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Phantasm (1979)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Phantasm | ShotOnWhat?

Directed by | Don Coscarelli | Cinematography by | Don Coscarelli | Editing by | Don Coscarelli

Starring | A. Michael Baldwin, Bill Thornbury, Reggie Bannister, Kathy Lester

Cameras | Panavision Cameras

Sanam (2000)

Motion Picture | 2D | Color | 1.66:1 | 88 Minutes

Sanam | ShotOnWhat?

Directed by | Rafi Pitts | Cinematography by | Farhad Saba | Editing by | Hassan Hassandoost

Starring | Ghorban Ahmadi Galdi, Ismaïl Amani, Alireza Amini, Gholam Ali Amini

Cameras | ARRI Cameras

Polyester (1981)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

Polyester | ShotOnWhat?

Directed by | John Waters | Cinematography by | Dave Insley | Editing by | Charles Roggero

Starring | Divine, Tab Hunter, Edith Massey, David Samson

Cameras | ARRI Cameras

Heathers (1988)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Heathers | ShotOnWhat?

Directed by | Michael Lehmann | Cinematography by | Francis Kenny | Editing by | Norman Hollyn

Starring | Winona Ryder, Christian Slater, Shannen Doherty, Lisanne Falk

The Man Who Loved Women (1977)

Motion Picture | 2D | Black & White, Color | 1.66:1 | 120 Minutes

Directed by | François Truffaut | Cinematography by | Néstor Almendros | Editing by | Martine Barraqué

Starring | Charles Denner, Brigitte Fossey, Nelly Borgeaud, Geneviève Fontanel

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

Stand by Me (1986)

Motion Picture | 2D | Color | 89 Minutes

Directed by | Rob Reiner | Cinematography by | Thomas Del Ruth | Editing by | Robert Leighton

Starring | Wil Wheaton, River Phoenix, Corey Feldman, Jerry O'Connell

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Air Force (1943)

Motion Picture | 2D | Black & White | 1.37:1 | 124 Minutes

Directed by | Howard Hawks | Cinematography by | James Wong Howe | Editing by | George Amy

Starring | John Garfield, John Ridgely, Gig Young, Arthur Kennedy

Cameras | Bell & Howell Eyemo Camera

Videodrome (1983)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | David Cronenberg | Cinematography by | Mark Irwin | Editing by | Ronald Sanders

Starring | James Woods, Debbie Harry, Sonja Smits, Peter Dvorsky

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Conan the Barbarian (1982)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | John Milius | Cinematography by | Duke Callaghan | Editing by | Carroll Timothy O'Meara

Starring | Arnold Schwarzenegger, James Earl Jones, Max von Sydow, Sandahl Bergman

Cameras | ARRIFLEX 35 BL Camera

Lenses | Todd-AO Lenses

Fast Times at Ridgemont High (1982)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Amy Heckerling | Cinematography by | Matthew F. Leonetti | Editing by | Eric Jenkins

Starring | Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Robert Romanus

Cameras | Ultracam 35 Camera

Mad Max (1979)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | George Miller | Cinematography by | David Eggby | Editing by | Cliff Hayes, Tony Paterson

Starring | Mel Gibson, Joanne Samuel, Hugh Keays-Byrne, Steve Bisley

Cameras | ARRIFLEX 35 BL Camera

Lenses | Todd-AO Lenses

The Evil Dead (1981)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 85 Minutes

Directed by | Sam Raimi | Cinematography by | Tim Philo | Editing by | Edna Ruth Paul

Starring | Bruce Campbell, Ellen Sandweiss, Richard DeManincor, Betsy Baker

Cameras | ARRIFLEX 16BL Camera, ARRIFLEX 16S Camera

Brightness (1987)

Motion Picture | 2D | Color | 1.66:1 | 105 Minutes

Directed by | Souleymane Cissé | Cinematography by | Jean-Noël Ferragut, Jean-Michel Humeau | Editing by | Dounamba Coulibaly, Andrée Davanture, Jenny Frenck, Nathalie Goepfert, Seipati Keita, Marie-Catherine Miqueau, Seipati N'Xumalo

Starring | Issiaka Kane, Aoua Sangare, Niamanto Sanogo, Balla Moussa Keita

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Angenieux HP Zoom Lenses, Zeiss Standard Speed Prime Lenses

The Godfather: Part II (1974)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9), 1.85:1 | 202 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner

Starring | Al Pacino, Robert De Niro, Robert Duvall, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses

Wings (1927)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 144 Minutes

Directed by | William A. Wellman, Harry d'Abbadie d'Arrast | Cinematography by | Harry Perry | Editing by | E. Lloyd Sheldon, Lucien Hubbard

Starring | Clara Bow, Charles 'Buddy' Rogers, Richard Arlen, Jobyna Ralston

Cameras | Akeley 35mm Ciné Camera, Bell & Howell Eyemo Camera

A Fish Called Wanda (1988)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 108 Minutes

Directed by | Charles Crichton, John Cleese | Cinematography by | Alan Hume | Editing by | John Jympson

Starring | John Cleese, Jamie Lee Curtis, Kevin Kline, Michael Palin

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Brannigan (1975)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Douglas Hickox | Cinematography by | Gerry Fisher | Editing by | Malcolm Cooke

Starring | John Wayne, Richard Attenborough, Judy Geeson, Mel Ferrer

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Bullitt (1968)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Directed by | Peter Yates | Cinematography by | William A. Fraker | Editing by | Frank P. Keller

Starring | Steve McQueen, Jacqueline Bisset, Robert Vaughn, Don Gordon

Cameras | ARRIFLEX Camera

Lenses | ARRI Lenses

Annie Hall (1977)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.85:1 | 93 Minutes

Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Wendy Greene Bricmont, Ralph Rosenblum

Starring | Woody Allen, Diane Keaton, Tony Roberts, Carol Kane

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Dog Day Afternoon (1975)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.85:1 | 125 Minutes

Directed by | Sidney Lumet | Cinematography by | Victor J. Kemper | Editing by | Dede Allen

Starring | Al Pacino, John Cazale, Penelope Allen, Sully Boyar

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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