 2.39:1 |

Directed by | Jason Piccolo | Editing by | Jason Piccolo

Starring | Max Martini, Remi Adeleke, Loren Avedon, Glann Banton

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Nikon AI-S Nikkor 50 mm f1.4 Lens, Tamron AF 17-50 mm f2.8 Lens

2030 (2024)

Short Film | 2D | 2K Project | Color | 2.39:1 | 21 Minutes

Directed by | Tim Eickhoff | Cinematography by | Tim Grau | Editing by | Tim Eickhoff, Tim Grau

Starring | Silviana Ursu, Stan Holoubek, Sebastian Prenzel

Cameras | ARRI ALEXA Plus Camera

Lenses | Red Pro Zoom 18-85 mm T2.9 Lens

The End of the Dial (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 97 Minutes

Directed by | Brad Knull | Cinematography by | Elvis Ripley | Editing by | Elvis Ripley

Starring | Jeff Dernlan, Jacob Hightower

Cameras | Sony PXW-FS9 Camera

Lenses | Kowa Cine Prominar Anamorphic Lenses, P+S Technik Lenses

Gift from Above (2021)

Short | 2D | 4K Project | Color | 2.39:1 | 5 Minutes

Directed by | James Newhook | Cinematography by | Nick Duncan | Editing by | James Newhook

Starring | Hollie Barrett, Marcus J. Smith, Keith Bonnell

Cameras | Blackmagic Production 4K Camera

Doctor Who (2005)

Television Series | 2D | HD Project, SD Project | Color | 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg | Editing by | William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett

Starring | Jodie Whittaker, Peter Capaldi, Pearl Mackie, Matt Smith

Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera

Lady at Number 16 (2022)

Short Film | 2D | 4K Project | Black & White | 1.78:1 (16x9) | 9 Minutes

Directed by | James Newhook | Cinematography by | Nick Duncan, Harshdeep Singh | Editing by | James Newhook

Starring | Gavin J. Snow, James Squires, Ashley Dingwell

Cameras | Blackmagic URSA Camera

The Box (2009)

Movie | 2D | Color | 2.35:1 | 115 Minutes

The Box | ShotOnWhat?

Directed by | Richard Kelly | Cinematography by | Steven Poster | Editing by | Sam Bauer

Starring | Cameron Diaz, James Marsden, Frank Langella, James Rebhorn

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Anamorphic Lenses

Blood Cell (2019)

Motion Picture | 2D | HD Project | Color | 2.20:1 | 83 Minutes

Directed by | Daniel Sowter | Cinematography by | Sidney Berthier | Editing by | Daniel Sowter

Starring | Lucy-Jane Quinlan, David Cotter, Nicci Brighten

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Canon Lenses

French Story (2024)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 60 Minutes

Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier

Starring | Joshua Allsopp, Cal Duffy, Matthias Fettah

Lenses | Zeiss Jena Lens

Mean Girls (2004)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Wendy Greene Bricmont

Starring | Lindsay Lohan, Jonathan Bennett, Rachel McAdams, Tina Fey

Cameras | Panavision Cameras

Rounded Corners (2019)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 87 Minutes

Directed by | Paul Check

Starring | Marie Check, Tinuke Adetunji, Paul Check, James Zeiss

Cameras | Panasonic VariCam 35

Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

Pulp Fiction (1994)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 154 Minutes

Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke

Starring | John Travolta, Uma Thurman, Samuel L. Jackson, Bruce Willis

Cameras | Panavision Cameras, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses

A Blood Throne (2020)

Short Film | 2D | 4K Project | Color | 2.39:1 | 40 Minutes

Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia

Starring | Pierre Rumpf, Arissa Page, Danny Irizarry

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens

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