 | Directed by | George Lucas Cinematography by ~ David Tattersall Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera Lenses | Hawk C-Series Lenses |
Search Results: hawk c anamorphic | 172 Titles
Star Wars: Episode I – The Phantom Menace (1999)
Blade (1998)
 | Directed by | Stephen Norrington Cinematography by ~ Theo van de Sande Cameras | Moviecam Compact Camera Lenses | Clairmont Anamorphic Lenses, Hawk C-Series 100 mm T3.0 Lens |
Taken 3 (2014)
 | Directed by | Olivier Megaton Cinematography by ~ Eric Kress Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses |
Blood Diamond (2006)
 | Directed by | Edward Zwick Cinematography by ~ Eduardo Serra Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses |
Training Day (2001)
 | Directed by | Antoine Fuqua Cinematography by ~ Mauro Fiore Cameras | Moviecam Compact Camera, Moviecam Superlight Camera Lenses | Hawk C-Series Lenses |
The Revenant (2015)
 | Directed by | Alejandro G. Iñárritu Cinematography by ~ Emmanuel Lubezki Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera Lenses | Leica Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses |
The Wolf of Wall Street (2013)
Allegiant (2016)
 | Directed by | Robert Schwentke Cinematography by ~ Florian Ballhaus Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leica Summilux-C Series Lenses |
Machine Gun Preacher (2011)
Argo (2012)
 | Directed by | Ben Affleck Cinematography by ~ Rodrigo Prieto Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses |
RED 2 (2013)
 | Directed by | Dean Parisot Cinematography by ~ Enrique Chediak Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera Lenses | Hawk V-Lite Lenses |
Pan Tadeusz (1999)
 | Directed by | Andrzej Wajda Cinematography by ~ Pawel Edelman Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera Lenses | Hawk C-Series Lenses |
Selma (2014)
 | Directed by | Ava DuVernay Cinematography by ~ Bradford Young Cameras | ARRI ALEXA XT Plus Camera Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses |
An American Crime (2007)
 | Directed by | Tommy O'Haver Cinematography by ~ Byron Shah Cameras | Moviecam Compact Camera Lenses | Hawk C-Series Lenses |
The Two Faces of January (2014)
 | Directed by | Hossein Amini Cinematography by ~ Marcel Zyskind Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Hawk C-Series Lenses |
Get the Gringo (2012)
 | Directed by | Adrian Grunberg Cinematography by ~ Benoît Debie Cameras | Red One MX Camera Lenses | Hawk V-Lite Lenses |
In a World… (2013)
 | Directed by | Lake Bell Cinematography by ~ Seamus Tierney Cameras | Red Epic Camera Lenses | Hawk C-Series Lenses |
My Piece of the Pie (2011)
 | Directed by | Cédric Klapisch Cinematography by ~ Christophe Beaucarne |
The Ghastly Love of Johnny X (2012)
 | Directed by | Paul Bunnell Cinematography by ~ Francisco Bulgarelli Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera Lenses | Hawk C-Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses |
