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Fletcher Camera | 8 Titles

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La virgen de los sicarios (2000)

Motion Picture | 2D | HD Project | Color | 101 Minutes

Directed by | Barbet Schroeder | Cinematography by | Rodrigo Lalinde | Editing by | Elsa Vásquez

Starring | Germán Jaramillo, Anderson Ballesteros, Juan David Restrepo, Manuel Busquets

Cameras | Sony HDW-700A Camera

Grand Piano (2013)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Eugenio Mira | Cinematography by | Unax Mendia | Editing by | José Luis Romeu, Rodrigo Cortés

Starring | Elijah Wood, John Cusack, Kerry Bishé, Tamsin Egerton

Lenses | Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Shameless (2011)

Television Series | 2D | Color | 1.78:1 (16x9) | 46 Minutes

| Cinematography by | Kevin McKnight, Rodney Charters, Anthony Hardwick, Loren S. Yaconelli, James M. Muro | Editing by | John M. Valerio, Regis Kimble, Tim Tommasino, Russell Denove, Mark Strand, Gregg Featherman, Kelley Dixon, Finnian Murray, Michael Stern, Thomas M. Bolger, Robert Bramwell, Omar Hassan-Reep, Shannon Mitchell, Kevin D. Ross, Mark Sadlek, Toby Yates, Julie Monroe, Jeffrey M. Werner, Sam Bollinger, David Moritz, Brent McReynolds, Chetin Chabuk

Starring | Emmy Rossum, William H. Macy, Ethan Cutkosky, Jeremy Allen White

Cameras | ARRI ALEXA Camera, Red One MX Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Boss (2011)

Television Series | 2D | Color | 1.78:1 (16x9) | 56 Minutes

| Cinematography by | Richard Rutkowski, Kasper Tuxen | Editing by | Kevin Casey, Elba Sanchez-Short, Stephen Mark, Jo Francis, J. Kathleen Gibson, Elliot Graham, Dorian Harris

Starring | Kelsey Grammer, Connie Nielsen, Hannah Ware, Jeff Hephner

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Chicago Fire (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Lisa Wiegand, Jayson Crothers, William R. Nielsen Jr., Marc Ritzema, Anthony J. Lullo | Editing by | Megan D'Arco, Micky Blythe, Oscar Rene Lozoya II, Adam Stilestein, Etienne Des Lauriers, Jeff Cenkner, Michael Schweitzer, Rick Tuber, Billy Fox, John David Buxton

Starring | Jesse Spencer, Taylor Kinney, Yuri Sardarov, Christian Stolte

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Cooke S4 Lenses

Into the Storm (2014)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Richard Armitage, Sarah Wayne Callies, Matt Walsh, Max Deacon

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Star Wars: Episode II – Attack of the Clones (2002)

Motion Picture | 3D | HD Project | Color | 1.78:1 (16x9), 2.39:1 | 142 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, George Lucas

Starring | Hayden Christensen, Natalie Portman, Ewan McGregor, Christopher Lee

Cameras | Sony HDW-F900 Camera

Lenses | Panavision Primo Anamorphic Lenses

AfterThought (2007)

Direct to Video | Color | 2.35:1 | 85 Minutes

Directed by | Douglas Elford-Argent | Cinematography by | Marc Menet | Editing by | Wendy Elford-Argent

Starring | Gwendolyn Garver, Kristian Capalik, Cal Thomas, Bobbi Jean Basche

Cameras | Sony HDW-F900 Camera

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