Panavision Camera Aperture | 448 Titles
Suicide Squad (2016)
Country | USA
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | John Gilroy
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Face/Off (1997)
Country | USA
Type | Motion Picture
Running Time | 138 Minutes
Aspect Ratio | 2.39:1
Directed by | John Woo | Cinematography by | Oliver Wood | Editing by | Steven Kemper, Christian Wagner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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The Ridiculous 6 (2015)
Country | USA
Type | Motion Picture
Running Time | 119 Minutes
Aspect Ratio | 2.39:1
Directed by | Frank Coraci | Cinematography by | Dean Semler | Editing by | Tom Costain
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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The Nice Guys (2016)
Country | USA
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 2.39:1
Directed by | Shane Black | Cinematography by | Philippe Rousselot | Editing by | Joel Negron
Cameras | ARRI ALEXA XT Camera
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Triple 9 (2016)
Country | USA
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.39:1
Directed by | John Hillcoat | Cinematography by | Nicolas Karakatsanis | Editing by | Dylan Tichenor
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Jane Got a Gun (2015)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 2.39:1
Directed by | Gavin O'Connor | Cinematography by | Mandy Walker | Editing by | Alan Cody
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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The Huntsman: Winter’s War (2016)
Country | USA, China
Type | Motion Picture
Running Time | 114 Minutes
Aspect Ratio | 2.39:1
Directed by | Cedric Nicolas-Troyan | Cinematography by | Phedon Papamichael | Editing by | Conrad Buff IV
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
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The 5th Wave (2016)
Country | USA, UK
Type | Motion Picture
Running Time | 112 Minutes
Aspect Ratio | 2.39:1
Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell
Cameras | ARRI ALEXA XT Plus Camera
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10 Cloverfield Lane (2016)
Country | USA
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 2.39:1
Directed by | Dan Trachtenberg | Cinematography by | Jeff Cutter | Editing by | Stefan Grube
Cameras | Red Epic Dragon Camera
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Midnight Special (2016)
Country | USA, Greece
Type | Motion Picture
Running Time | 112 Minutes
Aspect Ratio | 2.39:1
Directed by | Jeff Nichols | Cinematography by | Adam Stone | Editing by | Julie Monroe
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Captain America: Civil War (2016)
Country | USA
Type | Motion Picture
Running Time | 147 Minutes
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses
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Volver (2006)
Country | Spain
Type | Motion Picture
Running Time | 121 Minutes
Aspect Ratio | 2.39:1
Directed by | Pedro Almodóvar | Cinematography by | José Luis Alcaine | Editing by | José Salcedo
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
Oliver! (1968)
Country | UK
Type | Motion Picture
Running Time | 153 Minutes
Directed by | Carol Reed | Cinematography by | Oswald Morris | Editing by | Ralph Kemplen
Cameras | Panasonic Cameras
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Cinderella (2015)
Country | USA, UK
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 2.39:1
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Martin Walsh
Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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The Revenant (2015)
Country | USA, Hong Kong, Taiwan
Type | Motion Picture
Running Time | 156 Minutes
Aspect Ratio | 2.39:1
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera
Lenses | Leica Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
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Trumbo (2015)
Country | USA
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 1.85:1
Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Alan Baumgarten
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Batman v Superman: Dawn of Justice (2016)
Country | USA
Type | Motion Picture
Running Time | 151 Minutes
Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner
Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, Imax MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera
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The Man from U.N.C.L.E. (2015)
Country | USA, UK
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 2.39:1
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera
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Pan (2015)
Country | USA, UK, Australia
Type | Motion Picture
Running Time | 111 Minutes
Aspect Ratio | 2.39:1
Directed by | Joe Wright | Cinematography by | John Mathieson, Seamus McGarvey | Editing by | William Hoy, Paul Tothill
Cameras | ARRI ALEXA XT Camera, Phantom Flex Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses
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Spectre (2015)
Country | UK, USA
Type | Motion Picture
Running Time | 148 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Mendes | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
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