H.264 | 70 Titles
Ojalá vivas tiempos interesantes (2017)
Directed by | Santiago Van Dam | Cinematography by | Gaspar Quique Silva | Editing by | Lourdes Miere
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses | Nikon - Nikkor Lenses
Sharp Instinct: Volume II ()
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Cameras | Panasonic Cameras, Sony Cameras
Gyani Maiya (2019)
Directed by | Subhashish Panigrahi | Cinematography by | Subhashish Panigrahi | Editing by | Subhashish Panigrahi
Cameras | Canon Cameras, Nikon Cameras
Roses. Film-Cabaret (2021)
Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin
Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens
Free Solo (2018)
Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Jimmy Chin, Clair Popkin, Mikey Schaefer | Editing by | Bob Eisenhardt
Lenses | Canon CINE-SERVO 50-1000mm T5.0 Lens
The Little Church That Could (2022)
Directed by | James Newhook | Cinematography by | James Newhook, Ben Power | Editing by | James Newhook
Cameras | Blackmagic URSA Camera
The Dinosaur Hour Extra (2023)
Directed by | Sidney Berthier | Cinematography by | Alasdair Tallentire | Editing by | Sidney Berthier
Cameras | Sony ILME-FX6 Camera, Sony α7 Series Cameras
Lenses | Sony G Master Series Lenses
The Protectors (2020)
Gift from Above (2021)
Directed by | James Newhook | Cinematography by | Nick Duncan | Editing by | James Newhook
Cameras | Blackmagic Production 4K Camera
DEC Ukraine Humanitarian Appeal (2022)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Cameras | Sony α7 Series Cameras
Lenses | Sony G Master Series Lenses
Lady at Number 16 (2022)
Directed by | James Newhook | Cinematography by | Nick Duncan, Harshdeep Singh | Editing by | James Newhook
Cameras | Blackmagic URSA Camera
The Hitman’s Bodyguard (2017)
Directed by | Patrick Hughes | Cinematography by | Jules O'Loughlin | Editing by | Jake Roberts
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Angenieux Lenses, Hawk V-Lite Vintage´74 Lens
Koschei the Deathless (2020)
Directed by | Sidney Berthier | Cinematography by | Matt Tallant | Editing by | Sidney Berthier, Anna Carey
French Story (2024)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Lenses | Zeiss Jena Lens
Towards the light (2022)
Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov
Cameras | Sony α7 Series Cameras
Sar (2016)
Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov
Cameras | Canon EOS-5D Mark II Camera, GoPro HD Hero Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Sharp Instinct (2023)
Directed by | Callum McLelland | Cinematography by | Callum McLelland | Editing by | Callum McLelland
Cameras | Panasonic Cameras
Leap: Rise of the Beast (2011)
Directed by | Chris Tempel | Cinematography by | Chris Tempel | Editing by | Chris Tempel
Cameras | Canon EOS Rebel T2i Camera
Lenses | Canon EF-S 18-55mm f4 Lens
Troubling Youth (2019)
Directed by | Caleb Nsingi | Cinematography by | Nicolas Gagnon | Editing by | Caleb Nsingi
Cameras | Nikon Cameras
Lenses | Nikon - Nikkor Lenses
Pete Winning and the Pirates (2015)
Directed by | Mike Donis, Jason Leaver, Navin Ramaswaran | Cinematography by | Josh Ary, Mike Donis, Bruce William Harper, Jason Leaver, Henry Sansom | Editing by | Mike Donis
