Panavision Camera Aperture | 454 Titles
A Quiet Place (2018)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
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Jaws (1975)
Country | USA
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 2.35:1
Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera
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Christopher Robin (2018)
Country | UK, USA
Type | Motion Picture
Running Time | 104 Minutes
Aspect Ratio | 2.39:1
Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Matt Chesse Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
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Thor (2011)
Country | USA
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.35:1
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Paul Rubell Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
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The People vs. Larry Flynt (1996)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Directed by | Milos Forman | Cinematography by | Philippe Rousselot | Editing by | Christopher Tellefsen Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Pulp Fiction (1994)
Country | USA
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 2.39:1
Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
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Mary Poppins Returns (2018)
Country | USA, UK
Type | Motion Picture
Running Time | 130 Minutes
Aspect Ratio | 2.39:1
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
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Van Helsing (2004)
Country | USA, Czech Republic, Romania
Type | Motion Picture
Running Time | 131 Minutes
Aspect Ratio | 1.85:1
Directed by | Stephen Sommers | Cinematography by | Allen Daviau | Editing by | Bob Ducsay, Kelly Matsumoto, Jim Maymodified:
High Plains Drifter (1973)
Country | USA
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 2.35 : 1
Directed by | Clint Eastwood | Cinematography by | Bruce Surtees | Editing by | Ferris Webster Cameras | Panavision Cameras
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The Perfect Storm (2000)
Country | USA
Type | Motion Picture
Running Time | 130 Minutes
Aspect Ratio | 2.39:1
Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Richard Francis-Bruce Cameras | Panavision Panaflex Millennium XL Camera
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Chinatown (1974)
Country | USA
Type | Motion Picture
Running Time | 130 Minutes
Aspect Ratio | 2.39:1
Directed by | Roman Polanski | Cinematography by | John A. Alonzo, Stanley Cortez | Editing by | Sam O'Steen Cameras | Panavision Cameras
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Transformers (2007)
Country | USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Directed by | Michael Bay | Cinematography by | Mitchell Amundsen | Editing by | Tom Muldoon, Paul Rubell, Glen Scantlebury Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
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All About My Mother (1999)
Country | Spain, France
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Directed by | Pedro Almodóvar | Cinematography by | Affonso Beato | Editing by | José Salcedo Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Billy’s Hollywood Screen Kiss (1998)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 2.39:1
Directed by | Tommy O'Haver | Cinematography by | Mark Mervis | Editing by | Jeff Betancourt Cameras | Panavision Silent Reflex PSR Camera
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Southside with You (2016)
Country | USA
Type | Motion Picture
Running Time | 84 Minutes
Aspect Ratio | 2.39:1
Directed by | Richard Tanne | Cinematography by | Patrick Scola | Editing by | Evan Schiffmodified:
The Horsemen (1971)
Country | USA
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 2.39:1
Directed by | John Frankenheimer | Cinematography by | Claude Renoir, James Wong Howe | Editing by | Harold F. Kressmodified:
Suicide Squad (2016)
Country | USA
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | John Gilroymodified:
Face/Off (1997)
Country | USA
Type | Motion Picture
Running Time | 138 Minutes
Aspect Ratio | 2.39:1
Directed by | John Woo | Cinematography by | Oliver Wood | Editing by | Steven Kemper, Christian Wagner Cameras | Panavision Cameras
Lenses | Panavision Lenses
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The Ridiculous 6 (2015)
Country | USA
Type | Motion Picture
Running Time | 119 Minutes
Aspect Ratio | 2.39:1
Directed by | Frank Coraci | Cinematography by | Dean Semler | Editing by | Tom Costain Cameras | Panavision Cameras
Lenses | Panavision Lenses
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The Nice Guys (2016)
Country | USA
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 2.39:1
Directed by | Shane Black | Cinematography by | Philippe Rousselot | Editing by | Joel Negron Cameras | ARRI ALEXA XT Camera
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