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Audio-Technica : 3Lectrosonics : 1Neumann : 5RØDE Microphones : 37Sanken Microphones : 12Schoeps Microphones : 13Sennheiser Microphones : 74Tram Microphones : 2

Microphones | 137 Titles

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Treasures of the Copper Scroll (2007)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 50 Minutes

Directed by | Jim Long | Cinematography by | Yossi Cohen, Carol M. Long, Jim Long | Editing by | Jim Long

Cameras | Sony Cameras, Sony HDW-F900 Camera

Lenses | Fujinon Lenses, Sony Lenses

Key of Brown (2013)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 95 Minutes

Directed by | Vaughn Christion | Cinematography by | Oscar Patino | Editing by | Vaughn Christion

Starring | Verina Banks, Struggle E. Stylez, James Lyones, Jacque Dorsey

Cameras | Sony PMW-F3 Camera

El Último Suspiro (2017)

Short Film | 2D | HD Project | Color | 1.85:1, 2.35:1 | 5 Minutes

Directed by | Joan Girbau Xalabarder | Cinematography by | Joan Girbau Xalabarder | Editing by | Xavi Morcillo

Starring | Joaquim Girbau, Mercè Girbau, Clàudia Vicens, Pere Girbau Xalabarder

Cameras | Blackmagic Design Cameras, Canon Cameras

Lenses | Canon Lenses, Leitz Lenses

Toto le héros (1991)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 91 Minutes

Directed by | Jaco Van Dormael | Cinematography by | Walther van den Ende | Editing by | Susana Rossberg

Starring | Michel Bouquet, Mireille Perrier, Jo De Backer, Thomas Godet

Cameras | Aaton Cameras

Più accecante della notte (2016)

Short Film | 2D | HD Project | Color | 2.35:1 | 20 Minutes

Directed by | Diego Bonuccelli | Cinematography by | Diego Bonuccelli, Katia Cirrincione | Editing by | Diego Bonuccelli

Starring | Francesco Baldi, Giorgio Panariello, Silvia Barbieri, Massimo Pasquini

Cameras | Canon Cameras, Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, GoPro HERO4 Black

Lenses | Canon EF Series Lenses, Canon Lenses

Roshtalivik (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 72 Minutes

Directed by | Nicholas J. Moore | Cinematography by | Nicholas J. Moore | Editing by | Nicholas J. Moore

Starring | Hauke Bahr, David Charles, Lee McCarty, Jake Douglas Smith

Cameras | Canon EOS Rebel T3i camera, Canon EOS-7D Camera

Postpartum (2016)

Short Film | 2D | 2K Project | Color | 2.39:1 | 24 Minutes

Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang

Starring | Danielle Harris, Jenny Curtis, Katie Beresford, Nicole Sterling

Cameras | Panasonic VariCam 35

Lenses | Schneider Lenses, Schneider Xenon FF Prime Lenses

Tú y yo (2014)

Documentary | 2D | 2K Project | Color | 1.85:1 | 87 Minutes

Directed by | Natalia Cabral, Oriol Estrada | Cinematography by | Oriol Estrada | Editing by | Oriol Estrada

Starring | Paula Lebrón, Francisca Pérez De Sosa

Cameras | Panasonic Lumix DMC-GH2 Camera

Raymond’s 5 (2017)

Motion Picture | 2D | 4K Project, UHD Project | Color |

Directed by | James Hastings | Cinematography by | Francis Cousins

Starring | Gareth Lawrence, Faith Elizabeth, Mo Idriss, Emily Highams

Cameras | Red Raven Camera

Lenses | Canon Lenses

Indonesia dalam Slowmotion (2015)

Television Series, Web Series | 2D | Color | 1.78:1 (16x9) |

| Cinematography by | Wowo Watumas Sacawikarta | Editing by | Wowo Watumas Sacawikarta

Starring | Tatang Kosasih, Wowo Watumas Sacawikarta

I, Timon (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 78 Minutes

Directed by | Bramwell Noah, Dan Noah | Cinematography by | David Baldini

Starring | Kylie Azzopardi, Kain Baigent, Melissa Barlas, Tiannah Clark

Cameras | Canon EOS-C300 Mark II Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens

Odium (2013)

Short Film | 2D | HD Project | Color | 1.78:1 (16x9), 2.40:1 | 22 Minutes

Directed by | Leszek Hendzel | Cinematography by | Michal Wisniowski | Editing by | Michal Wisniowski

Starring | Katarzyna Baurska, Marek Kaliszuk, Dariusz Sztajerwald, Ula Zawadzka

Cameras | Canon EOS-5D Mark III Camera

The Box (2018)

Short Film | 2D | HD Project | Color | 2.35:1 | 56 Minutes

Directed by | Jack O'Donoghue, Isaac Stewart | Cinematography by | Isaac Stewart | Editing by | Isaac Stewart

Starring | Kalila Welch, Isaac Stewart, Briony O'Donoghue, Max Brenner

Cameras | Canon EOS-7D Camera, Sony α7S Camera

Lenses | Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 50 mm f1.2 L Lens

Lacuna (2016)

Short Film | 2D | HD Project | Color |

Directed by | Isaac Stewart | Cinematography by | Datu Bethke | Editing by | Matthew Roper, Isaac Stewart

Starring | Eliza Scanlen, Isaac Stewart, Joel Winch

Cameras | Canon EOS-1DX Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 50 mm f1.2 L Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon Lenses

The Father and the Bear (2016)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Starring | Wil Love, David DeLuise, Dendrie Taylor, Charity Farrell

Cameras | Blackmagic Pocket Cinema Camera, Canon EOS-C300 Camera

Lenses | Zeiss Lenses, Zeiss ZE Prime Lenses

Route 30 Three! (2014)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 94 Minutes

Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Starring | David Cowgill, Nathalie Boltt, Dan Poole, Molly Lahr

Cameras | Sony PMW-F3 Camera

Ordinary (2013)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) |

| Editing by | Timothy S. Quigley

Starring | Timothy S. Quigley, Chris Quigley, Michele Quigley, Laura Bakin

Cameras | JVC Cameras

Sarah Landon and the Paranormal Hour (2007)

Motion Picture | 2D | Color | 1.85:1 | 81 Minutes

Directed by | Lisa Comrie | Cinematography by | Andrew Kuepper | Editing by | Andrew Cohen

Starring | Rissa Walters, Brian Comrie, Dan Comrie, Kurt Braun

Cameras | Panasonic AG-HVX200 Camera

The Apostate: Call of the Revenant (2015)

Direct to Video | 2D | Color | 1.78:1 (16x9), 2.40:1 | 82 Minutes

Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd

Starring | James Bryhan, Terri Dwyer, Anthony Webster, Bob Sanderson

Cameras | Panasonic Lumix DMC-GH2 Camera

Lenses | Zeiss DigiZoom Vario-Sonnar 17–112 mm T1.9 Lens

Pretty Little Liars (2010)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley | Editing by | Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas

Starring | Troian Bellisario, Ashley Benson, Lucy Hale, Shay Mitchell

Cameras | Red One MX Camera, Red Scarlet Camera

Lenses | Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

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