Panavision Camera Aperture | 456 Titles
The Dark Knight (2008)
152 Minutes
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith Cameras | Beaumont Vista Vision Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
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Chinatown (1974)
130 Minutes
Directed by | Roman Polanski | Cinematography by | John A. Alonzo, Stanley Cortez | Editing by | Sam O'Steen Cameras | Panavision Cameras
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The Thin Red Line (1998)
170 Minutes
Directed by | Terrence Malick | Cinematography by | John Toll | Editing by | Leslie Jones, Saar Klein, Billy Weber Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
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Ready Player One (2018)
140 Minutes
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses
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A Time to Kill (1996)
149 Minutes
Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp Cameras | Panavision Panaflex Platinum Camera
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Romeo + Juliet (1996)
120 Minutes
Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock Cameras | Panavision Panaflex Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
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Unbreakable (2000)
106 Minutes
Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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A Quiet Place (2018)
90 Minutes
Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
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Jaws (1975)
124 Minutes
Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera
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Christopher Robin (2018)
104 Minutes
Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Matt Chesse Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
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Thor (2011)
115 Minutes
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Paul Rubell Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
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The People vs. Larry Flynt (1996)
129 Minutes
Directed by | Milos Forman | Cinematography by | Philippe Rousselot | Editing by | Christopher Tellefsen Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Pulp Fiction (1994)
154 Minutes
Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
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Mary Poppins Returns (2018)
130 Minutes
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
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Van Helsing (2004)
131 Minutes
Directed by | Stephen Sommers | Cinematography by | Allen Daviau | Editing by | Bob Ducsay, Kelly Matsumoto, Jim Maymodified:
High Plains Drifter (1973)
105 Minutes
2.35 : 1
Directed by | Clint Eastwood | Cinematography by | Bruce Surtees | Editing by | Ferris Webster Cameras | Panavision Cameras
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The Perfect Storm (2000)
130 Minutes
Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Richard Francis-Bruce Cameras | Panavision Panaflex Millennium XL Camera
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Transformers (2007)
144 Minutes
Directed by | Michael Bay | Cinematography by | Mitchell Amundsen | Editing by | Tom Muldoon, Paul Rubell, Glen Scantlebury Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
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All About My Mother (1999)
101 Minutes
Directed by | Pedro Almodóvar | Cinematography by | Affonso Beato | Editing by | José Salcedo Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Billy’s Hollywood Screen Kiss (1998)
92 Minutes
Directed by | Tommy O'Haver | Cinematography by | Mark Mervis | Editing by | Jeff Betancourt Cameras | Panavision Silent Reflex PSR Camera
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