Capture - Chroma Subsampling » 4:4:4 Chroma Subsampling

4:4:4 Chroma Subsampling | 165 Titles

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Atlas Shrugged: Who Is John Galt? (2014)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9), 1.85:1 | 99 Minutes

Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo

Starring | Kristoffer Polaha, Laura Regan, Rob Morrow, Peter Mackenzie

Cameras | Canon EOS-C500 Camera

Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses

Teenage Mutant Ninja Turtles (2014)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Jonathan Liebesman | Cinematography by | Lula Carvalho | Editing by | Joel Negron, Glen Scantlebury

Starring | Megan Fox, Will Arnett, William Fichtner, Noel Fisher

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

All About E (2015)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Louise Wadley | Cinematography by | Justine Kerrigan | Editing by | Rowena Crowe

Starring | Mandahla Rose, Brett Rogers, Julia Billington, Simon Bolton

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Ultra Prime Lenses

Philomena (2013)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Stephen Frears | Cinematography by | Robbie Ryan | Editing by | Valerio Bonelli

Starring | Judi Dench, Steve Coogan, Sophie Kennedy Clark, Mare Winningham

Cameras | ARRI ALEXA Camera

Tu honoreras ta mère et ta mère (2012)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Brigitte Roüan | Cinematography by | Agnès Godard | Editing by | Laurent Rouan

Starring | Nicole Garcia, Éric Caravaca, Patrick Mille, Michaël Abiteboul

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses

Bird People (2014)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Pascale Ferran | Cinematography by | Julien Hirsch | Editing by | Mathilde Muyard

Starring | Josh Charles, Anaïs Demoustier, Roschdy Zem, Radha Mitchell

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Collision (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey

Starring | Frank Grillo, Jaimie Alexander, Roschdy Zem, Marie-Josée Croze

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses

Nymphomaniac: Vol. I (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1, 2.39:1 | 117 Minutes

Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Starring | Charlotte Gainsbourg, Stellan Skarsgård, Stacy Martin, Shia LaBeouf

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Lenses

Blood Ties (2013)

Motion Picture | 2D | Color | 127 Minutes

Directed by | Guillaume Canet | Cinematography by | Christophe Offenstein | Editing by | Hervé de Luze

Starring | Clive Owen, Marion Cotillard, Billy Crudup, Mila Kunis

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Thérèse (2012)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Claude Miller | Cinematography by | Gérard de Battista | Editing by | Véronique Lange

Starring | Audrey Tautou, Gilles Lellouche, Anaïs Demoustier, Catherine Arditi

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Lenses

Mauvaise fille (2012)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Patrick Mille | Cinematography by | Jérôme Alméras | Editing by | Yann Dedet

Starring | Carole Bouquet, Arthur Dupont, Izïa Higelin, Bob Geldof

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses

Denis (2013)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Lionel Bailliu | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri

Starring | Fabrice Eboué, Jean-Paul Rouve, Audrey Dana, Sara Giraudeau

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Un beau dimanche (2013)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Nicole Garcia | Cinematography by | Pierre Milon | Editing by | Simon Jacquet

Starring | Pierre Rochefort, Louise Bourgoin, Dominique Sanda, Déborah François

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Do Not Disturb (2012)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Yvan Attal | Cinematography by | Thomas Hardmeier | Editing by | Jennifer Augé

Starring | François Cluzet, Yvan Attal, Laetitia Casta, Charlotte Gainsbourg

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

Camille redouble (2012)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Annette Dutertre, Michel Klochendler

Starring | Noémie Lvovsky, Samir Guesmi, Judith Chemla, India Hair

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

À coeur ouvert (2012)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Marion Laine | Cinematography by | Antoine Héberlé | Editing by | Mathilde Van de Moortel

Starring | Juliette Binoche, Edgar Ramírez, Hippolyte Girardot, Amandine Dewasmes

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses

Bienvenue parmi nous (2012)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Jean Becker | Cinematography by | Arthur Cloquet | Editing by | Franck Nakache, Jacques Witta

Starring | Patrick Chesnais, Jeanne Lambert, Miou-Miou, Jacques Weber

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Ma bonne étoile (2012)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Anne Fassio | Editing by | Marion Monestier

Starring | Christopher Lambert, Claude Brasseur, Fleur Lise Heuet, Antoine Berry

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Son of God (2014)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Christopher Spencer | Cinematography by | Rob Goldie | Editing by | Robert Hall

Starring | Diogo Morgado, Amber Rose Revah, Greg Hicks, Adrian Schiller

Cameras | ARRI ALEXA Plus Camera

Lenses | ARRI / Fujinon Lenses

Le crocodile du Botswanga (2014)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Lionel Steketee, Fabrice Eboué | Cinematography by | Stéphane Le Parc | Editing by | Frédérique Olszak

Starring | Thomas N'Gijol, Fabrice Eboué, Claudia Tagbo, Ibrahim Koma

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Master Anamorphic Lenses, Fujinon Alura Lenses

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