Directed by | Michel Gondry Cinematography by ~ Ellen Kuras Cameras | ARRICAM Lite (LT) Camera Lenses | Zeiss ARRI Macro Lenses, Zeiss Super Speed Lenses |
Search Results: Arri Macro | 23 Titles
Eternal Sunshine of the Spotless Mind (2004)
Man cheng jin dai huang jin jia (2006)
Directed by | Yimou Zhang Cinematography by ~ Xiaoding Zhao Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera Lenses | Cooke S4 Lenses, Optica Elite Lenses, Zeiss ARRI Macro Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses |
Roman J. Israel, Esq. (2017)
Directed by | Dan Gilroy Cinematography by ~ Robert Elswit Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses |
Io sono l’amore (2009)
Directed by | Luca Guadagnino Cinematography by ~ Yorick Le Saux Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Zeiss ARRI Macro Lenses |
Trance (2013)
Directed by | Danny Boyle Cinematography by ~ Anthony Dod Mantle Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera Lenses | ARRI / Fujinon Lenses, Canon Lenses, Hawk V-Lite Lenses, Zeiss Ultra Prime Lenses |
Uncut Gems (2019)
Empire Hotel (2018)
Polseres vermelles (2011)
White House Down (2013)
Directed by | Roland Emmerich Cinematography by ~ Anna Foerster Cameras | ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera Lenses | ARRI / Zeiss Lenses, Fujinon Premier Lenses, Zeiss Lenses |
Crown Vic (2019)
Mudbound (2017)
Directed by | Dee Rees Cinematography by ~ Rachel Morrison Cameras | ARRI ALEXA Mini Camera Lenses | Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses |
Sorry to Bother You (2018)
Directed by | Boots Riley Cinematography by ~ Doug Emmett Cameras | ARRI ALEXA Mini Camera Lenses | Cooke Anamorphic/i Prime Lenses |
Hunger (2008)
Directed by | Steve McQueen Cinematography by ~ Sean Bobbitt Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera Lenses | Cooke S4 Lenses |
You Were Never Really Here (2017)
Silverstar (2022)
The Assassination of Jesse James by the Coward Robert Ford (2007)
Directed by | Andrew Dominik Cinematography by ~ Roger Deakins Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera Lenses | Cooke Lenses, Cooke S4 Lenses |
Beyond the Night (2018)
Cinema Verite (2011)
Directed by | Shari Springer Berman, Robert Pulcini Cinematography by ~ Affonso Beato |
El camino de los ingleses (2006)
Directed by | Antonio Banderas Cinematography by ~ Xavi Giménez |
No Country for Old Men (2007)
Directed by | Ethan Coen, Joel Coen Cinematography by ~ Roger Deakins Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera Lenses | Cooke S4 Lenses, Zeiss Master Prime Lenses |